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Theatre

Review Bird Sherman Cymru By Kaitlin Wray

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out of 5 stars (4 / 5)

Bird’ the title of this play took off just like a bird itself. A play that took hold of us from the very moment the first word was uttered until the blackout at the end. Rachel O’Riordan, the director of ‘Bird’ with assistant director Elgan Rhys by her side made sure this play not only, ticked all the boxes but was a complete success.

This was a very clever production written by Katherine Chandler that had twists and turns, it was a play about two young girls in a care home struggling with their past but trying to face up to their future. This is a story that’s so raw I felt like I was trespassing into their private lives. Due to the raw nature, some of the words are at times  lost due to the quick-pace naturalistic acting  but even so, that didn’t take away from the performances overall. Each actor didn’t fault within their characters and it was definitely perfectly cast. The set, designed by Kenny Miller, was simplistic yet effective and I loved the use of the two levels.

Georgia Henshaw, playing the 15 year old protagonist, Ava, showed her naivety and was full of the energy that you could imagine from a girl of that age. However she also portrayed a girl that has been through a lot. Georgia really embodied her character and it was a great performance to watch.

Siwan Morris, playing Claire, Ava’s mother, did a phenomenal job at making the audience completely loathe a character and then feeling sympathy towards her in the end. After loving the character of Angie, Siwan played from the first two series of Skins, she was nearly unrecognisable as Claire. Yet both characters she played were phenomenal.

Rosie Sheehy, playing Ava’s best friend had a voice with such vocal clarity that I loved to listen to, furthermore her dancing skills were on point. Connor Allen, playing a 17 year old Dan who is Ava’s love interest felt like the realest character out of them all who says things as they are. Connor’s characterisation was comedic and entertaining. Last but not least was Guy Rhys who did a great job at acting like a creepy fatherly figure-like role. Throughout the performance it was unclear of his intentions with Ava and Guy and he did a good job at portraying this. This character has one big secret that causes the biggest twist of all.

If you want to know what happened then I would highly recommend going to see ‘Bird’ as it’s a performance that has great technical proficiency with outstanding direction and performers who will no doubt make a great career out of acting.

Director- Rachel O’Riordan
Writer- Katherine Chandler
Designer- Kenny Miller
Composer and Sound Designer- Simon Slater
Deputy Stage Manager- Charlotte Unwin
Lighting Designer- Kevin Treacy
Assistant Director- Elgan Rhys

Theatre

Review Bird Sherman Cymru

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out of 5 stars (5 / 5)

Ava (Georgia Henshaw) and Tash (Rosie Sheehy) are young, optimistic and disfigured teens. Their friendship and integral bond is rooted within the whirlwind of complicated lives and a callous society. As Ava dashes and flitters off every object, person and syllable, Tash is always at heights, dancing at the edge of the world – awaiting flight.

Never have I experienced such an encompassing performance. I strolled into the Sherman, and left sprinting. But, regardless of my train times, Bird is a play that melts the facades and the barriers, and leaves you trying to fly – in all senses of the word.

An elderly man, as the audience were sipping the last dregs of their wine/settling, I heard from the front row, turn to his wife and speculate ‘I think it’s a comedy’. ‘I don’t think so mate’ I quipped, in thought. However, now I see that Bird cannot be constrained to a genre, or what people want it to be. Ava – stunningly performed by Georgia Henshaw – has an infectious spirit and an undeniably truthful perception of life. Resulting in imposing moments of frolic and uncontained rage, I didn’t feel the back of my chair once. Rosie Sheehy, too, must be applauded. Her exploration of the depth within the thirteen-year-old was wonderfully perceptive and chilling.

Katherine Chandler is a writer who sees the world empathetically and urges us all to do so. Desperation is far too attainable as the play’s women appease the men surrounding them. Does the honesty of ‘It just got too much,’ vindicate all the vodka, and the manipulation, and the self-serving? Chandler holds up a mirror to the real world and the audience are almost blinded by the familiar reflections.

Close to the surface lurks the grit and tensions of the women’s lives. The set designed by Kenny Miller, ingeniously incorporates this theme as the characters stand upon the yellowing, moulded tiles of a swimming pool beneath a sky of industrial light.

‘Bird’ is a sharply directed play – so successfully done that it’s easy to forget it had to be constructed that way. Rachel O’Riordan presents a piece of astoundingly compelling theatre as every silence, gesture and intonation propels the audience deeper within the crevices of the narrative.

Very rarely do you leave the theatre in, slightly paralysing, awe. A play as impacting as ‘Bird’ is not to be missed!