Review Spangled, Mercury Theater Wales,Chapter Arts Centre, Chelsey Gillard.

Bumbags, Curtain-cuts and Ecstasy!
Mercury Theatre Wales
Chapter Arts Theatre
2nd May 2013
Bum-bags, curtain-cuts and ecstasy, add in a hypnotic rave track and you have the perfect ingredients for a night out in 1993!
Mercury Theatre completely transformed the theatre in Chapter, removing the seating and replacing it with a bar, DJ booth, a seated “chill-out zone” and dance platforms. The black walls, laser projections, film clips of clubbers and heavy soundtrack really made it feel as though we had been let into a top night spot.
The bouncer on the door frisked some of the men, while the rest of us had a smiley face stamped on our hands and were given neon glosticks to get us in the mood to party. It was surprising how easy it was to be caught up by the music (not at all to my taste!) and soon most people were at least bobbing their heads in time to the beats, some were really going for it and could have fit in nicely with the cast.
Up on the platform beautiful and innocent Angel (Sian Davies) lets the music control her body as she writhes seductively unaware of the attention she is attracting. She has certainly caught Gary’s (Rhy Downing) eye – he looks on longingly, after trying to convince his mate Sean (Jason Marc-Williams) to take some “painkillers” to help his headache. Sean is there to see his girlfriend Donna (Holly Fry) , they live the typical Welsh valley’s life – get a job and settle down young, but is this enough for DJ wannabe Donna?
The inspiration for Donna’s goal comes in the form of DJ Johnny (Lee Mengo) who started out with a passion for music but somewhere along the way he got distracted by the women and the drugs. Linking all these characters together is Angel’s mother’s boyfriend – Steve (Jason May) a businessman proudly showing off the latest in technology – his huge mobile phone. He is also a casual drug dealer who just can’t stop using himself.
There was just enough narrative cleverly woven into the quieter moments of music but unfortunately quite a lot was lost due to microphone volume (possibly intentional, but seemed like an error). Cleverly choreographed movement scenes were slick and impressive, really expressing the feelings of euphoria that this kind of club culture is associated with.
Having seen this as a work in progress as part of the Wales Millennium Centre’s Incubator scheme I was pleased to see how much the work has come on. New video art by Holly Genevieve and music by renowned DJ Jimpy really enhanced the authentic club feel. On the other hand the dialogue and characters were still somewhat clichéd and certain plot points – a sudden (drug related?) collapse – were never fully explained or explored. Having said that more dialogue would have weighed down the fast pace and disturbed the immersive nature of the production.
The cast were excellent, not to mention unbelievably fit, to keep up that level of energy and give believable performances is no easy task. Special mention must go to Lee Mengo as DJ Johnny who bought an easy going, natural charm to his performance and Jason May as slightly past it Steve. As the oldest member of the cast Jason gave the most heartbreaking and convincing performance as a man trapped by his own addictions and fears, he was completely believable as a real hardcore clubber who doesn’t know when it’s time to just go home.
This really is a company to keep your eye on, here they have created a truly original and innovative piece of work that is sure to leave the audience with a smile on their face and a sudden desire to don their best shell suit and hit an underground rave.
The tour continues:
8th May – Aberystwyth Arts Centre
15-18th May – Volcano @229 High Street, Swansea
23rd May – The Riverfront, Newport
25th May – Theatr Soar, Merthyr Tydfil
For more on Mercury Theatre Wales –
Twitter: @MercuryTheatre1
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