New and Exciting Theatre in WMC’s Incubator Project
Wales Millenium Centre Weston Studio
WMC’s Incubator Project offers a platform for artists and companies to develop and showcase new work in order to get feedback from industry professionals and the public. The centre offers rehearsal space, monetary grants, technical support and specialised tutoring to the companies involved. They welcome work in Welsh and English, in the mediums of theatre, dance, circus, site specific pieces and digital or online art. The WMC website describes the Project as “a test bed for creation, a hub for development and an opportunity to grow networks and receive feedback.”
As part of the Weston Studio’s Autumn line up, four companies developed and performed their ideas. The first company to take to the stage (or not quite in this case) was Notional Theatre who performed their piece Awkward Turtle Flips the Bird. This is thought to be the first time anyone has tried to stage a dictionary and in this case the language of choice was slang gestures. Using many novel ideas like projection screens, voice-overs but no dialogue and putting the audience on the stage whilst the performers jumped around the seating area and raised platforms amongst the spectators made this piece very intriguing. Although I have no idea how this piece will develop or where it could find a home it was still very interesting and hilariously funny as the performers put everything into “flipping the bird” or demonstrating “the awkward turtle” alongside a whole menagerie of creatures mimed to point out a situation is somewhat awkward. I really enjoyed this performance and I hope to see it develop into something that could be staged at a festival. Keep an eye out.
Next up was 3D Theatre with their Welsh language play Wyneb Dros Dro (Temporary Road Surface). Although I am not a Welsh speaker it was clear to see that the piece explored family tensions at Christmas time. Dyl and Rhian spend the whole journey from North to South Wales bickering and even manage to switch the SatNav to speak German. When they arrive at Dyl’s mother’s house she has a surprise for them; her new toyboy! Even though much of the language went over my head this was a dynamically performed piece and I really wish I could have understood more. Originally performed at the National Eisteddfod in Wrexham the incubator project has given the company and the writer, Glenn Jones, the chance to develop the script and the characters and with a bit more work I think this could be a really funny slice of Welsh theatre.
Crashmat Collective took us out of the theatre into the rehearsal space which had been transformed into a restaurant, complete with climbing ropes, an aerial hoop and a trapeze bar for their performance Super Pseudo. In their circus-theatre piece their aim was to blur the lines between audience and performer and explore the idea of private and public personas in the work place. Each performer was outstanding, showcasing a variety of circus tricks that blended seamlessly into the narrative. The music was well chosen and some of the lighting was just stunning. The company hopes to develop this idea into a full dining experience and I will be one of the first to put my name down for tickets.
Last but not least we were taken to the foyer where Jessie Brett performed her dance piece Woolgatherer. At first Jessie blended into the audience sat on sofas in a circular arrangement, then suddenly had broken into a quirky and inventive dance. With a range of musical styles the dances were always endearing and fun. She bought a smile to everyone’s face. The idea is that this would be performed outside in a crowded space such as a bench in a shopping centre or at a festival. I can really imagine seeing Jessie perform in the Meadows in Edinburgh during the Fringe. I really hope she can take this piece to a wider audience because she has a brilliant and heart-warming character.
I wish all of the artists and companies who performed at Incubator the best of luck and I really hope to see their work at a later stage of development in the future.
Reviewed by Chelsey Gillard
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