Rona Mac describes the pink cover of her latest EP ‘Shades of Ham’ as a dichotomy. It is a colour, she says, that is both “fierce, bold and strong as well as delicate, floral and soft”. It seems a particularly fitting description for an artist who finds strength in vulnerability. But it also captures something of the sharp contrasts that imbue this record. The Welsh singer-songwriter is perfectly capable of packing a punch one minute and tenderly caressing the next. Not only is she inspired by the Pembrokeshire landscape in which she lives, but the rugged cliffs and sloping green fields seem to represent her music too.
Opening track ‘Something Good’ oozes intimacy. There is something about those ambling guitar loops and sauntering vocals, carried over from her debut album ‘Sheelah’, that transfix, and traverse the line between light and shade that defines her work. Unvarnished truth-telling mixes with splashes of colour that speak of hope, not only on a personal level but a political one too. ‘Polidics’ is a well-versed dig at those in power. The pounding beats as Rona speaks of the privileged “men in jackets sit[ting] importantly… pouring port in front of me” contribute to a deeply-held frustration at the way the country is currently run. Add into the mix a damning critique of consumerism, with its “money wrapped in lights so take it”, and you get a sense of the raw honesty and unbounded personality of this quietly-countercultural artist.
‘Polidics’ does not remain in a state of anger. Rather, it is a song of two halves, the second of which moves on “to where they cannot find me”, amidst “the flowers and the grasses”, from which “we’ll rise, a bunch of honest creatures fill the skies”. Combined with a more free-flowing alt-pop sound, it makes for a track that is ultimately casting toward a better, brighter vision of the world. On a more practical level, it also prepares the way for the softer sound of ‘The Road to Your House’. Here, the usual shimmering soundscape is stilled by the clarity of the acoustic guitar. Suddenly, we are witness to a beautifully-told story through folk music that feels miles away from the frustration of a few minutes ago. Sadness and regret still seep into its reflection but there is also a sprightliness contained within. The guitar solo in the middle echoes such sentiment, and is easy to get lost in. ‘Smoke’ has a similar ruminating quality. It reminds me a lot of Georgia Ruth’s album ‘Mai’: soothing and affecting; complex, even in its simplicity.
Final track ‘Paper’ has the same two-toned substance as ‘Polidics’. On the one hand a love-letter, on the other a seething criticism, it mixes alt-pop beats with acoustic reflection padded with the sound of waves. Similar to ‘Carageen’ by Jodie Marie, it suggests that Rona Mac’s Pembrokeshire location offers a kind of grounding, a place to which she escapes as well as from where she writes her songs. It certainly seems to have offered her the freedom to not be bound by conventions. ‘Shades of Ham’ continues to showcase this genre-fusing approach. It is a record that is undeniably Rona Mac. May she never compromise on that.