It’s always hard when you have to do a monologue on stage, but a 40 minute intense one with only one week practice is pretty much impossible. Yet that is what Sara Lloyd Gregory did. Even though she had her script on stage she didn’t falter one bit. Taking on Sand by Nick Gill, a monologue that took on the themes of grief, war and nuclear weapons. Sara’s intensity kept gradually building until the very end when she just blew us away. Her vocal training and breath control was impeccable even when the pace was phenomenally quick.
Kate Wasserberg, director of this production lead this performance to a success, the timed pauses and the changes in emotions and attitudes were completely on point. One thing that also has to be applauded was the use of sound by Sam Jones and lighting by Katy Morison, both aspects made the performance mesmerising to watch and in some parts it even felt like it was in a different dimension.
One of the main aspects I love coming to watch the Other Room’s seasonal performances is that they always pick challenging pieces yet they always bring in such professional actors that completely deliver.