(4 / 5)
This week I embarked on something new. I went to see one of my mum’s original favourite musicals. Crazy For You is considered to be ‘the last of the Gershwins’ light hearted musicals’ and started life over 80 years ago, first appearing in the 1930s. After a lengthily history, including a name change from Girl Crazy, Crazy For You opened on Broadway in 1992 and has now been revived in the UK for a brand new, star studded tour which started in August 2017 in Plymouth after a run at The Watermill Theatre in July 2016.
My mum originally saw this production with my Grandmother when Ruthie Henshall performed the part of Polly and she was very excited to relive the experience at one of my favourite theatres, the Wales Millennium Centre in Cardiff. However, I went into this production completely blind. I vaguely knew of a couple of the songs but I knew nothing of the story or setting so I was interested to see what I would make of a ‘traditional’ musical considering that my taste mainly draws me to shows like Wicked, Jekyll and Hyde and Phantom of the Opera.
Despite going in blind to the story of this show I was certainly familiar with the cast. Tom Chambers plays the enthusiastic, lovelorn dancer Bobby Child who spearheads the effort to save a theatre from his mother’s bank. Chambers’ performance in my opinion encapsulates the heart of the original production of Crazy For You. He does this through his outstanding tap dancing and his comedic timing, which is vital for this script as it holds so much humour, had me laughing from start to finish. He feels so authentic in this part that I truly can’t imagine anyone else playing this role.
Despite being the leading man, I feel that Tom Chambers was accidently overtaken by his leading lady. Charlotte Wakefield, coming from a successful touring stint as Truly Scrumptious after taking over from Carrie Hope Fletcher in the UK tour of Chitty Chitty Bang Bang, stole the show from all of the other principles in my opinion as she demonstrated that she can sing, dance and act as the head strong but sensitive Polly Baker. I only wish that there were more opportunities to hear her wonderful belting ability. Polly was by far my favourite character in this show and Wakefield is, in my opinion, the perfect actress to bring her to life. I would recommend this show to anyone simply to see Wakefield’s performance alongside Cambers.
However, Polly highlights the one fault I have with Bobby’s characterisation within the show. During songs such as ‘Someone to Watch Over Me’ and ‘But Not For Me’ the audience are treated to an in depth look into Polly’s thoughts and feelings which gives her depth as she reviles that her inner self is more sensitive than her tough exterior. On the other hand, I feel that this insight is missing from Bobby’s characterisation. This absence is mainly felt during ‘Nice Work If You Can Get It’. Prior to this song, during the New York Interlude, Bobby is given the New York theatre. This song shows Bobby’s realisation that he really wants to go back to Hard Rock and Polly and at the end he rips the deed to the theatre to shreds. However, his specific desire to give up the theatre seems strange as it is only his love of Polly which is referred to throughout the song. Considering that all Bobby wants to do is dance and his possible conflict between owning the theatre and chasing his love seems underdeveloped here.
Caroline Flack is another star name heading up the cast as Irene Roth. I was not surprised at all to see her name on the cast list given her dancing experience shown on Strictly Come Dancing. She also sat in the centre of Irene’s character as a spoilt, demanding fiancée to Bobby, despite some sketchy details as to how she actually gained that title. However, I simply wish that her character was given more detail and bite. As I said, the details of how she came to call herself Bobby’s fiancée is sketchy so I would have loved to have seen that story be given far more discussion in the show as both Bobby and Irene switch from lover to lover throughout the show. Irene’s lack of detail and bite are combined in Irene’s relationship with Lank Hawkins. I was expecting them to become a couple in a plan to scupper Bobby and Polly’s attempts to save the theatre and this plot point is actually referenced by Irene but then it simply disappears. The two do eventually get married but their reasoning and Lank’s threat to the theatre are phased out completely. This was quite disappointing for me and I was sad to see that it also seeped into Flack’s performance of ‘Naughty Baby’. In this number Irene seems to shift from hating Lank to wanting him quite randomly simply because her intentions are not mentioned. This did not provide Flack with any opportunity to put some real intention into this song and her singing and even dancing seemed a little flat and soft, which did not fit with the cunning, sharp nature of the song.
I have saved one of the best aspects of this production for last. The ensemble is incredible. I cannot overstate how talented they are. Not only do they all sing, act as individual characters and obviously dance to the level of Tom Chambers and Charlotte Wakefield but they also are the orchestra. Each member of the ensemble plays multiple instruments throughout the show with no sheet music present, ever. This astounded me and I loved this original iconic aspect of the show. I must admit that this was slightly distracting during some songs because all I wanted to do was watch the violinists but there are plenty of songs where they are fully integrated into the staging. This production shows a true collaboration between Diego Pitarch’s set and the ensemble’s function as the orchestra. I loved the theatre set piece as it moved between the two locations of the show but it also fully integrated the instruments into the piece. The set and lighting add another level of polish to this production.
Overall, I had a lovely time seeing this show and I would give it four stars. The comedic script is right up my street and the gorgeous sets and lighting highlighted the dance aspect to create a treat for the eyes. While I feel some aspects of the story and characterisation could have been improved, the true stars of the show, Charlotte Wakefield and the ensemble acting as the orchestra, truly blew me away. I’m so happy that I had the opportunity to try out this intriguing production and to give my mum the chance to see one of her favourite shows brought into the 21st century of theatrical production.
Crazy For You, Wales Millennium Centre, Cardiff.
05 Sep – 09 Sep 2017
Starring Tom Chambers, Caroline Flack and Charlotte WakefieldTickets: £17.50 – £49.50 (£19 – £51*)
Age Guidance: 6+ (No under 2s)
Running Time: approximately 2 hours 35 minutes including an interval
Tag Archives: Review
Review Swarm, Fio Productions by Ann Davies
The rendezvous was made; a meeting with others. The night was dark and dank as the drizzle stormed down on our gathering. Black Gothic gates barred our entrance to the large stone building. We waited patiently. We were all strangers, curious about what lay ahead. We didn’t know just what to expect.
At last, the clanking sounds came of the gates being opened; we were told to assemble in straight lines. It was almost as though we were awaiting some sort of detention duty. A loud cry went out as another person came scrambling out of the darkness crying “My child, please see to my child” as uniformed personnel rushed around, issuing orders for us to enter asking questions “Were you followed? How many? Are there any more?” “My wife, my child” were the only words that the man managed to utter within his sadness. Lost in explanation, a large door began to open to a warehouse type area; as one, we were herded into its vast inner sanctum.
Slowly, we became aware of our surroundings. We came under an incredible amount of scrutiny from a multitude of people, and saw children huddled together in one corner, as if afraid of our arrival. “We have a few supplies and blankets, please share the blankets” the voice on the speaker announced. Some people came forward as if on a welcoming bid, imploring details about the outside. The man and child were rushed to an enclosed area with a Red Cross embellished on it.
“For fear of disease” the voice continued “you will have to be examined. Your photograph will be taken, a detailed form will need to be completed; you will then be assigned a number “.
The air was stifling; people were talking wildly about their relatives and whether anyone of us knew anything about them. Hands were inspected and washed; we were each issued with toiletry samples. The siren shrieked shattering our thoughts, as the lights dimmed
“Get down and remain still!” the urgent command drilled.
We all lay prone on the hard floor using the blankets provided.
Repeated blows on the door followed as security personnel entered, they were looking for certain people, but received only a stony silence. A child cried out in pain “There is nothing we can do” a medic announced as the man walked aimlessly around.
Fear held us in its grasp. Notices on the wall were adorned with desperate messages; missing people cried out to be found. You could almost reach out and touch the growing mania of panic and distress of what we were all witnessing.
This was an experience that we had not only watched; we had participated in a human drama.
“You’ve got a swarm of people coming, seeking a better life” A play had been performed but we were also the actors, the performance may disappear but the crisis of the refugees would not go away. It was an experience driven by conflict, of painful human reality of what is actually happening. The play was called ‘The Swarm’; the company were the Fio Productions and it was staged at the Pop Factory, Porth.
It was not a tale of the unexpected. At its conclusion it was a diverse platform for the further discussion of ethical and political issues.
The truth hurts.
Review: Hairspray, Wales Millennium Centre – By Eloise Stingemore
(5 / 5)
Hairspray is back and bigger than Tracy Turnblad’s hair. It’s louder than the Corny Collins show at full volume. It’s a big bouffant of a musical!
Set in 1962 Baltimore, Tracy Turnblad, a big girl with big hair and an even a bigger heart, is on a mission to follow her dreams and dance her way onto national TV with The Nicest Kids In Town. Tracys audition not only makes her a local celebrity, she sends sales of Ultra Clutch Hairspray through the roof and bags local heartthrob Link Larkin. However, when Tracy uses her newfound fame to fight for equality, it puts her at loggerheads with Velma Von Tussle the producer of the show but also mother of the show’s “star” teenager, Amber Von Tussle, jeopardising her place on the show and her freedom.
From the opening vamp of “Good Morning Baltimore,” to the final chorus of the finale, “You Can’t Stop the Beat,” the shows score a mixture of bubble-gum pop to rhythm and blues is irresistibly catchy. Rebecca Mendoza shines in her professional debut as Tracy whereas Edward Chitticks plays Link Larkin with the right amount of cool that manages to capture your attention and make your heart flutter every time he is on stage. As for Layton Williams who is best known as Stephen Carmichael in the hit BBC Three show Bad Education, he presents a dazzling array of dance skills all whilst crafting a touching relationship with Liard-Bailey’s Penn. However, it is the coupling of Mat Rixon and Norman Pace as Edna and Wilburn Turnblad that gives the show a fantastic comic spark. Their duet of “Your Timeless To Me” was delivered to perfection and Pace body language had the audience in stitches, which makes it shame that the audience saw so little of the two together during Kerryson’s production.
The show features an impressive variety of costumes by Takis from the fabulous ’60s fashions Tracy and Edna get from “Mr. Pinky’s Hefty Hideaway”, to Corny’s comical red sequinned suit, and, of course, the giant hairdos sprayed with the titular product. However, Takis’ reliance on a projected backdrop to capture the Civil Rights protests meant at times the stage felt slightly bare but nevertheless did an excellent way of demonstrating the two sides to American society at the time.
Hairspray is full of colour, soul and free spirit that defined the 60s. It is the ultimate feel good show and judging by the amount of smiles in the foyer as people left the venue they didn’t want the beat to end.
Hairspray opened in Cardiff on August 16, 2017, with a tour around the UK until June 2018. Tour dates and ticket information available can be found here: http://www.hairsprayuktour.com/tour-dates/
Get the Chance to be a music journalist at this years Sŵn Festival.
Are you aged 14+?
Interested in brilliant contemporary new music ?
Want to Get the Chance to see and review Songhoy Blues, Aquilo, Jen Cloher, The Amazons and loads more amazing artists at this years Sŵn Festival?
Want to access a free workshop which will give you an insight into the role of a music journalist?
Then, this is for you!
What’s involved?
You will take part in a 2 hour workshop with Guy O’Donnell Director of online magazine website Get the Chance at a venue to be confirmed.
You will need to be free to attend a range of performances during the festival.
To apply contact Get the Chance director Guy O’Donnell at getthechance1@gmail.com. All applicants need to be aged 14+
Here is a link to more information on this years Sŵn Festival
http://www.swnfest.com/presents/
Review: Wax by Gina Damico by Sian Thomas
Even though I’ve read a lot of books this year (we’re into the 20s, I think), and even though I have a lot more books to read (I have 21 in my room, but reading all the books out there would be stellar, too), I think I’ve found the best one this year. My favourite one for this year. My favourite one, possibly overall? The first book that might have just overtaken all the others that I love. Wax by Gina Damico swept me off my feet, and I couldn’t be happier.
One of the most remarkable things about this book is that it’s so funny. There were so many times that I genuinely laughed at what was happening – and that was new for me. I’ve smirked or smiled while reading before, sure, but I’ve never had to take a step back, put the book down, and have a right giggle before building myself back up and carrying on. The main characters Poppy and Dud erupted the most laughter from me, but a close second being the character ‘Jesus’.
All the characters were remarkable. My favourites no doubt being the main, Poppy Palladino and Dud. I can’t get into the relationship or their dynamic too much without spoiling it, but I did love the outspoken female who acts sort of like a role model or confidant, and harmless boy whose loyal to her. They felt like best friends, and reading their interactions were always great.
I love stories lately where most (if not most, then all) of the characters end up okay, with a happy ending. I got so tired of studying Shakespeare plays and watching all the characters die in the last few scenes, I got so tired of tv shows that were “going there” and killing off main characters, I got tired of books with “twists” that just kind of stung, and didn’t impress. In truth, I got real sick of characters dying, and it isn’t like I can reach the authors I’ve read lately, shake their shoulders, and tell them there are other things that can happen in life, and I’m so glad I didn’t feel this way at all with this book. The ending reminded me a little of Big Hero 6. Bittersweet, but still ultimately happy. With and without death, I suppose. You have to read it, to know what I mean, and so I don’t spoil everything horrendously.
I remember looking at this book and thinking it was a horror. I don’t remember why, it was a long time ago, and it sat in my Amazon wish-list for a really long time before it came into my hands. I think I noted the idea of spooky wax figures and was sold, because at that time I was super interested in getting spooked by a book. Even if that was my initial reaction, and was not the outcome, I’m glad of both. I’m glad I (somehow, even if the memory of how is blurry) found the book, and that I read it. I read one chapter yesterday, and the rest of the book today. I blitzed through it immensely fast because it was just so immeasurably enjoyable. I’ve read the last two chapters a couple more times, now. I just love it so much. I am not sure anything else I read will come as close to how highly I think of this book. Which is both good (I found a new really great book!) and bad (I have so many other books to read and I am worried that they will not be able to come as close to how good Wax was). But nonetheless I give it five stars and recommend it wholeheartedly. It was so good. I don’t even have the words. I want to read it all over again.
Review: Burning Lantern Fayre, St Fagan’s – By Eloise Stingemore
(5 / 5)
Burning Lantern Fayre was the heritage attraction’s first large scale music event. Over 8,000 people descended on the country fayre styled event set in the picturesque grounds of St Fagan’s National Museum of History, Cardiff one of Europe’s leading open air-museum on a sunny albeit chilly evening.
With big names live on the main stage from the moment the gates opened, street food (Cavavan, The Grazing Shed, Taste of Spice and Dusty Knuckle), a crafts and activities tent, storytelling, a children’s entertainer, circus skills, pony rides and a vintage funfair. It is safe to say that no one was bored or hungry at the inaugural Burning Lantern Fayre!
Performances came from headliner Brit and Ivor Novell award winner Tom Odell, who gave an electrifying and charismatic performance, which featured a mesmerising light show. His unique show featured a number of hits but it was the songs ‘Still Getting Used To Being On My Own’, ‘Concrete’, ‘Hold Me’ that captivated the audience and really demonstrated why Odell is being touted as one of the country’s finest singer songwriter.
Whilst the UK first country music act to chart in the Top 10 Album Charts, The Shires, livened up the billing. Their 45-minute stellar set included a string of their biggest hits including: ‘Daddy’s Little Girl’, ‘Nashville Grey Skies’ and ‘Friday Night’, thoroughly entertained the 8,000 strong crowd and signed off their set with a promise to return to Cardiff soon.
Whereas top Motown act, Martha Reeves & The Vandellas, despite not being everyone cup tea where given a true warm Welsh welcome. However, it was hot act of the moment Jack Savoretti that brought the biggest cheers of the evening and his set went down a storm. His live set included performances of his many hits including; ‘When We Were Lovers’, ‘I’m Yours’ and ‘Tie Me Down’, certainly got the crowd in the festival mood as the sun set on the stunning location.
The first even Burning Lantern Fayre was a huge success with the 8,000 strong-crowd enjoying a variety of music, entertainment and food under the sunset skies. Here hoping that the buzz of Wales’ newest music event hopefully ensures it was the first of many Burning Lantern Fayres to come!
Review: The Adventure Zone by Sian Thomas
The podcast, The Adventure Zone, has just recently finished it’s first ‘season’, so to speak. This is a podcast wherein three brothers, Justin, Travis, and Griffin McElroy and their father, Clint McElroy, play Dungeons and Dragons (loosely following the rules, as the podcast becomes less about the game and more about the stories entwining the characters they created). It’s a new, innovative, and interesting approach to storytelling which I look forward to seeing progress and become more prominent in the years to come. Although there are other storytelling podcasts (such as Welcome to Nightvale, Alice Isn’t Dead, or other Nightvale Presents podcasts) they don’t include adventure-esque games to propel and support their story. I really liked how the DM, Griffin McElroy, utilised this game and even deviated from it to better support his campaign. A great aspect of using it was a non-imposing introduction to the game. I know that many people don’t have an interest in the game or have a negative perception of it (I did, too), but because the podcast only hinges on it slightly (i.e. for battles or checks in ability, etc) it isn’t distasteful for those of us who didn’t think we’d ever like it. Besides, the elements of the game fall behind eventually, as you’re swept up in the story and with the characters.
The story itself is incredible. It’s something I can’t quite describe without pouring out the whole plot and every little secret and nook and cranny of the intrinsic campaign. But, without a doubt, it is the most enthralling and attention-grabbing story I’ve ever lived through. The end even includes wonderful closure (and a long “where are they now?” segment which soothed me spectacularly. Closure in stories is always wonderful, neat little bows to end a story and give it that perfect finish is something I always have, and always will, appreciate).
I don’t think I could begin to describe the staggering depths of my genuine love for this podcast, story, and characters. I don’t think any words I might have in my mouth could tell anyone about what it means to me. The simple fact that I could listen to this podcast in bed and picture it so vividly and individually unfolding before me was the most wonderful thing, that fit me to a T, and made it that much easier, is the closest I could get, so at least people can know how I came to love it, and so maybe they could, too.
Aside from the main three characters, there were a multitude of NPCs I shamelessly fell absolutely in love with. Even better, as the finale reached its conclusion, the brothers McElroy and their father were sure to include as many as possible, and the thrill of seeing old favourites sparked anew is irreplaceable and always feels amazing. The lengths that these four went to to simply include as many characters as they could to make others happy to see their return was phenomenal. I’ve never seen creators so open to their fanbase, and so willing to listen to them, too. They were considerate at every corner of this story, and that’s something I look up to. Some of my favourites is Angus McDonald (a young boy detective), Lucas Miller (a scientist), and NO-3113 (a robot). I can’t explain them too much without giving things away, which I really want to avoid doing, just in case anyone does decide to start up and listen to this podcast, but these characters, among others, are
The Adventure Zone even incorporates a fully-fledged soundtrack (https://griffinmcelroy.bandcamp.com/ / https://soundcloud.com/griffinmcelroy) which is honestly incredible, and something I love listening to in my day-to-day, or on my commute. I’m listening to it right now, as I write this.
I was waiting for the arc of The Adventure Zone to fully wrap up before reviewing it, and now that this part of it has ended I’m equal parts happy (so happy, it was such a thrill, I’ve never loved a story so much) and sad (I’m going to miss this arc and these characters a tremendous amount), but it is, honest and truly, one of the best podcasts out there, I think.
More technical information can be found at: http://mcelroyshows.com or http://www.maximumfun.org/shows/adventure-zone and this can also provide a place to listen to the podcast. It could also be found on iTunes/the podcast app on Apple phones, or anywhere else podcasts can be housed. I gave it five stars because I can’t recommend this podcast enough, I enjoyed it so thoroughly and so heartily that every day I am immensely grateful that it was brought to my attention. I don’t think I could ever sound objective about this podcast no matter how hard I tried because it just swept its way into my heart so easily and so strongly, and I’d let it every time. It’s good. That’s all there really is to it, for me.
I will say, in case anyone does pick up this podcast, the McElroy’s voices are hard to distinguish as first (or at least, I struggled at first), although it does get easier. However, I didn’t want to waste time listening to a story-based podcast and being confused and missing crucial start-up points, so, I recommend listening to a few episodes of the McElroy brother’s podcast, My Brother, My Brother, And Me first (http://www.maximumfun.org/shows/my-brother-my-brother-and-me) as to avoid this issue.
Review Atomic Blonde by Jonathan Evans
(4 / 5)
There are many movies like Atomic Blonde. A sensitive, political situation where a top agent is called in to handle it and what follows is a chase, gunfights, hand-to-hand combat and some sharply worded moments over a bar. Many movies follow the same form, what matters is the effort and result. This decided new film from director David Leitch decided to use a more vibrant colour pallet and attempts to really make you feel the fights going on.
What is the plot? Who cares. Seriously though the movies premise is as simple as I previously described but in order to be professional I’ll elaborate. In 1989 the Berlin wall came down, the city was complicated in terms of it’s politics (to put it simply), spy’s are everywhere, one spy is taken down who has a list of the names of all the active spy’s, there is another man that wants to defect and has committed all the names to memory. So Lorraine Broughton is called in cause she’s the best at all secret agent skills. Honestly this doesn’t matter, the plot is a thin clothing line to take us from one set-piece and character after another.
Charlize Theron has established herself as one of our greatest living actors. Able to handle intense emotional material and be the grand star of a blockbuster. This is a role where she is the Fe-male equivalent of James Bond, stylish, a drinker and very dangerous. She is beautifully shot however the filmmakers don’t just make her a something beautiful, she is a fighter and they give her bruises and cuts.
In Berlin her contact is David Percival (James McAvoy), a British agent that has allowed the corruption and brutality of Berlin to envelop him. McAvoy can handle this kind of role with ease, he is the kind of actor that believes in giving it all or go home. He gives it all.
During the day Berlin is a city of black and white, but at night it comes alive with dark shadows and turquoises and fuchia. The colors are in-keeping with the time and feel of the movie, disco and dance.
The extra layer of style in the movie is the soundtrack. Banging dance tracks that add a spicy tone to the movie as well as make the feel rather tongue-in-cheek. This works, it allows you to get into the rhythmic nature of the movie and know that it’s about the style and experience.
https://youtu.be/8JeU0_1CTdA
Not every movie needs to stir your soul. Others don’t even have to be that original in terms of their premise, but they do need to properly convey their goal. Atomic Blonde seeks to entertain you showing a dank, sexy ride. It does this very well, you are seduced by the aesthetic and engaged by the visceral action.
Review Dunkirk by Jonathan Evans
(5 / 5)
There is the location, the situation, the characters and the deadline. All are set, wound up and then the ticking begins.
Dunkirk is not so much of a war movie as we traditionally expect one to be. We see soldiers, it is set in World War Two and there are moments of gunfire but its closer to Grave of The Fireflies because of it’s tone and more about the effect of war.
Our backdrop is the beach of Dunkirk where French and British soldiers were pushed back to and the Nazi’s have surrounded them and are going to move in for the kill. Some ships are coming to pick them up but they often get shot down by planes.
We have about three situations going on. One follows a young private named Tommy (Fionn Whitehead) who just wants to get on a ship and get out alive. Another follows Mr Dawson a man who owns his own boat and is taking it upon himself to rescue all the soldiers he can. Another is Farrier (Tom Hardy) a British pilot that has to defend what ships he can but a shot has rendered his fuel gauge broken so he has no idea how long he has left.
Seeing the movie is like seeing Hitchcock’s Notorious. Christopher Nolan has reduced this movie to as few spoken lines as he could and focused on sharply telling the story through visuals.
Throughout the movie it is all about choice. The characters are all facing death and how they decide to go about it. The young private doing all he can to stay alive, the pilot that is remaining in the fight to defend the troops as much as he can, even though his plane could give out any minute, the old man that has a boat so is going to pick up some soldiers even though he will most likely get shot down and die for nothing.
Over the course of watching the movie you will grasp that it is told out of order. Each characters narratives starts and you then learn that they intersect with the others. I tell you this because it isn’t really important, there is no twist involved with it, just a refreshing way to tell a plot with multiple characters from different perspectives. The kind of thing I expect and appreciate from Nolan.
This is Christopher Nolan striping himself back. His movies have become increasingly more dense and complicated, not in a bad way, though he has gotten pretty close to over-packing his movies. This is a simple concept with minimal dialog and more about clearly telling a gripping experience.
Review Shin Godzilla by Jonathan Evans
(3 / 5)
Godzilla was first conceived as personification of the destruction caused by the nuclear attack on Japan with an anti war message behind the whole thing. Though through other more child friendly interpretations and marketing gimmicks the king of the monsters has been made into a joke. Though there are limitations on how seriously the image of a man in a rubber suit as well as the concept of a giant lizard destroying a city can be taken there is no doubts that the first movie meant it to tackle serious subject matters.
In 2014 we got the Hollywood version of Godzilla by Gareth Edwards, which is one of the most unhappy times I have ever had in a movie theatre. We hardly ever got to see Godzilla, the human characters were un-engaging and the image was so dark that hardly anything could be seen.
Now for whatever reason Toho has decided to make their own movie. Reintroducing the character for a new audience. It opens on a day like any other, only this day there are movements coming from the sea, first just ripples, then things start poking out, eventually it moves into the city and nothing stops it. So now the people in-charge must make decisions on how to deal with this creature.
Though we still live in a world where the threat of nuclear annihilation is possible, it’s not the prime concern. This movie’s focus is in dealing with a colossal threat that seemingly comes out of nowhere. It layers itself with seeing Godzilla on the move and the devastation he is raining down and the officials running around trying to understand the creature and make decisions.
In the directing chair is Hideaki Anno, legendary anime director who will probably always be closely associated with Neon Genesis Evangelion (which also includes the earth dealing with giant monsters attacking them) one of the most legendary titles in anime. This is his first work in live action and he adapts well. He knows how to visually convey information with a few or even a single image.
This design of Godzilla is probably the most threatening and horrifying version that’s ever been conceived. They stay true to the mentality of a man in a rubber suit, having his movements be slow and limited. His skin looks like glowing, burning scabs, tiny and focused eyes like that of a shark a mouth filled with razor sharp teeth.
Along with the new look is also the classic powers that he’s known for and some new ones that are explained by adding something to the mythology. I wont tell you what it is but its a satisfying one that allows the legend to adapt and grow in this new time.
Though the sharpness of special effects is not everything, not even the most important thing in movies it is still important. This is because if we don’t believe that monster, spacecraft, laser-blasts, castle are really there then we are taken out of the experience. The rendering of Godzilla is shoddy to be frank, especially in the early stages, other things like trains look rather fake too, however such things are forgiven if they are in a story and situation that has grabbed you.
There are many human characters in the movie that all run around the rooms and spout their opinions and facts that are coming in. There are definitely over twenty characters that are introduced through a gauntlet of a passe. They talk very fast and their credentials pop on-screen at the same time, never stopping. There is a part in the movie where they all wake-up from working all night and decide to take a break and eat, then they reflect on how hard everyone has been working. This moment alone lets you connect and feel for these characters more than any complicated speech or feat of heroism. However I’d still be lying if I said you walked away really having gotten to know anyone.
This is not the great reinvention of the character or the monster. But I have seen how bad a movie like this can get. It is not boring and the image is clear and the sense of panic and destruction are effective.