(3 / 5)
The snow covers the entire land, only in scenes that take place indoors is it nowhere to be seen. People dress in thick coats to try and be as warm as possible. If something was as cold on the inside as the environment, it would be a snowman. Like in Fargo or even directors Tomas Alfredson’s previous movie Let the Right One In, the snow itself is more than just a setting, it is a character itself. It plays into the theme of the movie, of a cold world where only the strong can survive.
This is one of the most disturbing murder mysteries you’ll see (along with The Girl with The Dragon Tattoo). It shows you just enough visually to make you wince and cut away at the right time so make up the worse bits yourself. This is the world it seeks to show and it stands by its very harsh mentality and images.
The premise is basic, someone is going around killing women. Before or after the act a snowman is built. This is their calling card, or signature. Whoever it is they are always watching the main characters and seem to be unaffected by the cold. Taking up the case is Detective Harry Hole (played by Michael Fassbender)which seems to be the best cure for his hangover.
Detective Harry Hole is one of those rugged detective characters that’s good at their job but a very dysfunctional human being in nearly every other category. He drinks and forgets personal obligations, though not so bad as other portrays of this type of character. He clearly wants to do right and when he forgets he feels bad, it’s just that he priorities the job more. You can see someone like Bogart take this role if it was made a few decades ago. Fassbender fill’s the role very well, you are able to see and understand that this man (like Sherlock Holmes) lives for the case, he needs to wrap his brain around these twisted acts of violence, because if he doesn’t he falls into the bottle.
The average, or at least less keen eyed movie watcher will probably let some scenes go by without thinking twice. However if so do you will pick up on some leaps in realism. Some things like where does the killer go exactly? Or isn’t the timing a little to convenient? And some other things that simply allow things to happen.
Through the use of them I have a feeling that the movie seeks to make Snowmen scary, at least the ones here. Snowmen just aren’t, they do their best, actually giving them minimal features so they can be easily registered and more invoke the feeling for the act of the killer rather than the snowmen themselves. They are an effective icon for the movie, both while it plays and for it’s promotion.
I was able to predict the identity of the killer, is this a negative to the movie? Well in a mystery it isn’t about being able to hide who it is, it’s about telling a good story. Millions of people will most likely see the movie and some of those people will at least guess correctly, that’s just statistically likely. A good writer isn’t trying to trick you, they’re trying to engross you. While watching you will understand the characters and their points of view of the world and the reveal does add up. So it’s fine.
Leaps in logic can be forgiven if the overall product can suck you in. This movie has very good acting and crisp cinematography as well truly creating a scene of the cold environment that the characters inhabit. Everything’s sturdily constructed, allowing for some blank spaces. In terms of modern Gothic mystery’s this one is quite well made.
(5 / 5)
NOT DEAD ENOUGH
Review by Third Act Critic, Jane Bissett
NOT DEAD ENOUGH – if ever there was a understatement for a title of a play this is it. This adaptation, although from a book of the same title, was a very much alive, fast moving drama which moved at a pace that ensured the audience was running alongside, wanting more but never left behind.
Peter James is an acclaimed author of crime fiction and Not Dead Enough is the third book in a series of 13 featuring DS Roy Grace. As a writer of crime fiction James has researched extensively interviewing convicted murderers and has a great insight into the criminal mind and indeed that of the seasoned detective. As an avid reader I am always in awe of the person who has the ability and imagination to adapt a book for the stage but Shaun McKenna has this cracked. He has done an outstanding job of bringing the story to life in the most believable way and I am sure with the approval of the novelist, Peter James.
All credit to an amazing Creative Team of; Director, Designer, Lighting, Sound, Production, Costume and Props who have created an environment before us of a Pathology Laboratory, a Police Station and an outside scene where it is as easily believable as the more sophisticated setting of the lab. In fact the staging of this production is the key to its ability to draw the audience into the world that James’ has created for us.
It is difficult to talk about the story line without giving away too much. If you have read James’ novels then you will be familiar with DS Grace and know him already and you will be entranced as the James’ characters are brought to life before you.
I guarantee this crime thriller will have you on the edge of your seat. Indeed at one point the gentleman sat next to me exclaimed out loud, in reaction to DS Grace searching for something, “It’s not in the box!” clearly this audience member was totally immerced in the investigation, as were we all.
All productions have their leading roles however, in Not Dead Enough all the characters were of equal importance to the storyline and you would be easily convinced that they were police officers who had worked together for years not actors playing a role.
However, that said I have to mention Gemma Stroyan who played Bella Moy and Gemma Atkins who played Sophie Harington.
Stroyan gave us a confident portrayal of a female police officer which was seamlessly believable at every level, comfortable in her skin and confident in what she was about. I would like to think that maybe James would take her character in the future and promote her to the central character in her own novel(s).
Atkins also gave a polished performance as Harington keeping us guessing about who she really was and what (if anything) she was really up to.
During the interval the auditorium was alive with chatter and theatre goers were talking not only amongst themselves and also with neighbouring audience members as to what they thought was going on, who had done what and making predictions about how it was all going to conclude.
Like DS Grace, I wanted to believe the main suspect, but how could we?! What was the evidence showing us? Who was safe? Who was next? WHAT WAS GOING ON?!
It would be wrong for me to tell you more but be aware it is not over till it’s over and even then not all the questions will have answers.
At curtain call the volume of the applause was only just that above the whistles of approval. This is an unmissable crime thriller that will keep you on the edge of your seat and wanting more all the way until the end.
I for one will be looking more closely at James’ novels and perhaps it will be my summer reading for 2017.
And for the record, on the way out people were still chatting and animated about what they had just seen.
NOT DEAD ENOUGH plays at Cardiff’s New Theatre from;
Tuesday 13 June – Saturday 17 June at 7.30pm
On Wednesday, Thursday and Saturday there are performances at 2.30pm.
For further details about the show or to book tickets call the Box Office on 02920878889.