Tag Archives: New Theatre

PREVIEW, FISHERMAN’S FRIENDS: THE MUSICAL, NEW THEATRE CARDIFF

This is a syndicated interview for Fisherman’s Friends: The Musical, which is performing at the New Theatre Cardiff from 25-29 Oct 2022. Stars Robert Duncan, James Gaddas, Susan Penhaligon, along with director James Grieve and writer Amanda Whittington, discuss why it’s the ultimate feel-good show.

As the world premiere production of Fisherman’s Friends: The Musical embarks on a UK and Ireland tour, director James Grieve promises audiences are in store for “a feel-good, foot stomping, sea shanty musical telling the astonishing story of the world’s least likely boyband”.

Based on the true story of the Cornish singing sensations and the smash hit 2019 film about them, the show has already played to packed houses at the Hall for Cornwall in Truro – where it broke box office records as the most successful production in the venue’s history.

Grieve is in no doubt as to why the musical, with its mix of comedy and drama, was so rapturously received in Truro and why it is sure to captivate audiences around the country. “It’s so heart-warming to see a group of very normal, humble people achieve something extraordinary,” he says of the tale of a bunch of fishermen who come together to sing traditional working songs to raise money for charity, never expecting to land a record deal and end up performing at the Pyramid
Stage at Glastonbury.

“The real Fisherman’s Friends are ordinary blokes who work hard as fishermen, farmers, builders and shopkeepers. We all see ourselves in them. They never sought fame and fortune but it found them and their remarkable talent, and it’s wonderful when good people get justly rewarded. That’s what makes this story so uplifting. But more than a story about finding fame and fortune it’s a story about friendship, loyalty, community and the unbreakable ties that bind us, and it is full of humour.”

The multi-level set designed by Lucy Osborne recreates the fishing village of Port Isaac, including the famous Golden Lion pub where the lads first begin singing over a few pints, as well as the Atlantic ocean and locations in London.

There’s also a life-size boat on stage, with the director adding: “We wanted to capture the hard graft and very real danger of life as a working fisherman at the mercy of stormy weather and
rough seas. I’m fortunate to be working with a world-class team of creatives who have summoned howling winds, towering waves and vicious storms through dazzling design, lighting, sound, choreography and music.”

As in the film, the audience discovers the Fisherman’s Friends through the eyes of Danny, a music manager who stumbles into Port Isaac and finds his life transformed by the village, the band and the songs.

Starring as Jim, the group’s lead singer, James Gaddas is no stranger to musicals. He’s known for Bad Girls and Hollyoaks on TV but he’s also been in the likes of Billy Elliot, Spamalot
and Mamma Mia! on stage. “But I’ve never done anything like this before. It’s earthy and visceral. The music is strong and grounded. It dates back as long as 200 years ago, with the fishermen adapting it for today but staying true to those roots.”

There are 37 musical numbers in the show, including most of the songs from the film and many more besides, with the singers accompanied by seven folk musicians who between them play around 40 instruments. “And the band are stunning,” James enthuses. “You get a cappella performances, then the counterpoints when the musicians join in.”

The actor describes Jim as a man for whom his boat, his crew and singing with his mates are his life. And Gaddas feels there’s a universality to the characters, noting: “These are people you can relate to and we all want that magic moment when things turn around for everyday people doing everyday jobs. It’s like a kid playing football in the park and a scout just happens to be there. It’s something unexpected suddenly happening to the underdog.”

Robert Duncan plays Jim’s father Jago, who is in his 70s and the elder statesman of the group. Born in the Cornish town of St Austell, Duncan didn’t hesitate to say yes to the show. “It’s set in a place I know very well,” he says, “and I was excited about doing something from my own neck of the woods. It’s like me paying homage, plus I’d never done a musical before.”

The star of Drop The Dead Donkey has toured in Twelve Angry Men and Rehearsal for Murder. How is he finding singing the sea shanties? Robert laughs. “It’s certainly not water off a duck’s back but David White, our music supervisor and arranger, told me ‘We don’t want the most wonderful voices in the world, these are fishermen, so do it as you believe working people would sing’. I did sing in choirs when I was younger but before this I’d never have had the confidence to sing a song on stage. Somehow this felt like the right time and when I was given the opportunity I grasped it with both hands.”

The story, he believes, is in many ways specific to Cornwall yet it has a universal appeal. “Some of the things in it are peculiarly Cornish but the idea of how the landscape shapes people is
true wherever you go. Plus it’s about community and getting through things together, which is now more relevant than ever.”

Duncan believes audiences around the country are going to love the songs in the show. “The a cappella group, which I feel privileged to be a part of, creates such a strong sound and it touches people. There’s a lot of emotion in this play and it’s not just a cappella, we also have the folk band who are so talented they can play anything. They become a part of the community on stage, wondering around with harps and double basses.”

Playing Jago’s wife Maggie is Susan Penhaligon, who was also raised in Cornwall and says: “There’s an old phrase ‘Cornish women be brave and stubborn’ and that’s what Maggie is. Her
roots are in Cornwall and she’s typical in that she’s independent, free-thinking and tough. I love her and I feel like I know her.”

Having lived in St Ives and Falmouth from age six until she went to boarding school in Bristol when she was 11, Penhaligon adds: “Fisherman’s Friends is a Cornish story and they don’t come along very often. As far as I’m concerned, we’re exporting the right kind of Cornish culture rather than bobbing boats, pasties and jam and cream on scones. It’s not the picture postcard image, it’s the real Cornwall.”

Asked if she can relate to Maggie as a character, she laughs. “Yes because I think I’m also brave and stubborn.” And she agrees the story will resonate around the country. “It’s has a truth to it and it’s about history. There’s something basic and organic about it that touches people and the music is fantastic.”

The actress came to fame in Bouquet of Barbed Wire and is known for A Fine Romance and Emmerdale on TV and a variety of stage roles including Three Sisters and Of Mice and Men. Fisherman’s Friends is only her second musical, after she played Fräulein Schneider in the 2017 tour of Cabaret. “And I’ve never been so terrified in my life,” she recalls of singing on stage for the first time, “but by the end of the run they couldn’t get me off the stage.” She laughs. “When it comes to the singing, I’m an actress who gets away with it.”

Adapting the story for the stage, Amanda Whittington points out: “It’s a fascinating world to explore and discover. Port Isaac and the fisherman’s way of life is rich territory for drama and the characters are funny, real and recognisable. “Then of course there’s the sea shanties, which are beautiful and timeless. The traditional shanties are the backbone of the story but there’s also contemporary songs of the sea and wonderful new songs written especially for the show.”

The writer, whose previous stage adaptations include Saturday Night and Sunday Morning and Tipping the Velvet, is seeking to strike a balance between fact and fiction, explaining: I love the fact it’s about a real place and time, yet it’s full of mythical and magical elements. It’s about making sure we stay true to the original fishermen’s story but embracing the possibilities theatre brings.”

As for what she hopes audiences will take away from seeing it, Amanda says: “Times are tough and we want Fisherman’s Friends to be a joyous and life-affirming experience for all. It’s a
story about the place you call home, whatever and wherever that is. I also think you’ll be literally taking the songs away in your head and heart. Once heard, they’re never forgotten.”

Barbara Hughes-Moore interviews Rhys Jennings on When Darkness Falls

Get the Chance Community Critic Barbara Hughes-Moore speaks with actor Rhys Jennings, who is part of the touring cast for the When Darkness Falls. This spooky stage thriller is written by James Milton and Paul Morrissey, and is based around the legend of ‘Guernsey’s Ghosts’. The show is playing at the New Theatre Cardiff from 11 – 15 October (you can find out more about the production and book tickets here). Rhys chats about understudying the two lead roles, how the cast keeps it fun behind the scenes, and why you might just walk away from the show believing in ghosts yourself…

This interview has been edited for clarity.

Thank you for taking the time to sit down and speak with me today, Rhys.

Thanks, Barbara!

Tell us a little bit about When Darkness Falls.

When Darkness Falls is a two-hander ghost story set in the modern day but which brings up lots of stories of the past and hauntings and ghosts. It’s set on the island of Guernsey, so it takes all this local mythology and weaves it into a two act play over the course of one night. It aims to provoke debate about what ghosts are and what the paranormal is, but also with a few scares. It’s good fun!

So what is your role in the play and how did you get involved?

So I have a very interesting role. As I said, it’s a two hander and I am the solo understudy in this show. So it’s your classic two hander where you get an older and a younger actor so they needed someone halfway between through the two! It’s a very odd experience, actually: I’ve done a lot of understudying before, but this is basically an entire play, and you’re always on edge in case someone gets ill or is off, and up you go with not much rehearsal.

It’s really interesting, and it’s lovely to be part of such a small company as well, this is a very tight-knit group of people. We’re only a few weeks into the tour at the moment and everyone’s very close, and it’s a really fun company to be part of.

Peter Duncan and Daniel Rainford in When Darkness Falls

How do you manage to keep it fun behind the scenes when you’re in such a scary show?

I think the guys have really managed to just enjoy the text of it, because there’s lots of storytelling which could easily become very drab and dreary. It’s about two people interacting with one another, and how a story can trigger more memories. It’s been really fun to be part of that process and to be able to offer some input as well to the guys as they work.

Do you have a favourite role out of the two?

It’s tricky! Peter Duncan, who is famous for many things but many have a soft spot for his Blue Peter days, is playing the older part, and there’s an incredible young actor in his 20s called Daniel Rainford. So I think perhaps you’d put me in the younger part but I’m looking forward to one day playing the sort of roles Peter Duncan does. I do overall prefer the older role that is a storyteller and who has a bit of a mental breakdown throughout the course of the night. That’s more interesting to me, I think.

Have you performed at the New Theatre before?

I’ve performed in Cardiff before but never at the New Theatre! I’m really looking forward to coming to Cardiff, because I trained at Royal Welsh College of Music and Drama. It’s really nice to make a return visit because I haven’t done anything that’s come back to Wales for a good few years. I’m really excited to show the guys in the company around Cardiff.

Daniel Rainford and Peter Duncan in When Darkness Falls

What do you think Welsh audiences will take from the show?

While it’s set in Guernsey, it has a similar bucolic, rural feel and a lot of similar folklore and ghost stories. I think Welsh audiences will enjoy it for that. It’s quite a universal debate the characters are having over the course of the evening about what a ghost is: sometimes it’s repressed trauma and guilt, so a lot of that is very universal. It’s an interesting thing to watch.

Without spoiling anything, is there a particular moment you would want audiences to look out for?

That’s a really good question, because it’s one of those plays where audiences might think they know what’s going on – but if they pay attention they’ll be able to see the ending. It’s a bit like an Agatha Christie mystery: if you’re canny enough, by the end you get that real satisfaction of figuring out the ending. So listen and see if you can pick out a few of those themes that are repeated. Do a bit of detective work as an audience!

That’s a great challenge to give audiences! What do you think the secret is to make a good thriller in the theatre?

It is tricky! I think it’s all about suspense and rhythm, and also having two little stories going on: one where the audience might know a little more than the characters at certain moments and vice versa. It’s about who has the information, and you can gift that to an audience, make them feel that they know something that even the characters don’t. That can be really exciting for a thriller. Or you can have an object that has been in the background the whole play, and eventually pays off – in fact, we might have one of those in ours!

Peter Duncan and Daniel Rainford in When Darkness Falls

The last ‘spooky’ show I saw at the New Theatre was Ghost Stories, which was also made into a film – I didn’t sleep for a month!

I was involved in the film! I had a very last minute call from my agent asking me to fill in for an actor on the day of the cast readthrough. I’m still fairly early in my career, and I’m not in the finished film, but I was reading lines with Martin Freeman and all these amazing actors. I don’t know how I managed to get a ticket into that room, but that was a great experience.

So you were like a ghost: an unseen presence that kept the whole thing going?

Yes! I like the acting profession for all these strange little moments you have – it’s never boring. I straddle a bit of writing, a bit of acting and voiceover, and I like constantly dipping my toe into different things. You get all these strange, wonderful little anecdotes.

Does being involved in such different mediums – film, voiceover, theatre – give you different shades of ‘acting’?

Yes, and the things you learn from one thing help you in another. I got very into puppetry for a while and toured the world doing it, and it’s only much later when you’re doing something more text-based, that you suddenly realise the connections. Through the course of your career start putting things together in unexpected ways. It’s really fun. We’ll be performing in Guernsey a couple of weeks after Cardiff, and it’ll be interesting to see what different audiences react to. Different places have a different sense of humour. I’m really excited to see how Cardiff audiences will respond to it!

Daniel Rainford in When Darkness Falls

Is there something that really surprised you about being part of this show?

In the early part, I thought it was going to be very lonely as there’s not many people backstage. And while it can be lonely at times, I’m surprised by how much warmth and humour there is; a real camaraderie to the show and I feel very included in that. Theatre can sometimes be quite hierarchical: my first job was understudying in a show that had enormous stars all the way down to new graduates fresh out of Drama School, and there was quite a lot of hierarchy to that. Here, though there’s a difference in age between all of us, it feels like we’re working on this together. Especially after everything we’ve been through the last few years, it’s nice to be part of a family again.

What’s it like working with a household name like Peter Duncan?

I’m not quite in the generation that grew up with Peter, but in my generation of Blue Peter presenters they would talk about his adventures, like him scaling Big Ben. There are lots of stories and ancedotes that Peter is just brilliant at: listening to him, you get the sense that Peter would go over to someone and say ‘I’ll give you a Blue Peter badge if you help my friend’. It feels like a skill we could all do with!

What’s coming up for you after this tour?

I’ve spent a long time writing a musical called The Wicker Husband, which opened at the Watermill Theatre earlier this year, and hopefully it will have a future life as it’s a beautiful thing. Do keep an eye out for it: it’s about an old basket maker deep in the swamp who weaves creatures out of wicker who come to life, and he weaves a beautiful husband for a girl who everyone thinks is ugly, so much so that she thinks herself that she’s ugly. Throughout the course of this beautiful musical, she learns that there’s no such thing as ugly; that ugliness isn’t something you can see.

Three words that sum up When Darkness Falls for you.

Surprising, suspenseful, curious.

Do you believe in ghosts?

Do you?

Yes.

Do you really? That line actually pops up in the play.

Do you think that audiences will believe in ghosts after this show?

I think those that are skeptical will be more open to the idea that ghosts can mean. ‘What are ghosts?’ is an interesting question to go in with.

Thank you, Rhys – we can’t wait for the show!

INTERVIEW WITH JAY OSMOND, THE OSMONDS: A NEW MUSICAL UK TOUR

What follows is Vicky Edwardssyndicated interview with Jay Osmond.

Jay Talking
They say you should never meet your heroes, but seriously? I mean, asking a 70s kid to interview an ACTUAL Osmond? The guy who sang Crazy Horses?  WILD horses wouldn’t have stopped me.

Any fears about heroes having feet of clay prove unfounded. Jay Osmond is lovely.  Meeting me to chat about the World premiere of The Osmonds: a New Musical, I’m curious about the show he calls a ‘living memoir.’

“I wrote this book called Stages about my life. It turned into more of a travelogue, so I always wanted to do a backstage version that included not only the good times, but the bad and sad times too,” he explains.

A friend and producer of Jay’s had an idea. “He said ‘why don’t you write a living memoir and put it on stage?’ And I thought ‘Exactly!’ I have always loved the stage – for me it was one last frontier to conquer.

“I wrote it from the heart. It was hard; I had to play my drums a lot to get my emotions out, but it all boiled down to this: why did we do what we did? It was because we wanted to help people; to use those talents to do some good in the world. I wanted to put that purpose into the show. I think you can do almost anything in life if you have a purpose.”

And you’d need a sense of purpose to get 30+ songs and Jay’s story into a two-hour production.

“It was a challenge,” he admits. “It’s about the four brothers who were at the start. I was one of them. The story starts at the 50th anniversary and then goes way back. Each of us has a different perspective, so this is very much my perspective; hard times, fun times, why we did what we did and how we did it as a family.”

The result is a show that, by all accounts, has broad appeal. Great music and a great story, in which Jay pulls back the curtain to reveal the real family behind all these hits – parents George and Olive Osmond and their nine children; it taps into something richer and is a show that will speak to everyone.

Shrugging modestly, Jay concedes only that “Our music really is multi-generational.”

He’s more effusive, however, about the show’s creative team, praising them and recalling the moment during the workshopping process when he realised that they had created something special.  

“To see people laugh, cry and sing along – I knew then that it would work. We have been so blessed with the talented people involved.”

Jay started his barbershop quartet with Brothers Alan, Wayne and Merrill. They had no idea they would go on to become one of the most famous groups in history. Singing initially to fund hearing aids for their two older brothers, Virl & Tom, they were discovered by Walt Disney in 1961. Mentored by Walt, they were invited to appear on The Andy Williams show, achieving global fame. Adding brother Donny to the group, international tours and high profile TV appearances followed. Selling millions of records worldwide, earning dozens of awards and more than fifty gold and platinum records, The Osmonds remain pop royalty.

And even though he was voted one of the top 10 drummers in the country during the 1970s, co-wrote many of The Osmonds’ hit records and choreographed their shows – as well as being an accomplished TV producer – Jay brushes off his achievements. And again, the modesty is authentic. Our Jay is not a man who puts on an ‘interview’ persona. The kindness and warmth is sincere – and never more so than when he talks about the fans.

“We call them friends, not fans,” he corrects me gently, “and we hear them when they tell us that our music helped them at difficult times in their lives.”

Their ‘friends’, it transpires, were a big part of the decision to premiere the show in the UK.

“This is where our family was so welcomed. Osmond-mania kind of happened everywhere, but there was something about the UK; our family was so accepted and so loved here. We have been to almost every place on the tour list at some point and they are places that hold so many memories. We’ll go to Canada and America too, sure, but it feels right to begin here.”

It also feels like the perfect show for a world emerging from the misery of the pandemic.

“I think it really is,” he says, smiling. “I want it to be a celebration of helping people out. I want people to walk out of the theatre feeling lifted and excited about life; to feel joy. That’s my goal. I am humbled by the fact that we have been blessed with people who have loved our music and that we might have played a small part in their lives when they have faced challenges. I want them to know how much they have helped me and my family. They are part of The Osmonds. It will feel like a high school reunion when they come to the show!”

Or as one ‘friend’ said to Jay recently: “This is not just your story; it’s ours too.”

And that’s something he’s very respectful of. But then respect has always been important to The Osmonds.

“It’s a really big part of our belief system and of our perception. We had talent, but we didn’t do what we did to be famous or to make money; we did it to serve people. When we collected our People’s Choice Award, immediately after, Mom and Dad reminded us to do our chores. Our parents always reminded us what was important: Do what is right and the consequences follow. We have had to make a lot of choices along the way, but it’s been a great journey.”

Ah, but it’s not over yet, Jay. Next stop the show. And it looks set to be a spectacular jaunt down Osmond memory lane.

Take 5: five quick-fire questions for Jay Osmond

What’s your favourite Osmonds song and why?

Love me for a Reason. Because ‘let the reason be love’ is a message that is so powerful. But Crazy Horses would be my next choice.

You did karate as a young man. Still doing the fancy kicks?

No, not nowadays. But I keep fit. I’m a walker – I love to walk. And I love football. I’m also doing the Pure Trim diet at the moment. It’s organic and very pure and I have lost 30lb in the last 6 months.  

Big families usually mean hand-me-downs. Did you have hand-me-downs?

We had so many clothes thrown at us in the 70s that we didn’t need to hand down. But when I look back at some of the things we wore – wow! But hey, it was the 70s and we all wore crazy stuff. I can’t wait for people to see the costumes in this show!

What’s your most memorable moment of being in The Osmonds?

So many, but one that stands out is the night we went to watch Led Zeppelin in concert. We were introduced to the guys and they were just the nicest people! Robert Plant asked us to join them on stage for Stairway to Heaven. We weren’t sure that their audience would appreciate us, but eventually we said OK. Robert introduced us as his brand new friends. I played percussion and conga. It was incredible!

What is your philosophy for life?

Go about life and do good. Because when you do good, you feel good. And have a purpose. Be a light to others. To me, that’s the goal in life. It’s the key.

How do you want people to be feeling when they have seen your show?

I want people to walk out of the theatre feeling lifted and excited about life; to feel joy. That’s my goal.

The Osmonds: A New Musical is playing at the New Theatre Cardiff from Tue 4 October – Sat 8 October

INTERVIEW WITH GARETH MALONE, SING-ALONG-A-GARETH! UK TOUR

What follows is Richard Barber’s syndicated interview with Gareth Malone, who is touring his new Sing-Along-A-Gareth! show throughout the UK this autumn

He’s taken the Military Wives to the top of the charts. He’s had us all singing from our kitchens during the pandemic. Now the irrepressible Gareth Malone, choirmaster extraordinaire, will be spreading joy the length and breadth of the land together with his band, four professional singers and a choir, local to each venue, on a tour of Britain’s theatres.

Sing-Along-A-Gareth! (“I like the fact it’s got Gaga in the middle,” he says, with a smile) opens at The Lowry in Salford on October 26, taking in, among others, Liverpool, Cardiff, Bath, Norwich and London at the Cambridge Theatre on December 5, before coming to a rapturous climax in Poole on December 16.

“I’ve been involved in choirs for many years now,” says Gareth, “and then along came performance stuff on TV. But I’d never quite married the two together although, on previous tours, there was always audience participation, moments when I’d encourage people to join in with the singing.”

During the pandemic. singing was as good as banned. Then came the Great British Home Chorus which saw thousands of people around the country sing with Gareth from their kitchens, bedrooms and living rooms.  Every day at the same time, Gareth would bring joy through music into people’s homes reaching an average of 20,000 live viewers every rehearsal.

So, was a tour part of the plan? ‘I promised myself that once lockdown was over, I’d get back on the road and get out in front of audiences. I wanted to hear people singing again and to entertain them’.

As soon as he put the word out, he started receiving messages from people saying their whole choir would be there. “I love that. I see this tour as a celebration of people coming together after all those months of isolation. It’s certainly the first time for almost three years that I’ll have been on the road performing in public.”

Gareth Malone

The first half of the show will see Gareth, and a group of singers and musicians, perform songs he’s sung over the last fifteen years as well as some tracks he performed with the nation during lockdown. Playing piano, guitar and bass, Gareth will tap into the musical talents of the audience to write their own songs composing something special and unique to every venue. In Cardiff, it might be about Cardiff Bay.

The second half will see a local choir from each venue perform with Gareth, continuing the fun and bringing people together. Improving mental health, wellbeing and happiness, singing encourages a real sense of community, something that was so lacking during the pandemic. Gareth is happy to bring back that sense of togetherness with a feel-good evening of upbeat fun tracks we all know and love which everyone can easily sing along to.

He’s put together a song list, available now online, for the show. “I’m adding to it all the time but it’s guaranteed to include arrangements for some of those numbers people will be familiar with from Home Chorus.

So, what will audiences be singing?

“Elton John’s I’m Still Standing for its positive message,” he says, “and Walking On Sunshine by Katrina and the Waves for its joyful optimism.” There will also be Hey Jude (arm-waving obligatory) and Wake Me Up, the Avicii song sung by Gareth’s All Star Choir which topped the charts in 2014 when it became that year‘s Children In Need anthem.

“And I’d have to have Simon & Garfunkel’s Bridge Over Troubled Water.” Then, of course, there will always be a place for Wherever You Are, the song that propelled Gareth’s Military Wives choir to Number One at Christmas 2011, selling more than the rest of the Top 12 combined.

He’ll also be including Fields of Gold, made famous by Sting. “It’s a beautiful and uplifting song, a particular favourite of mine and with a quality that will resonate with everyone, in my opinion, particularly if they were to think of the loss of the Queen.

“I was sitting on the sofa a moment ago, playing it on my guitar, and it’s one of those songs that you can read in a number of ways. There’s a haunting quality to it, something that evokes memories, both happy and sad.”

From as far back as he can remember, he says, Gareth always wanted to do something a bit out of the ordinary with his life. His father worked in a bank; his mother was a civil servant. At secondary school, he grew increasingly enamoured of performing: in plays and orchestras and jazz bands and pop groups.

“Choir was like the background of my everyday life. I’d go in at ten past eight and we’d sing for about forty minutes every morning except Friday when there was a school assembly which I hated. That was seven years at a very formative stage.

“I wasn’t quite sure where any of it would lead. I did a drama degree but, when I came back from university, I realised that music was missing from my life. My epiphany came in a concert. I sang a note which seemed to reverberate off the rafters and, on the walk home, I made up my mind I was going to be a professional musician.”

At the London Symphony Orchestra, he ran a number of educational workshops. When someone said they were starting a community choir and would he like to run it, he didn’t need to be asked twice. “In the end, I ran two choirs: one for adults, one for children.” It’s how he came to the attention of the BBC. “And that’s how Gareth Malone, choirmaster, was born.”

He’s a natural performer, something that was traced back to his mother’s father, Teddy, when Gareth was the subject of BBC1’s Who Do You Think You Are?. “My grandfather was the sort of man who’d dance round the lawn in his underpants to make everyone laugh.”

In much the same way, Gareth enjoys working with an audience. “On this upcoming tour, I’ll be encouraging people to help me make up a song about their local town or city. So, in Bristol, it might be something to do with Isambard Kingdom Brunel. I like that interaction, the sense that you’re taking the crowd with you.

“The nice thing about a tour is that, if the lights went out, I’ve got my guitar so I could sit at the front of the stage and we could all sing a song together. It’s organic. I love the immediacy of a live audience.

“But I couldn’t possibly have predicted that, one day, I’d be going on tour, for instance, and filling theatres with people singing at my behest. I’m doing what I really love. I’ve been very, very lucky.”

The only possible downside in a life of wraparound music is that, nine years ago, Gareth was diagnosed with tinnitus. “I had an ear infection in 2013 which left me with a ringing in my right ear. But I’m lucky in that it’s not hearing loss and lucky, too, that’s it’s very mild – like a high-pitched whistle in one ear – because it can be very isolating and, at its worst, send you round the twist.

“Plenty of people respond to music that’s bone-shakingly loud. Not me. I look after my hearing. There’s been no degeneration in my hearing for some years now. And, given what I do for a living, that’s got to be a good thing.”

Recently, Gareth had special ear moulds made that let in the good sounds, as he puts it, and keep out the dangerous frequencies. “I wore them to a gig recently and it was such a nice experience.

“I shall be conscious of that on the tour. For me, volume does not equal quality. You can be moved by two recorders being played without amplification in the Barbican hall, for instance. It can be rhythmical and intense and it can still excite your brain which is where all music happens.”

But isn’t Sing-Along-A-Gareth! going to be a rather noisy affair? “No, it won’t be damagingly loud. A thousand people singing along together needn’t be deafening although a lot of people clapping really loudly can test me to the limit. So, no one should be put off if they see me putting my fingers in my ears.”

He skids to a halt, quickly adding: “Not that I’m discouraging applause, of course.”

Sing-Along-A-Gareth is playing at the New Theatre Cardiff for one night only on Tuesday 8th November 2022. For tickets to Sing-Along-A-Gareth!: visit garethmalone.com

REVIEW Bat Out of Hell! The Musical at New Theatre Cardiff by Barbara Hughes-Moore

Rock and Roll Dreams Come Through as Bat Out Of Hell!, the electrifying, award-winning hit musical featuring the greatest hits of Meat Loaf and Jim Steinman, hits the highway to Cardiff’s New Theatre this week. I grew up on the music of Meat Loaf, but I’ve been burned by jukebox musicals before. Bat Out of Hell!, though, is a different beast entirely: it actually began life as a futuristic rock opera in Jim Steinman’s college days, a punk spin on Peter Pan called Neverland. Steinman turned his unfinished opera into his magnum opus: Bat Out of Hell, one of the best-selling albums ever made – and now it’s back in its original form, bigger, better, and more bombastic than ever.

Martha Kirby and Glenn Adamson in Bat Out of Hell!

Set in Obsidian, a post-apocalyptic Manhattan that’s a long way from Neverland, Bat Out of Hell! follows Strat (Glenn Adamson), immortal eighteen-year-old leader of ‘The Lost’, a biker gang locked in a deadly war with the tyrannical Falco (Rob Fowler). When Strat falls in love with Raven (Martha Kirby), Falco’s rebellious daughter, the game is on and all bets are off.

Glenn Adamson as Strat

Operatic in scale and anarchic in spirit, Bat Out of Hell! is an adrenaline-fuelled rollercoaster ride through some of the most iconic songs ever written, from It’s All Coming Back to Me Now to I’d Do Anything for Love (But I Won’t Do That). They’re also some of the hardest songs to sing – but this peerless ensemble make it seem like second nature. Not only are these the best voices I’ve heard on ANY stage, they bring every drop of emotion to songs that demand nothing short of everything: high concept Wagnerian epics that are as a high risk as they are reward. A slew of talented people have trod the boards at the New Theatre, but this might just be the most exciting cast ever to do so.

Glenn Adamson and Martha Kirby in Bat Out of Hell!

Adamson and Kirby bring charisma and complexity to roles that could have become rote in less capable hands. Their chemistry is even more scorching than the real flames that shoot across the stage during the performance of the legendary title track – which is one of the most incredible things I’ve ever experienced in a theatre. They make the star-crossed love story into a symphony.

Rob Fowler and Sharon Sexton in Bat Out of Hell!

This is a show that is in on the joke and wants you to laugh right along with it. It’s hard to tell who’s having the most fun, but that honour might just go to Rob Fowler and Laura Johnson (standing in for Sharon Sexton) as Falco and Sloane, Obsidian’s answer to Burton and Taylor. Their version of Paradise By the Dashboard Light might be the most fun you can have with your clothes on (even if theirs weren’t!)

The 2022 UK touring cast of Bat Out of Hell!

Meanwhile, Joelle Moses and James Chisholm bring gravitas to their powerhouse rendition of Two Out of Three Ain’t Bad, while Killian Thomas Lefevre’s Tink steals the audience’s hearts with Not Allowed to Love, one of the ballads written specifically for the show. (The other, What Part of My Body Hurts the Most, is sung by Fowler and Johnson in an affectingly tender moment for their characters).

The 2022 touring cast of Bat Out of Hell!

The songs are mini epics in their own right, self-contained sagas that lend themselves perfectly to the stage – and their unique sound is captured by South Wales-born musical director Iestyn Griffiths and his superb live orchestra in. Coupled with  Jay Scheib’s kinetic direction and Xena Gusthart’s inventive choreo, the music underscores the immersive fever dream of the stage (designed by Jon Bausor, also responsible for the fabulous costumes), a world half dreaded and half desired.

The 2022 touring cast of Bat Out of Hell!

The spectacle of this show is second-to-none. If you’re not a fan of the songs, you will be by the time the curtain falls – and if you are one already, you’ll be in paradise (by the dashboard light). The men who brought them to us may be gone, but the beat is theirs forever – and with Bat Out of Hell!, it’s ours now too. With a little faith, trust and pixie dust, your rock and roll dreams can come true – so get yourself all revved up, because you’ve got somewhere to go – just watch out for the sudden curve!

Bat Out Of Hell! is playing at the New Theatre Cardiff from 27 September – 1 October, and across the UK through to April 2023.

PREVIEW Bat Out Of Hell! at the New Theatre Cardiff 27 Sep – 1 Oct

You took the words right out of my mouth: Bat Out Of Hell!, the electrifying hit musical featuring the greatest hits of Meatloaf and Jim Steinman, rocks and rolls its way to the New Theatre this week!

Bat Out Of Hell! is a post-apocalyptic Peter Pan set in a dystopian version of Manhattan (aka ‘Obsidian’). It’s the stomping ground of Strat, immortal eighteen-year-old leader of ‘The Lost’, a biker gang locked in a deadly war with Falco, Obsidian’s crooked commander-in-chief. When Strat falls in love with Raven, Falco’s rebellious daughter, the game is on and all bets are off.

Winner of the audience-voted best musical at the London Evening Standard Theatre Awards, Bat Out Of Hell! features iconic songs like ‘I’d Do Anything For Love (But I Won’t Do That)’, ‘Two Out Of Three Ain’t Bad’, ‘Dead Ringer For Love’ and the legendary title track that will have you rocking and rolling in the aisles.

Glenn Adamson as Strat in Bat Out of Hell!

Bat Out Of Hell! is playing at the New Theatre Cardiff from 27 September – 1 October, and across the UK through to April 2023.

Review Friendsical UK Tour, New Theatre Cardiff by Barbara Hughes-Moore

Once upon a time, in the far away land of 1994, six best friends told us they’d always be there for us. Ten seasons and 236 episodes later, and they’ve more than kept their promise: Friends remains one of the most iconic television shows ever, even almost two decades after its finale aired. It spawned countless imitators, an iconic haircut, and even its own spinoff, and now it’s reached that coveted next level of fame: its own parody musical.

Cast of Friendsical at Edinburgh Festival Fringe 2022

Produced by Brooke Mauchline Productions Ltd in association with Assembly Festival, Friendsical is a new comedy show which takes you on a whistlestop tour down memory lane via Central Perk, featuring original songs by Barrie Bignold and Miranda Larson (who also directs). Our master of ceremonies is Dr Ross Geller, who has gathered the titular BFFs together for a retelling of their infamous escapades, though its mostly an excuse to ‘pivot’ to his and Rachel’s will-they-won’t-they romance.

Cast of Friendsical at Edinburgh Festival Fringe 2022

This is a show which doesn’t so much break the fourth wall as crash a wrecking ball through it. It’s a metatextual take on a beloved medium in the same vein as Crazy Ex-Girlfriend and Galavant, with the chaotic charm of a Starkid production (the team behind the successful A Very Potter Musical). While Friends was already quite savvy and self-aware, Friendsical turns it up to eleven. There’s lots of singing, dancing, and oodles of iconic references that shows just how much love the cast and crew have for the original, from every ‘We were on a break!’ to every ‘Oh. My. God!’

Cast of Friendsical at Edinburgh Festival Fringe 2022

The multitalented cast includes Nelson Bettencourt as Ross, Sario Solomon as Joey, Sarah Michelle-Kelly as Monica, Tim Edwards as Chandler (giving a pitch-perfect Perry), Ally Retberg as Phoebe (and, memorably, Janice too), and Amelia Kinu Muus as Rachel. There are strong supporting performances by Olivia Williamson and Ashley Cavender and a fabulous guest turn by The Pussycat Dolls’ Kimberly Wyatt (Strictly Come Dancing champion Joanne Clifton will guest star on the 10th September shows). The cast are as charming and lovable as their original counterparts, whose mannerisms and voices they have down to a tee, and bring genuine heart and hilarity to every moment they’re onstage – nothing short of Herculean given the deeply sad and momentous news of Queen Elizabeth II’s passing that came in just before curtain up. The two minutes’ silence observed in the theatre was respectful and profound.

Cast of Friendsical at Edinburgh Festival Fringe 2022

The cast’s dedication and skill was both masterly and moving. If you have a passion for 90s fashion or know the words to ‘Smelly Cat’ by heart, this is the show for you. Ross, Rachel, Joey, Phoebe, Monica and Chandler have been with us for nearly 30 years, and Friendiscal is here to show us why they always will be.

Twitter / Instagram: @Friendsical

Friendsical is playing at the New Theatre Cardiff from 8 – 10 September 2022.

REVIEW The Cher Show, New Theatre by Barbara Hughes-Moore

We all know the story, right? A young hopeful with big dreams becomes a star. Most everyone who makes it in showbiz has a rags to riches story, but no-one has a story quite like Cherilyn Sarkisian aka Cher: the barrier-breaking, age-defying Goddess of Pop who was ahead of her time well before she turned it back. From a shy truck driver’s daughter to a multi-million selling recording artist and Oscar-winning actress, Cher broke the rules and set the trends. Her incredible rise to fame is told with wit, wonder, and no small amount of wigs in The Cher Show, a brand new musical touring the UK and Ireland through to April 2023.

Brought to life by a spectacular cast and crew, The Cher Show spans six decades, three Chers, and one incredible story. A trio of magnificent actresses each embody a facet of her life: Millie O’Connell as ‘Babe’, the naïve hopeful; Danielle Steers as ‘Lady’, one half of America’s favourite couple; and Debbie Kurup as ‘Star’, at last a legend in her own right. O’Connell, Steers and Kurup have the unenviable task of portraying a woman who defies imitation – and yet each step up to the plate with aplomb, nailing Cher’s distinct vocals and stage presence. They also share a uniquely engaging chemistry with each other that is often hilarious and at times touching: when the wiser, more experienced ‘Star’ comforts ‘Lady’ through her marital woes, it is genuinely moving – perhaps, like Cher, we are always in conversation with our past selves.

Left to right: Millie O’Connell as ‘Babe’, Debbie Kurup as ‘Star’, and Danielle Steers as ‘Lady’

The jukebox musical and the biopic are two of the most difficult artforms to get right – mostly because we’ve seen it all before. True as the tales may be, these are genres which quickly become rote, worn out. But The Cher Show, much like its titular star, shatters all those expectations and blazes its own trail. And who better to bring that to life than two Strictly Come Dancing superstars: former Strictly Judge and West End icon Arlene Phillips, who directs, and two-time Glitterball champ Oti Mabuse, who choreographs. Written by Tony and Olivier Award-winning Rick Elice (Jersey Boys, The Addams Family), the show and its stars capture the wit and also the glamour of its leading lady, thanks to Gabriella Slade’s (Six, Spiceworld 2019) eye-popping costume design.

Lucas Rush as Sonny and Danielle Steers as ‘Lady’ Cher

Lucas Rush is a standout as Sonny Bono – not only are they a dead ringer for the character (from the voice to the flares to the facial hair!), they have incredible chemistry with ‘Babe’, ‘Lady’, and ‘Star’. While the road wasn’t always easy, the love between Sonny and Cher was as legendary as their music – and here, when the pair sang ‘I Got You Babe’ one last time, there wasn’t a dry eye in the house. Alongside a fabulous sailor-fied ensemble (no doubt evoking Cher’s iconic music video for ‘If I Could Turn Back Time’), there are excellent supporting turns from Jake Mitchell as costume designer Bob Mackie, Sam Ferriday as Cher’s paramours Greg Allman and Rob Camilletti, and Tori Scott as her strong-willed mom Georgia.

The cast of ‘The Cher Show’, featuring Debbie Kurup as ‘Star’

And with a musical catalogue like Cher’s, the beat truly does go on. Played by a scintillating live band, the show is packed with 35 of her biggest hits, including ‘If I Could Turn Back Time’, ‘I Got You Babe’, ‘The Shoop Shoop Song (It’s in His Kiss)’ and ‘Believe’. By the time the Megamix rolled round, the whole audience was on its feet: I’ve never seen a reception like it. You will be awed. You will be entertained. And you will believe in life after love.

The Cher Show is playing at the New Theatre through 27 August.

REVIEW Chicago, New Theatre Cardiff by Barbara Hughes-Moore

Chicago, 1920s. In a city ruled by mob bosses and moonshine, misbehaviour ain’t just on the menu: it’s a way of life. If it’s fame you’re after, you might get fifteen minutes or fifteen to life – and Roxie Hart’s dream of seeing her name in the papers is one she’ll kill for. With blood on her hands and a song in her heart, Roxie (Faye Brookes) teams up with sleazy lawyer Billy Flynn (Lee Mead) to fool the masses, stealing the thunder of her rival cellmate, Velma Kelly (Djalenga Scott), in the process.

‘All That Jazz’: the Chicago ensemble, led by Djalenga Scott as Velma Kelly

Featuring classic songs by Kander and Ebb and original choreography by Bob Fosse (the trio behind the iconic Cabaret), Chicago is fresher, funnier and fiercer than ever. 25 years after its revival swept the Tonys, and nearly 50 since it first premiered on Broadway, the show’s satire of law, politics and the press could hardly be more relevant: after all, what’s the difference between a theatre and a courtroom when showmanship, not integrity, is the order of the day? Even when the actors are playing judges and reporters, they’re wearing mesh, fishnets, and leather: justice is showbiz, darling, and you’d better pray for an encore. Chicago is self-consciously theatrical, drawing attention to its own artifice: a gilt frame encloses the stage, but the set itself has no frills and few props: its simplicity spotlights the performances instead of the staging.

‘We Both Reached for the Gun’: Billy Flynn (Lee Mead) puppeteers Roxie Hart (Faye Brookes) through a press conference

And what performances! Faye Brookes brings lashings of wit and charm to Roxie Hart: one part hapless crim, one part ruthless dame. Brookes is a hilarious and vibrant stage presence, particularly when pitted against Djalenga Scott as Velma Kelly, whose stylish swagger makes for an effective foil to Brookes’ wide-eyed ebullience; their ‘Hot Honey Rag’ duet is a veritable dance masterclass.

‘The name on everybody’s lips is gonna be “Roxie”‘: Roxie Hart (Faye Brookes) and her ‘boys’

There are excellent supporting performances by X Factor finalist Brenda Edwards as the sultry Matron ‘Mama’ Morton, Jamie Baughan as Roxie’s hangdog husband Amos and B.E. Wong as big-hearted but gullible journo Mary Sunshine. Meanwhile, Lee Mead as Billy Flynn really does give the audience the ol’ ‘Razzle Dazzle’, and Scott’s sensational rendition of ‘All That Jazz’ brings the house down by the time the show’s barely started. But the Cell Block Tango might just be the standout: by the final chorus, you’ll really believe ‘he had it coming!’

A chain-smoking tap-dance

The incredibly intricate dancing is executed with effortless precision, with every Fosse finger snap and hip roll present and accounted for. The ensemble is on top form as is the superb live band, directed by Andrew Hilton, who are seated onstage in striking, asymmetric tiers. You won’t find better singing, dancing or live music this side of the ‘20s: the cast prove once again why Chicago is still one of the best musicals around. If you love the Oscar-winning movie, you’ll be in your element; if you’re new to the medium, then you’re starting out with the best. Stylish, sexy and spectacular, Chicago is all that jazz and then some – it’s the most fun you can have without breaking the law!

‘I Can’t Do it Alone’: Velma Kelly (Djalenga Scott) and Roxie Hart (Faye Brookes) take their criminally-good show on the road

Chicago is playing at the New Theatre Cardiff until Saturday 25 June

Review by
Barbara Hughes-Moore

Get the Chance supports volunteer critics like Barbara to access a world of cultural provision. We receive no ongoing, external funding. If you can support our work please donate here thanks.

REVIEW Footloose the Musical, New Theatre by Barbara Hughes-Moore

In the Year of our Lord 1984, a hero rose from obscurity to show a nation – nay, a world – how to lose its blues. The hero was Kevin Bacon, the movie was Footloose, and the story of a teenage boy who convinces a small town to dance again became legend. Now, the creatives behind the ultimate 80s feelgood film have brought it to the stage in a brilliant new musical: a blood-pumping, barnstorming thrill ride that’ll get you out of your seat and onto your feet!

The whole rootin’ tootin’ ensemble

Daniel Miles (filling in for Joshua Hawkins) is fantastic as the rebellious Ren, stepping into Kevin Bacon’s dancing shoes with ease. Star of stage and screen Darren Day does a superb job as the Reverend Moore (his interactions with the crowd are a highlight) and Lucy Munden makes a very impressive stage debut as his daughter Ariel.

Quite the quartet! Left to right: Oonagh Cox (Rusty), Jess Barker (Wendy-Jo), Samantha Richards (Urleen) and Lucy Munden (Ariel)

Every single person on the stage gives a 5-star performance and no-one misses a step, a note or a beat – no small feat, given that the actors are constantly having to swap between costumes, props, and instruments. The multitalented ensemble is on top form, bringing fun and flair to 80s classics like Holding Out for a Hero, Almost Paradise, and Let’s Hear it for the Boy – not to mention the riotous title track, brought to bubbly new life here – but X Factor star Jake Quickenden might just run off with the whole show.

Left to right: the brilliant Oonagh Cox as Rusty and Jake Quickenden as Willard

Playing Ren’s redneck wingman Willard, and simultaneously making the case for Magic Mike: The Musical, Quickenden has the charm and the chops to land every comedic curveball that’s thrown at him. I won’t spoil the best musical number but let’s just say if you’re holding out the a hero, you won’t be disappointed (Kylie Minogue, eat your heart out…)

Left to right: Ben Barrow, Alex Fobbester, and Ben Mabberley – a tremendous musical trio

Fun, frothy and fabulous, Footloose The Musical will truly get you to kick off your Sunday shoes and lose your blues!

Footloose The Musical is playing at the New Theatre Cardiff through Saturday 4 June

You can follow on social media @FootlooseTour  #EverybodyCutLoose

Review by
Barbara Hughes-Moore

Get the Chance supports volunteer critics like Barbara to access a world of cultural provision. We receive no ongoing, external funding. If you can support our work please donate here thanks.