Though I do adore both writing and reading poetry, I admit to having not previously heard of nor read any work by Patrick Jones. That being said, being presented the opportunity to discover him, I took it quickly. Not knowing a poet wouldn’t stop me from learning of them – besides, the process is always enjoyable. Poetry in itself is enjoyable. I’m always excited to read more, and I’m glad I did.
After reading through the whole anthology, I definitely decided on some favourites! Namely: Plume Angel, The Smell of Sundays, Wrapped in the Arms of Ghosts, Lovesung, The Presence of Absence, Mothering, and When are all in my favourites, for a bunch of different reasons.
Plume Angel was the first one to show Patrick Jones’ use of white space, which is a technique in poetry I both utilise (often) and really love to see. It makes the poem much more interesting, when your eyes are darting all over a page rather than just going in one expected direction. I loved the feel of this poem – it was very gentle, from the get-go. The first stanza was my favourite one, but my favourite line was, “tiny talismans / crashed to / earth / from an icarused flight”, solely due to the image of falling people and falling feathers. There, despite the softness, was also a great sadness to it (which is understandable, based on how the book itself and all the poems were born from a son’s experience of a mother with leukaemia). In a similar vein, Wrapped in the Arms of Ghosts also has this feeling with peppered in lines that I find really satisfying. For example, “clinging to sepia stained memories / bleeding frames and flickering effigies / hearing voices from forgotten melodies / is yesterday to be our only legacy” I found to be a lovely line, with a lot of emotion threaded inside and around it – especially considering the sounds that comes from reading or speaking them, which further created an positive impression and reaction from me.
Throughout each of the poems I found that drew me in was a consistent and understandable melancholy. The feeling was crafted really well, and also waded in and out with other things, too. Regret, wanting to go back, feeling the pressure of time and how we should be cherishing the seconds we have (which I do love, as a theme, it has a tendency to humble me and very quickly). The poetry was impressive, with really nice flow and images, although seeing the white space was definitely my favourite thing to take note of.
Lastly, Lovesung was one of my favourite poems, because it opened up a discussion I’ve been having within myself a lot lately. It came for my questioning if poetry and writing is an escape, and if it is – if it works? It came head-first towards my own habit of reading and writing to escape the endless refresh of bad news on Twitter, and the constant background noise of the world running all too fast away from me. And I really liked it, because it almost felt like being seen, and being coyly nodded at in a “I do this too and it’s nice and we maybe probably won’t tell anyone” kind of way. I loved it.
I’m giving the book three stars because I found some of the poems harder to untangle than others. I know full well this is a subjective area, full of people with subjective thoughts, but though these poems were well written and used really lovely language, some of them (for example, The Presence of Absence) did give me trouble in trying to decipher what – in that moment – was happening. I could understand the general sadness and regret leaking out of the poems, but other lines were more puzzling than expected. Which, having said this, could be seen as either good or bad by anyone else – but for me it did disrupt my enjoyment of treasuring the past and dwelling on actions and the present. Because of the grief hanging off some of the poems, I did find it a bit difficult to fully engage, however, this doesn’t take away from my admiration of this collection being published at all, when each pieces is so deeply, deeply personal. That’s worth respecting.
I’m glad I got a chance to read this work. I do love poetry and reading it is always an experience to be had. I had fun, and enjoyed what I saw. I would read it again.
Tag Archives: poems
Review: Every Word You Cannot Say, Iain Thomas by Sian Thomas
Iain Thomas is my favourite writer. Author. Poet. He honestly seems to be an advocate for self-love, for loving others, for recognising good from bad and good from great, for love, full stop. He seems to be an advocate for enjoying whatever it is you find in this world that you enjoy. I enjoy his work, more than I’m sure any language can help me spell out, and yet each time I try.
On my bookshelf, there is: I Wrote This For You, I Wrote This For You And Only You, I Wrote This For You Just The Words, I Wrote This For You 2007-2017, How to be Happy (Not a Self-Help Book. Seriously.), and 300 Things I Hope. And somewhere on my makeshift bookshelf because my real bookshelf is far too small for my wants, is I Am Incomplete Without You. I’m excited to add Every Word You Cannot Say to either of the shelves. I literally find myself unable to say that there’s any other author out there who I have followed this closely, for this long, and been so consistently delivered greatness on simple pages between a simple cover by.
I knew it was coming, the release of this book, and like many I did have to wait my turn to get it. When I did, I was in Waterstones, halfheartedly hoping they would have it (I was not convinced that they would). And I saw it, all the way down the bottom, way to one side: bright blue, jutting out, so different to the greys and blacks and whites (and one bright yellow) that I had grown used to associating Iain Thomas’s name with. I snatched it up and gave it the common flip through, and I loved the look of it and the feel of it and the way it felt exactly like all the other books of his I’ve read: like it was sure to give me something amazing. Which it did.
I ate this book up. Read it quick, flicked through again for an age, put sticky notes on the pages of my favourite pieces, used a highlighter on the ones I really didn’t want to part with. Like on page 131, “There is no register in the sky keeping track of whether or not you got angry as many times as you were supposed to. / You get to decide what eats you up. / And you have no obligation to kindness. / You can be kind as often as you want. / Kindness is not a currency, and if you treat it like one, then that is not kindness. / Within you, there is all the kindness you will ever need.” Or, page 80, “Maybe, in the story of your life, someone has written: / You cannot say why you loved them. / Only that you did. / Only that you don’t anymore.”
This book felt so new, and so fresh and different, somehow, from the other ones, despite still creating a warm and homely feeling in me as I read it, exactly like all the others had. I loved that, that kind of feeling from these books and these poems in particular, I always believe that that is irreplaceable – after all, I haven’t experienced it anywhere else or with any other author. I loved that there was playing with form, structure, even colour of the text. The drawings peppered throughout were lovely, and always in the right places.
I wish this is what all poetry did, that this feeling I got from this book is what I got from each one. I know that would make these books less special, but like I said: Iain Thomas really seems to be an advocate for love. I’m almost convinced he’d understand. And even still, this is one slice of favouritism I am not entirely ready to give up. This is why I gave it five stars. I always will.
Iain Thomas has a real skill here, an honest craftsmanship that I wish I could come close to. Some days, I try to (see: the centos I submitted to university groups, just so I could spill out a fraction of what I feel for this writing when it was my turn to talk).
I love the book. I knew I would.