Wales braced for further tempests as James Wilton Dance whips up The Storm across the country. High energy dance at Ystradgynlais, Holyhead and Pwllheli in return visit for critically acclaimed company.

James Wilton Dance, one of Europe’s most in demand dance companies, brought their last show, Leviathan to Wales as one of the first Dance Across Wales productions. This season, they are back country with The Storm, a whirlwind of lightning fast, athleticism, where acrobatics, break-dancing, martial arts and contact work fuse to form dance that promises to blow audiences away. Seven dancers, a soundtrack of thundering electro-rock specially composed by Amarok and thousands of pieces of paper combine to create a work that astounds with its athleticism and touches audiences emotionally in a way that words simply can’t.

The Storm visits Wales this March, with performances at The Welfare, Ystradgynlais (25th March), Canolfan Ucheldre, Holyhead (27th March) and Neuadd Dwyfor Pwllheli (28th March).

The performances form part of the programme for Dance Across Wales, a Creu Cymru project aiming to give venues in non-urban areas of Wales more confidence in bringing dance to their audiences.

Creu Cymru is working with the National Rural Touring Forum (NRTF) in an Arts Council of Wales funded project to enable five theatres in Wales who currently programme little or no dance, to engage with and develop local audiences for dance. The idea of the project is to encourage people to ‘Give dance a chance’ at their local theatre.

Each of the five venues have chosen work from the NRTF’s Dance Menu. The Dance Menu (curated by NRTF, China Plate and The Place) contains existing dance pieces from established artists and companies which have been re-choreographed for small-scale presentation.

The project is funded by Arts Council of Wales and has been running from October 2018. The participating theatres, (Ucheldre Centre Holyhead, Neuadd Dwyfor Pwllheli, Parc and Dare Theatre Treorchy, The Welfare Ystradgynlais and Ammanford Miners), are all located in rural areas or small towns, have been able to select two to three dance pieces to present at a subsidised rate. As part of the project the theatres also receive marketing and outreach support to share ideas and strategies, marketing approaches and evaluation.

Creu Cymru’s mission is to develop a vibrant and progressive sector of theatres and arts centres for the people and communities of Wales.

Choreographer James Wilton discusses his work in the interview below

What is The Storm about?

The Storm is
essentially about how we process emotions and happiness. It occurred to me that
there are many parallels between weather and psychology. For example the word
tempestuous can mean either an overwhelming emotion, or a storm. Before a hurricane
there is what is referred to as a depression. When people are sad others say
“it will all blow over”. How you can’t see wind but can see how it changes
objects and how you can’t see emotions but can see how they change people. I
also likened the world to a storm. We are surrounded by this turbulent,
challenging world, where danger, injustice and suffering are all around us. In
this world how can we manage to remain happy? How can we not get swept up in
the world around us and how can we be the quiet, calm eye of the storm.

When did you first have
the idea?

I am a generally very
happy person, and I’ve always wondered why. In 2016, shortly after creating
LEVIATHAN, I had a term of relative unhappiness, where I was swept up into some
of the problematic things around me. At this point it occurred to me how
important, and how beautiful happiness is, and how the world would be a much
better place if people understood emotions and complex psychology more deeply.

What will be different
physically?

We’re going bigger,
faster and more fierce than ever with The Storm, but we’re going to be
contrasting that with more subtlety, texture and softness than ever as well. As
well as the earthy physicality we usually bring to the table, there will also
be a greater sense of line and shape. Of course, we’re not going to be going
too classical, however we are adding some elements from those techniques in
order to push our physicality somewhere new.

What does Dr. David Belin,
lecturer in Behavioural Neuroscience at Cambridge University, add to the piece?

I wanted to make sure
that the work had a foundation in genuine science. I think so often people
think they understand psychology, however we really don’t. Dr. Belin is a world
expert in his field, with over 50 peer reviewed publications, and has taught me
a great deal about the human mind. The most interesting thing being about
dysregulation, and how people attribute the wrong feelings to the wrong
emotion.

What excites you about the
music of Amarok the composer?

In 2017 Amarok, aka
Michal Wojtwas, released an album called Hunt, which received many nominations
for prog-rock album of the year. It was through a “top 30 of the year” list
that I discovered his work and I’ve been hooked ever since. I used three tracks
off of his album for my creation “Hold On” for Theater Münster, and once I saw
how well the music gelled with my choreography, I knew that I had to get him to
write something especially for The Storm. There is just so much power and depth
in the music that Michal writes, and it is emotive in some indescribable,
other-worldly way.

Finally-What can audiences
expect?

In short-to be blown
away by the physicality, the storytelling and the raw emotion of the dance,
set, music and light. We want audiences to feel the piece, as well as see it.

Kin, a triple bill of two
new works and one revival performed by National Dance Company Wales at Dance City,
Newcastle is deceptively simple and unspectacular but leaves a warm and deeply
satisfying feeling. Performed by a fine tuned and yet relaxed ensemble this is
beautiful dance with an underlying humanity.

National Dance Company Wales, based in the Wales Millennium Centre, Cardiff is a contemporary dance company in existence since 1983, first as Diversions and, since 2009 as the National Dance Company of Wales. Kin is the latest touring triple bill with works by the current Artistic Director Fearghus O’ Conchuir, Dussledorf based English choreographer Alexandra Waierstall and the late Nigel Charnock, co funder of internationally acclaimed DV8.

Rygbi, (Rugby in Welsh) the opening work is by Fearghus O Conchuir and is inspired by the, as the title suggests, game of rugby and is a fun, beautifully researched and choreographed piece. That choreographic detail even includes the slightly tight concentrated expressions of the players/dancers, who occasionally break out in victorious smiles. Physically both fluid and dynamic, with rhythmic, fast paced changes of direction and slow motion moments it’s an easily understood piece full of quirks and camaraderie.

Next up 2067 Time and Time and Time is a much more meditative piece with structured improvisational movement, which though sensitively performed felt diffuse and sometimes obscure. Clearly created with great care and skill I was left wondering what the choreographer really intended even down to the compositional devices and use of props .

Lunatic by the late, great
Nigel Charnock known for his intense theatricality both as performer and
choreographer and important among LGBTQ artists, who tested new ways of
expressing their sexuality and their social situation was created in 2009. It
is expertly restaged by Jo Fong and feels uncanny in its’ relevance to today,
from the period style of the 1950s sequences through drag to joyously mad
ballet movement. A mix of dance and gesture filled with despair, madness and
joy using voice, props and costume changes to create a fantastic piece of choreography
which is highly relevant to today. It is also a test for the six dancers who perform
it with panache and humour.

“It is a kind of madness. All my work – to the public – doesn’t look chaotic, but mad. A little bit lunatic. People say, ‘I didn’t know what was going to happen next, what you were going to do next’.”  Nigel Charnock interviewed by Emily Lambert, Wales Online 2009

The evening has a clear overarching theme of the group, how important we all are and how connected we are; there’s a sense of humanity and kindness.  Superbly curated by Fearghus O’Conchuir it is contemporary dance that seeks to reach out without losing any integrity and it does.

Rygbi

Choreographer Fearghus O’Conchuir
Composer Tic Ashfield
Costume Design Carl Davies
Lighting Design Sinead Wallace

2067: Time and Time and Time

Choreographer Alexandra Waierstall
Composer Hauschka
Costume Concept and Set Design Alexandra Waierstall
Lighting Design Caty Olive
Costume Design Brighde Penn

Lunatic

Choreographer Nigel Charnock
Costume Design Shanti Freed
Costume Make Brighde Penn
Lighting Design Jackie Shemesh
Costume Design Consultant Joseff Fletcher
Restaging & Rehearsal Director Jo Fong. With thanks to the Nigel Charnock Estate