(5 / 5) Unmissable
I hadn’t realised how much I had needed Red until I went to see it. Although primarily a show for young audiences (Age 7+), this is a show that will entice and delight from the get-go. Inspired by Little Red Riding Hood, audiences are drawn into the wonderful world of Amazon-esque delivery couriers Jones and Groves. The two playfully navigate the mysterious woods as they struggle to deliver a special package to a cottage well off the beaten track. Along the way they encounter a curious ‘tree dweller’ chap called Peter.
Actor Connor Allen (who some regular theatre goers might recognise from the Sherman’s ‘Bird’ production) is a great addition to Hazel Anderson and Ellen Groves (who brought us the stunning production ‘The Giant That Had no Heart In His Body’). There is something so watchable and endearing about Allen’s vulnerability on stage that makes him a delight to watch. It’s also wonderful to see more creative brilliance from Director Hannah McPake, co-founder of Gagglebabble whose previous show Wonderman I had enjoyed so much.
Don’t expect big fanciful sets and props here, the magic of this show is the pictures they paint with the stripped-down set. Scaffolding becomes a tree, a cottage and a bush, pool noodles become spider legs, an old Ikea bag turned inside out doubles as a dung beetle costume. There is wonderful interplay and energy between the cast, who riff off one another and egg each other on.
Audience members are given a ‘special briefing’ on the way in. We are now pigeons and some audience members become involved in the ‘special mission’ itself. We coo throughout the performance and at one point, we all stand up and perform some aerobics. This isn’t just a show about delivering the package and the link with Little Red Riding Hood is almost secondary to the real story of the play. That our fear of the unknown is almost primal, handed down to us by parents or others. The day after the election results (when this play opened), this feels almost intuitively timely.
“Why are you scared of wolves?” one of the characters asks. Was it the claws and the fangs and the fact they want to eat little children?
As the contents of the package are revealed, the play asks us to ponder the possibility that actually WE are the wolves, that wolves are within us all. Wolves, forests, new places, scary quests that test you and your bravery. All these can be monstrous until and unless you face your fears.
It’s subtle and clever storytelling that weaves stereotypes, myth and legends with the whimsical, silly and imaginative.
They do so incredibly well to blend all elements together in a way which will envelope you until you feel like you’re up on the scaffolding with them.
The quips, gags and clowning that Hazel Anderson and Ellen Groves add to the mix are spectacular. There are no groans or polite chuckles here. Expect gutsy belly laughs and un-self-conscious comments/suggestions shouted out from the little ones in the audience. It feels brilliantly intimate and homespun, like as if your mad aunties are doing a turn in the living room and Nan’s been on the sherry again.
Little audience members will love the montage routine, circus skills, dream beavers and jazz badgers. It’ll all make perfect sense once you have stepped into the forest. Oh…if you can’t find it on the ‘magic map’ that looks like Antarctica, it’s near Tesco Express.
Better than pantomime, with better gags and more imaginative costumes – this is a first-class family experience and definitely not to be missed.