(4 / 5)
She is one of the most iconic female characters in pop culture. She is instantly recognisable and you most likely know her name. She stands for truth. But in creating her secrets had to be kept to preserve love.
Earlier this year the mass audience were introduced to Wonder Woman through her first film. Now she is more popular than ever, this is the perfect time to tell this fascinating story of the deep psychological ideas that went into her creation and first few stories as well as the just as interesting behind the scenes situation of the people that inspired her.
The man who co-created her was man named William Moulton Marston (Luke Evans), a university professor who teaches psychology. He would go on to invent the lie detector machine. While there with his wife one of his students catches his eye. His classes teach about the mindset of giving yourself up to an authority figure in a relationship.
Elizabeth (Rebecca Hall) is his official wife whom he has known since childhood, she has dark hair and is more than qualified to be a lecturer at any University, but because she is a woman she cannot gain any diploma. Her and Marston enjoy heated debates. Olive (Bella Heathcote) is blonde, a few years younger and even though she is descended from two of the most outspoken and radical feminist of her time was raised by nuns so is timid and tacked but still very intelligent.
He loves his wife, however he also loves Olive and they love him as well as each-other. What are they to do? The love is real but the society in-which they live will never accept them, is it even worth trying?
Luke Evans himself is a gay man and the writer/director Angela Robinson is a lesbian. They are both open about their sexuality but the world still does not fully embrace people of non hetero sexuality so they are probably the perfect people to tackle this material.
Adding to the revealing nature of the movie is the layering of the actual Wonder Woman comics that were written by Marston and indeed do feature Wonder Woman herself and other women caged, tied-up, spanked etc. The fact that they were able to get approval for the actual material shows and bravery and how unashamed on behalf of DC Comics. This is the story and ideas that went into the character and are addressing it.
The theory of loving submission isn’t just all about getting tied-up and/or spanked (though the physical acts are a part of it) it is about letting go of control, it has been said that you cannot love someone and control them, the acts allow the others to be the master to ones who would otherwise not be.
Being that this takes a look behind the public perception of a famous character and shows the story of the real people behind the scenes one will probably be reminded of Hollywoodland (an equally good movie).
This movie tells the story of love that is still rather unconventional now and seemingly impossible at the time it happened. There are details about the production of the character of Wonder Woman that are skimmed over as well as a few other moments that take a leap in time in order to fit the correct running time. But the story it tells is one of love and understanding and it effectively conveys that message.
(3 / 5)
Ever since Man of Steel the DC movies have had to compete with MARVEL as well as distinguish themselves. Unfortunately their idea of distinguishing themselves is to make the image bleak and their Superheroes not so heroic. It has been one failure after another and now comes the time when Wonder Woman is to finally get her own movie. This does not stand on the shoulders of giants and history has been anything but kind to female Superheroes.
This is a glorious time to see your favourite characters from the comic book panel adapted for the big screen. Except if they’re female, of all these recent movies in the last ten years there has been no shortage of female supporting roles that have been well acted and developed, but sadly lacking for being on the title and main focus. So there is indeed a lot riding on Wonder Woman, because it cost hundreds of millions of dollars to make, because DC movies have been consistently poorly received and if this does badly it will probably set female driven action movies back another decade or so.
Firstly who is Wonder Woman? Well she is one of biggest names in the DC universe, her setting is usually mythology and she stands for truth. There are other elements I could get into but lets focus on this, she deserves respect and stands for honesty.
For me Wonder Woman was the best thing in Batman v Superman but maybe that’s because she was only in it for about fifteen minutes. Well luckily it wasn’t just luck, Gal Gadot embodies the character and is able to carry her own movie. She is a stern warrior able to take down any other fighter (with or without superpowers) but is also filled with optimism and compassion seeing the beauty in many things. It’s a tough order to fill I wont lie, but Gadot fills it. She also masters her confidence in her own skin and the costume, embodying absolute nobility.
For the plot we open in modern day with Diana/Wonder Woman looking at an old photograph and how she had intentions of saving the world but something changed. We then cut back to years ago on the island of Themyscira where a great race of women named Amazons live, they don’t interact with the rest of the world and have existed in peace for hundreds of years. This is told to us very beautifully through animation that looks like a moving Peter Paul Rubens painting. The only child on the island is Diana and she grows up with love form her mother Queen Hippolyta and taught the ways of combat by Antiope (Robin Wright). However, one day mans world finds it’s way to Themyscira in the form of pilot Steve Trevor (Chris Pine), he’s on a mission of importance for The Great War. When Diana hears of this she concludes that it must be Ares doing and must now leave her home.
Pine and Gadot make a fine on-screen couple, both are very attractive and the script gives them a lot to work with, from fun subject matters to discuss and the more heavy ones, from etiquette to duty and end goals.
The movies color pallet is varied from setting to setting. Previously the DC movies have drained nearly all the vivid color from their movies in an attempt for you to take them more seriously, it hasn’t worked, they’ve just created something un-engaging to look at. This movie opens with more luscious colors while on Themascira then drains it when we move away from that, this shows a tonal shift for each setting. Plus there are some other settings where it’s a warmer tones. This is a more realised and smart look for a movie.
Being that this is a Superhero in the middle of a World War, fighting soldiers it will inevitable draw comparisons to Captain America: The First Avenger. This isn’t the worst thing for me because I like that movie quite a bit and there’s nothing wrong with channeling a fun tone for your movie watching. However Wonder Woman and Captain America are very different characters and this is still it’s own movie, so no harm no fowl.
This is, without question, the best DC movie to be released since Man of Steel. It is a Superhero movie that knows what a Superhero is, has colour, a consistent tone and a lead character and actor that make you believe in them.
This is not a great movie; there are some basic logic and directorial choice movements that did have me questioning the moment as it played. I wish it was a modern day The Dark Knight, but it’s not. It is however a solidly made movie, with a consistent tone and a message to deliver with a character that gets it right.
For fans of Wonder Woman I’m sure they’ll be satisfied (I was). For others that seek an action, Superhero movie they will get that. For the people that aren’t fans and go to this movie to be convinced, harder to say. I’m sure they will see her appeal and elements of why she is so loved by some. I wouldn’t say this is the highest movie caliber the character is capable of but it does do her justice.