Based on the hit television series sharing the same name, This production is a well crafted reimagining of ITV’s long-running Inspector Morse, hailed by Radio Times as ‘The greatest British crime series of all time’.
Inspector Morse- House of Ghosts written by Alma Cullen based on the characters by Colin Dexter offers a new generation of Morse fans to take a look behind the scenes of a production of Macbeth and view the unraveling web of lies and deception in real time. Director Anthony Banks plays well with the balance of comedic devices and well placed quips alongside the harsh themes of Suicide, Marital affairs, Deceit and Murder. This adaptation is the first of its kind and is an impressive reimagining from the screen to the stage, staying true to the original tone of the well loved television classic.
The manipulation of perspective allows the cast to shift the audience and place them exactly where they are needed, with limited set this directional choice was fundamental in creating various locations and moments in the piece so that we too are moving with the performers through the story as it unravels.
The titular character of Inspector Morse is played by the notable Actor Tom Chambers who is dedicated in his performance of this beloved character. His physicality was instrumental in capturing the essence of the inspector, blending the inspectors stolid professional life with his desire to peruse a romantic relationship with Ellen. Another performer of note was the delightful Jason Done responsible for the role of the antagonistic Director Lawrence and the contrasting saintly Father Paul. The juxtaposition between these roles allowed us to see the extensive range of the performer, from the notable change in vocal mannerisms to the way in which each character held themselves we were engrossed with Jason’s performance from the moment he entered the auditorium.
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Inspector Morse- House of Ghosts at the New Theatre Cardiff is a delightful evening for Morse enthusiasts and fans of detective fiction and mystery alike. The production hides nothing from the exposed wings to the secrets laced within the delicious writing, the lighting and set design much like the writing plays with the light and dark elements of the production. A great evening of entertainment that leaves you wanting more.
It was never going to be easy. The task of staging the celebrated 1982 Stephen King novella Rita Hayworth and Shawshank Redemption and the 1994 film version starring Tim Robbins and Morgan Freeman, would be marked by the setting of a very high bar indeed. With this production, writers Owen O’Neill and Dave Johns have met the challenge with aplomb.
The story centres around the miscarriage of justice meted out to Andy Dufresne, who is now serving a double life sentence for murdering his wife and daughter, at the Shawshank Maximum Security Penitentiary (“The Shank”). Narrated via Andy’s friend Red, we learn the fate of the protagonist told over two decades of incarceration, creating a vivid depiction of corruption, bullying and violent abuse.
Joe McFadden (Holby City; winner, Strictly Come Dancing), shines in the role of Andy. Capturing his obvious intelligence and skill in accounting, desire to do anything he can to make the lives of (most of) his fellow inmates a little more tolerable, while at the same time delivering a steely character and a fastidiousness many on the outside would fail to achieve, McFadden manages to inject a boyish charm into the role, difficult to achieve when portraying an alleged double murderer.
The role of Ellis “Red” Redding is played by Ben Onwakwe (London’s Burning; Professor T). Drawing the audience in to the narrative with his witty, sardonic storytelling, Onwakwe is a fitting contrast to McFadden, portraying Red as a world-weary prison fixer who has seen it all. Shout-outs must also go to Kenneth Jay as poor old Brooksie, terrified of gaining parole as he feared lack of purpose on leaving his role as prison librarian, and Bill Ward as Warden Stammas, a frightening figure open to corruption and intimidation with a vicious cruel streak thrown in.
The prison setting worked extremely well in being versatile enough to depict the prisoners’ cells, the courtyard, the refectory and the library with a few deft adjustments. A one-colour greyness enveloped the stage, which is only augmented by the blue denim of the inmates and their drab shirts. With a few more switches of furniture, we are transported to the parole office, all carried out seamlessly and with conviction.
And what a joyous scene to end the play, with Red leaving the prison then a clever switch of scene (kudos here to the lighting team) to a full backdrop of Andy on his long-dreamt-of Mexican beach at sunset in Hawaiian shirt, shorts and sandals. Reminiscent of a Martin Parr colour-saturated photograph, the contrast with, and relief following, the dreary prison interior, was palpable amongst the audience members around me, and a fitting ending to a glorious production.
The productions runs till the 17th Jan. You can find out more and purchase tickets here
We all know the rags-to-riches fairy-tale Cinderella: a beautiful, kind-hearted young woman, stuck scrubbing floors while her stepsister’s parade around in all their wickedness. However, with a little help from her Fairy Godmother, Cinderella is whisked off to the Royal Ball, where she promptly falls in love with the Prince. There’s just one catch- the magic expires at midnight. Cue a frantic exit, one abandoned shoe (sorry, slipper), and a Prince determined to search the entire kingdom for the foot that fits. Spoiler alert: he finds Cinderella and, of course, they live happily ever after. Throw in her bestie, Buttons, a Fairy Godmother with a wardrobe fit for a queen (I’ll let you decide which type of queen!) and a blend of fantastical sets, props and dancing villagers and you’ve got yourself a recipe for a standout Venue Cymru production!
A brilliantly written script, this panto does not disappoint in its nod to tradition with plenty of hilarious one liners, often alluding to well-known North Wales locations, lots of ‘oh no, you didn’ts’ etc., a frenzied 12 Days of Christmas complete with custard pies and, a highlight, Buttons and the Fairy Godmother discussing ‘Billy from Bala’s Bullocks’…you can imagine where this sketch has the potential to go…! The chemistry between John Evans (Buttons) and Simon Nehan (Fairy Godmother/Dame Dolly Penrhyn) is unmistakable- both consummate professionals and no stranger to Venue Cymru’s stage (in fact, Dame Dolly mentions how confusing her feelings are for Buttons as she played his mother last year!) Evans is the master of improvisation and clearly extremely comfortable in this role and Nehan excels as the Dame, with wonderful comic timing and just enough bawdy behaviour!
Another duo with a clear connection is 2025 Britain’s Got Talent finalists Hannah Roberts and Fran Cottington as wicked stepsisters Whitney and Britney Bardashian (see what they did there?!). Both local, Han & Fran are literally ‘living the dream,’ riding on the wave of their talent show success. However, these two are not to be underestimated. They have already proved they can sing and that they’re comfortable in front of the cameras and now this powerhouse pair are conquering the professional theatre world. Both seem very ‘at home’ here and bounce off each other perfectly, neither one stealing the limelight from the other. Performing a laugh-out-loud rewrite of ABBA’s Fernando (an ode to popular restaurant chain Nando’s!) along with other ABBA classics and more, continue like this and Team Han & Fran will no doubt go a long way!
Another local performer is Corrine Cherish who simply shines as Cinderella. Despite being the title character, this role can often be forgettable. However, Cherish truly puts her own stamp on the story’s heroine, and not only does she make a stunning lead, her vocals also stun- no more so than at the end of Act One- as Cinderella makes her way to the ball in her newly transformed coach, Cherish’s soaring vocals, combined with a beautifully magical piece of stagecraft (which I won’t spoil here), create a surprisingly emotional and memorable end to the first half.
This year’s ‘celebrity’ panto stars are Strictly Come Dancing’s AJ Pritchard and his brother, also a professional dancer, best known for Dancing with the Stars, Ireland, and his appearance on Love Island. Unfortunately, both give disappointing performances, often stumbling over lines, and displaying acting talent about as wooden as Cinderella’s broom! I’m not sure I’ve ever attended a production of Cinderella in which the Prince (AJ Pritchard) doesn’t sing at all and, although Curtis Pritchard as Dandini is given a few musical moments, he mimes every time which is very off-putting! I can’t help but think the production would have benefited from some more local talent rather than being reliant on ‘names’ to put bums on seats!
The cast is mostly strong, with a lively and dynamic ensemble who keep the energy up and whimsical, cartoon-like sets, clever lighting design and fabulous costumes all add to the magic. The musical numbers strike a fun balance between timeless classics and modern hits- though, like Cinderella’s night at the ball, some feel a tad rushed. All songs, however, are played live by the company’s fantastic band, led by Musical Director Shaun Critten, who even pops up for his own mini moments in the show, adding an extra sprinkle of charm!
Overall, Venue Cymru’s Cinderella is a true spectacle which could have been propelled to a five-star production with a handful of minor alterations. It was wonderful to see the theatre full on a Sunday afternoon and a pleasure to hear families thoroughly enjoying themselves in the lead up to Christmas. For a feel-good, festive experience with lots of laughs and local talent, I wouldn’t hesitate to recommend a visit to Venue Cymru this panto-season!
Cinderella. Venue Cymru, Llandudno Friday December 12th, 2025- Saturday January 3rd, 2026 Cinderella | Venue Cymru
CAST AJ Pritchard Curtis Pritchard John Evans Hannah Roberts Fran Cottington Simon Nehan Corrine Cherish Ella Goody Connor Pearson Sadie Wagstaff Sam Woods
CREATIVE TEAM Associate Producer Laura Taylor Second Associate Producer Jo Longworth Writer Tam Ryan Director Alli Coyne Choreographer Eddie Slattery Musical Arranger Steve Clark Musical Director Shaun Critten Lighting Designer Ben Payne Sound Designer Matt Karmios
BAND Md/Keys Shaun Critten Drums Michael ‘Ozzie’ Osborn Bass Dominic Palmer
FOR CINDERELLA Production Manager Andy Pye Company Manager Matthew Ollerhead Deputy Stage Manager Heather Milne Assistant Stage Manager Mali Barratt Wardrobe Supervisor Paula Cain Wardrobe Assistant Imogen Duke Dresser Alaw Broster Production Carpenter Simon Somerset Holmes Lighting Programmer Sophie Schmidt Production Sound Matt Gibson Sound No 1 Jason Jones Dance Captain Ella Goodie
The Riverfront in Newport presents its 20th year of pantomime and invites the audience to ‘let their hair down’ with the classic tale of Rapunzel! This is a great, bang up to date, version of the fairytale, with some fantastic song choices, hugely energetic dance routines and a super talented cast and ensemble.
I loved the use of the full stage area, including the side balconies to introduce Rapunzel’s parents, the king and the queen, and for our first view of Rapunzel herself. The set is impressive; the transitions between scenes are also particularly slick. I loved the village with its bright colours, the bottom of the tower and the internal of Rapunzel’s tower. There are some lovely touches, including a swing made of plaits for Rapunzel to sing ‘Unwritten’ on and at one point the evil Ceridwen bounds onto the stage from a trap door.
I really enjoyed the traditional mixed with the modern. There were so many 2025 trends in this pantomime, I could barely keep up! Of course, the ‘6, 7’ obsession makes an appearance, we have ‘Golden’ sung by Ceridwen and Gruff, Jet 2 Holidays gets an outing of its jingle and many more. There’s plenty of the traditional too, which are performed with precision and expertise. There was a great ‘ghost’ scene, but featuring a bear, and the songsheet also utilised the ‘bear’ theme and was led with aplomb by Muddles (Richard Ellis).
The cast are full of vigour and the joy of Christmas as they each hold the audience in the palm of their hands. I especially enjoyed Gareth Tempest as Dame Winnie Wiggins, though I must say, my favourite part was the rather unscripted section where his wig fell off! He is an hilarious dame though, exactly understanding the brief. Delivering inuendo that goes straight over little ones’ heads one minute, and bringing delightful family humour the next. I don’t think I’ve ever laughed so hard as I did during the quick costume change for ‘Pink Pony Club’ which was a moment of pure panto magic.
The cast is brilliant all round, each bringing their own unique spin to the characters. I also thought the ensemble were excellent, including the children. The dancing was high quality and delivered with such passion and sheer enjoyment that it was a joy to behold. The children’s ensemble also held their own and it was nice to see them have a good deal of involvement with the plot.
In its 20th year of producing pantomime, it’s safe to say that The Riverfront continues to deliver pantomimes that are punchy, energetic, incredibly humorous, traditional yet with a distinct modern flavour. There’s definitely something for the whole family here, which means that everyone, no matter how young or old will have a fabulous time at the Newport pantomime!
Snow White at the Lyric Theatre, Carmarthen, certainly earns the title of the ‘fairest pantomime of them all.’ On a cold, wet evening in West Wales, this pantomime certainly blew away the winter blues and had us in absolute stiches!
Theatrau Sir Gar, in association with Imagine Theatre, present a beautifully colourful, lively pantomime, which is strong on plot and all the classic pantomime tropes. The set is lovely, light by Jonny ‘JR’ Rees and sound by Alun Walters all make the stage pop and create a gorgeous stage for the performers to present the classic tale. I was also really impressed with the costumes! In particular, I loved Dame Dolly Mixture’s stunning array of costumes, with so many fast-paced changes that I could barely keep up! I also adored the puppetry design used for the Dwarfs, which was really magical.
The ensemble/dwarfs were one of the best I’ve seen in pantomime. They delivered fantastic, high energy dance routines and created loveable, believable characters in their respective Dwarfs. We saw Team White, the ensemble of children, and I must say, they also performed admirably. Ceri-Anne Thomas makes a picture-perfect Snow White, capturing the essence of the original fairytale character with lovely vocals and a great relationship with Abe Armitage’s Prince Michael of Monmouth. Abe plays Michael fantastically, a picture book prince with lovely vocals, which mix really well with Ceri-Anne’s. Alexandra George is a delightfully sassy Evil Queen, revelling in the boos of the audience and owning the stage whilst singing Poison surrounded by an ensemble of evil cockroaches!
Elis James appears ‘in spirit’ as the Spirit of the Mirror, bringing loads of local flavour and humour in a performance that is pre-recorded but is so well rehearsed that it really seems like he’s in the theatre with us! Our comedic pair are Nathan Guy as Jingles the Jester and Steve Elias as Dame Dolly Mixture. Jingles is delightfully hapless, clumsy and of course, head over heels in love with Snow White. Nathan is an adorable Jingles, taking everything in his stride, even sliding, without control across the slosh scene! He is paired with his ‘mam,’ Dame Dolly Mixture. Steve Elias was a fantastic Dame, ad libbing at the speed of light, the audience were in absolute stitches. He mixed exactly the right level of inuendo, naughtiness and family friendly humour to make a really fantastic Dame.
Some great song choices, (including the inevitable 2025 favourite, Golden), a great script that was packed full of local references, hilarious slapstick, naughty bits for the adults and a whole shed load of traditional pantomime tropes, Snow White was an absolute delight and really put us in the Christmas spirit. Snow White at The Lyric, is the perfect balance of well-rehearsed, slick pantomime, mixed with the crazy, silliness that makes pantomime such a perfect family treat.
It’s a great big festive, ‘How’s it going, alrigh’?’ from the annual Christmas pantomime at the New Theatre, Cardiff. Sleeping Beauty is packed full of inuendoes, fast paced slapstick, fabulous musical numbers and a fabulous, mostly returning cast who brought the house down with ease.
It’s the classic fairytale, but with plenty of Welsh flavour; Aurora has been cursed by the wicked, Carabosse, but not to fear, the Spirit of the Pantomime has protected her until the eve of her 21st birthday! When she pricks her finger on a spinning wheel, it’s up to Nurse Nelly, Muddles and the Spirit to rescue Prince Gethin (of Gabalfa, of course…) and return him to the castle in Cardiff so he can bestow true love’s kiss and awaken the princess! Will true love save the day? Will Aurora ever awaken? And will we all be going ‘alright!’ all the way home? Oh yes, we will!
It’s a spectacular affair, as we’ve all come to expect from the New Theatre pantomime; the set is beautifully done, I loved the slick lighting and sound, and the orchestra perform toe tapping numbers with ease, led by Musical Director, Michael Morwood. The special effects are definitely special; the ending of act one takes the audience’s breath away…all I’ll say is that it was definitely gravity defying for Muddles! The choreography by James Bennett is slick and delivered with much aplomb by the talented ensemble and director Matt Slack clearly has a flair for slapstick and comedy, there’s laughs and heart aplenty here. The script by Alan McHugh is delightfully naughty in places, with plenty of jokes for younger and older ears alike!
The all star cast is led by Gethin Jones who is delightful, with a heartfelt performance as Prince Gethin of Gabalfa. He is joined by Emma Kirk as Aurora, who delivers the role with huge enthusiasm and energy. Aurora is usually a smaller role in the pantomime, but Emma really makes her presence felt with great personality, immediately earning her place in the hearts of the audience. Owain Wyn Evans is a force to be reckoned with for Carabosse and delivers fast paced weather puns with ease. Jalisa Phoenix-Roberts is a delightfully evil, but likeable Carabosse, with vocals and sass to die for. Jack Ryan is instantly loveable as Muddles, often at the butt of many jokes and much slapstick. I particularly loved his interaction with Nurse Nelly in the ‘Wonder of You’ section, which was delivered exceptionally well. My personal favourite was Mike Doyle as the fantastically naughty Nurse Nelly. His speech delivered so many fast-paced innuendos, it was hard to keep up! His voice is excellent, and he holds the audience in the palm of his hand throughout the whole production.
All in all, it’s a slick, well-oiled pantomime, full of laughs aplenty, tight dance routines, toe tapping musical numbers and a great deal of heart. It’s guaranteed to have something for every member of your family and is a great night out over this Christmas period. It’s a spectacular show which needs to come out of your dreams and become a family tradition this Christmas time!
You can find out more about the production and book tickets here
Jack Frost is a brand new, family musical for the Cardiff Christmas Festival, which bursts onto the Spiegel Theatre Stage with boundless energy and fun. It’s a show that is great for all ages, but the magic will especially capture the imaginations of the youngest theatre goers, with a magical tale, larger than life characters and toe tapping musical numbers!
There’s no let-up in this high-octane production; I lost count of how many times Jack and Gwen Frost did laps around the theatre! The plot is an apt one for parents currently drowning in Christmas presents! The evil Kringle the Toy Tycoon is trying to steal Christmas and force parents around the world to buy his cheap plastic toys, which only last a day before breaking. To do so, he’s stolen the power behind the Northern Lights, the very thing which powers the reindeers to pull Santa’s sleigh! Enter the mischievous Jack Frost, joined by a cohort of colourful, magical friends, to thwart Kringle’s evil plans and bring back Christmas joy for all the children of the world!
The whole cast work exceptionally hard and give stellar performances all round. Logan Burrows is an instantly likeable Jack Frost; as charming and boyish as Peter Pan, with balletic grace and an instant rapport with the audience. James Rockey is malicious and spiteful as Kringle, and his song is delightfully evil. I adored the sassy Mrs Claus played by Kate Powell, especially her musical number, which brought the house down! Mia Jae plays a loveable, hilariously dry Gwen Frost; the delivery of her lines in a thick Cardiff accent brings lots of comic relief to the dramatic moments! Molly Mae Fisher multi roles and is a beautiful dancer, her pirouettes were to die for! Finally, Bryn the Bear is brought to life by David Morgan-Harding with voice by Mathew Preece. I must say, Bryn was a particular favourite of mine; a 6-foot, Welsh accented Polar Bear has got to be a highlight for anyone! I loved his dry humour, and I was very impressed with Bryn’s dancing ability!
The show is really immersive with the cast bounding amongst us all, engaging with audience members, and even taking the time to give high fives and hugs. There are some good moments for the adults in the audience with some knowing jokes in a script penned by Richard Tunley and there’s some lovely musical numbers, with music and lyrics by John Manders.
Although the set is simplistic, there’s some lovely moments, including some aerial work from Jack, soaring high above the stage, some great dance numbers which make the best use of the thrust stage, (choreographed by Holly Corsi) and some great use of the entire space which really makes the audience feel like they are a part of the magic.
If you want something to get the entire family into the Christmas spirit, from the very youngest to the vert oldest, this is a great option. There’s always a plethora of pantomimes available over the Christmas period so it was nice to see something a bit different; still full of pantomime charm, but with original songs and a plot that’s still full of fairytale charm but is a bit different from the usual Christmas theatre offering. Grab a ticket to help Jack Frost save Christmas, and you’ll leave feeling full of festive fun and cheer, whether you’re 6 or 106!
Mary Poppins makes a triumphant return to the Wales Millennium Centre, marking their first visit to Cardiff since the 2009 and 2016/2017 tours – and the wait has certainly been worth it. This production captures everything audiences love about the classic musical, while elevating it with bold design choices, clever staging, and exceptional performances. One of the standout qualities of this production is the striking contrast between the lighter, whimsical moments and the darker, more emotional undertones of the story.
The set design moves effortlessly from bright, colourful landscapes bursting with magic to shadowy, atmospheric scenes that carry real narrative weight. These transitions feel seamless, thanks to clever set changes that keep the story flowing with energy and precision.
The casting is uniformly excellent, but Stefanie Jones shines brightest. Her portrayal of Mary Poppins is, quite simply, practically perfect. She anchors the show with warmth, sharpness, and effortless charm.
The production also adds a delightful touch of audience participation – a spirited reprise of “Supercalifragilisticexpialidocious” immediately after the main scene, which brings an infectious burst of joy to the theatre. Visual surprises abound, including Punch the toy startlingly appearing above the house during “Playing the Game,” heightening the darker edge of the scene. In contrast, the ballet sequence featuring Neleus and the living statues is graceful and dreamlike, while “Step in Time” delivers tap-dancing brilliance, supported by fantastic choreography and thrilling acrobatics as Bert, played by Jack Chambers, scales the sides of the stage.
The star and laser effects that reach out over the audience during “Anything Can Happen,” creating a moment of pure wonder. And of course, Mary Poppins’ iconic flights – at the end of Act 1 and again at the finale — remain breath-taking theatrical magic.
From start to finish, the show is energetic, beautifully paced, and visually impressive. Every department contributes to its success: the cast, the production team, the creative team, and the musicians all deliver work of the highest calibre. This Mary Poppins isn’t just a return – it’s a soaring celebration of everything that makes musical theatre magical.
If you’re undecided on a last-minute treat or festive gift, consider giving yourself – and the whole family – the magic of Mary Poppins.
Performances run from December 3rd 2025 to January 10th 2026.
As Theatr Clwyd’s panto rock ‘n’ rolls in for another year, it’s a treat to be back in the Moondance auditorium, its surroundings now fully refurbished as planned. This time round, I even booked Bryn Williams’ new restaurant for pre-theatre dining- what a wonderful way to kick off proceedings. And despite this not being a food review- I can highly recommend it…oh yes, I can!
On entering the auditorium, the scene for this well-known fairytale is immediately set. The proscenium arch is adorned with warm, white lights and, as always, the show’s title is displayed proudly in the centre, this year decorated with snowflakes on a blue background, reminiscent of the ballgown we’re all familiar with from the classic story. These astute, clever touches are exactly what give Theatr Clwyd’s pantos their irresistible freshness.
As usual, Adrian Gee’s costume designs are superb. Particularly stand-out are Heathers inspired ugly sisters Samantha and Ella Hardup (Sam and Ella…. see what they did there?!)- sharp and stylish with wigs to make Marie Antoinette jealous! Celia Cruwys-Finnigan and Alice McKenna absolutely dazzle in these roles- their slick mannerisms, hilarious physicality, and standout vocals peak in a fabulous rendition of ROSÉ and Bruno Mars’ APT. (the infamous ‘kissy-face’ song!).
Also noteworthy is Theatr Clwyd’s commitment to sustainability- in this year’s production, Cinderella’s clothes are crafted primarily from recycled jeans! And the transformation from rags to riches is commendable- as Cinderella (perfectly portrayed by Rhianna Goodwin) twists and turns whilst the Fairy Godmother (multi-talented Georgina White) casts her spell, she reveals her gorgeous gown, appearing from the ruffles of her skirt- so clever, blink and you’d miss it! Phylip Harries once again shines as the Dame and with Steve Simmons as Dandini, we have the perfect double act- both performers driving the show with incredible energy and fizzling chemistry!
There is something for everyone when it comes to the music and choreography in this production. We’re treated to a wonderful version of Lorde’s Royals by the King and Queen, played beautifully by Joe Butcher and Chioma Uma, a powerhouse vocalist- Elliot Parchment-Morrison as Prince Charming gives a memorable performance of Every Little Thing She Does Is Magic and Steve Simmonds gets his ‘Kiss’ on as he decides he wants to Rock n Roll All Nite and ‘party every day’ at the Ball!
This production is superbly cast yet again. The standout performance for me this year, however, is Robert Wade as Buttons. He brings his character to life with boundless energy (bringing to mind Michael Crawford as Frank Spencer in Some Mothers Do ‘Ave ‘Em)! With cracking comic timing, brilliantly animated expressions and great vocals, Wade is the star on the top of the glittering Theatr Clwyd Christmas tree!
The cast enthrall us with their capabilities as performers; dancing in a full musical number one moment then rocking out on keyboards the next, tackling some tricky dialogue before heading off for a costume change- writer Christian Patterson even pays homage to this in the script this year; when Hettie asks Dandini where he’s been, he cleverly answers ‘I was playing the drums’! Assuming, of course, that this was in the script and not ad-libbed… you never can be sure!
Theatr Clwyd never fails to impress with their panto recipe- a huge dollop of talent (with no need for ‘celebrity’ names), a mix of wit, sincere emotion and jokes (which push the child-friendly boundaries!) and a wealth of clever designs from costumes, lighting, sets and special effects. If you want to start the festive season in the right way, head to Theatr Clwyd’s Ball- just make sure you’re home by midnight!
Mae pantomeim bwrlésg ar ei ffordd i Ganolfan Mileniwm Cymru dros gyfnod y Nadolig, gyda pherfformiadau gyda’r nos o 17 tan 20 Rhagfyr, a matinée ar Nos Galan. Caiff cynulleidfaoedd brofi Nadolig chwareus gyda pherfformiadau pantomeim, gan gynnwys cân, drag, comedi, dawns, perfformiadau beiddgar, a bwrlésg hudolus.
Bydd y rhai sy’n dwlu ar bantomeim yn cael mwynhau eiliadau panto clasurol (o na, fyddan nhw ddim, o iawn, byddan nhw!) wrth brofi natur befriog, rywiol a gwirion cabaret.
Mae’r sioe newydd hon gan Glwb Cabaret Caerdydd yn cynnwys rhai o sêr cabaret mwyaf poblogaidd Cymru a thu hwnt – gyda sgript wreiddiol wedi’i hysgrifennu gan FooFoo LaBelle.
Bydd y digwyddiad yn tywys cynulleidfaoedd ar daith i gwrdd ag arwyr a dihirod ‘ffabiwlws’ byd y straeon tylwyth teg. Bydd gan bob un dalentau unigryw, o daro â chwip i ddawnsio ffan a phypedwaith.
Enillodd y canwr, Wolfy, wobrau yn ddiweddar yng Ngŵyl Ymylol Caeredin, ac yn ymuno ag arweinydd y sioe fydd Ebony Silk, Sandy Sure, FooFoo LaBelle, Goldie Luxe, Lili Del Fflur, It’s Llywelyn, a Matt Hazzard.
Daw’r cwmni â pherfformwyr cabaret o fri cenedlaethol ynghyd wrth roi llwyfan i rai o berfformiadau mwyaf cyffrous Cymru. Bydd criw Clwb Cabaret Caerdydd hefyd yn ymuno â’r grŵp disglair.
Dros yr 16 mlynedd diwethaf, mae Clwb Cabaret Caerdydd, a reolir gan FooFoo LaBelle, wedi cynhyrchu cannoedd o sioeau poblogaidd ledled y brifddinas, gan roi Caerdydd ar y map fel cyrchfan am sioeau bwrlésg a chabaret.
Fel rhan o Glwb Cabaret Caerdydd, mae FooFoo yn cynnal dosbarthiadau bwrlésg i bobl o bob rhywedd, oedran (dros 18 oed) a math o gorff, i ddysgu dawnsio a pherfformio mewn sioeau fel hon.
Mae’r Pantomeim Bwrlésg Mawr yn berffaith i bobl sydd erioed wedi gweld bwrlésg, yn ogystal â selogion. Bydd y sioe wedi’i phlethu â naratif stori dylwyth teg, a bob pum munud, bydd cynulleidfaoedd yn cael gweld act newydd, a fydd yn aml yn syfrdanol, yn peri syndod neu’n ddwl, ond bob amser yn ddifyr!
“Mae bwrlésg a phantomeim ill dau yn cyfeirio’n ôl at ddyddiau’r vaudeville a’r neuadd gerdd, lle roedd pobl yn mynd i’r theatr am eu hadloniant. Y nod oedd cael amser da! Dwi wedi ceisio cofnodi’r llawenydd hwnnw yn y ‘Pantomeim Bwrlésg Mawr’ a rhoi’r sioe hon at ei gilydd i arddangos ehangder gwych y dalent sydd gan berfformwyr cabaret. Bu’n hwyl cymysgu dau fyd y pantomeim a chabaret ar gyfer llwyfan fodern, a dwi’n gobeithio y bydd cynulleidfaoedd yn llamu’n eiddgar i’r byd pefriog hwn gyda ni.”
Mae tocynnau’r Pantomeim Bwrlésg Mawr bellach ar werth yng Nghanolfan Mileniwm Cymru, ac maen nhw’n diflannu’n gyflym! Mae’r digwyddiad hwn yn addas i rai dros 18 oed ac mae’n berffaith i’r rhai sydd eisiau rhoi cynnig ar rywbeth gwahanol, neu grwpiau o ffrindiau sy’n chwilio am noson allan dros y Nadolig.
Gall y rhai sydd am roi cynnig ar fwrlésg cyn y sioe ymuno â FooFoo am weithdy rhad ac am ddim ddydd Sadwrn, 12 Rhagfyr, o 15:00 i 16:30, yn Ystafell Preseli yng Nghanolfan Mileniwm Cymru.
Creating opportunities for a diverse range of people to experience and respond to sport, arts, culture and live events. / Lleisiau amrywiol o Gymru yn ymateb i'r celfyddydau a digwyddiadau byw
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