Review: The Grandmother’s Grimm, Some Kind Of Theatre, Edinburgh Fringe Festival, By Hannah Goslin

3 out of 5 stars (3 / 5)

In an underground tunnel, it seems like the perfect place to set the creation and editing process of the famous Grimm Fairy tales, we all know and love.

However, there is a twist to this tale. The Grandmother’s Grimm takes a keen look into the women behind these stories; ahead of her time, Frau Hassenpflug helps the Grimm brothers to edit the horror out of the original tales, while realising how the females behind these stories are the ones being edited out. As we delve into their editorial process, we see the championing of women, at a time that the patriarchy was at full force.

This small cast need little else than their talent and enthusiasm to bring this tale to us – doubling up as the farcical characters in the fairy tales, they use little items to help bring the magic across, and this works well, triggering our own imagination.

The character’s of the Grimm brothers, Frau H and the house maid are well established and with fierce and conflicting personalities of their own – keeping to the ‘Victorian’ era that it is set, they continue the customs and attitudes of the time, filling their language and physicality with this, yet there is a modern take when Mrs H and the house maid are challenging the stereotypes and becoming just as involved and as important as the men.

The Grandmother’s Grimm is intelligent, interesting and intriguing – a really enjoyable and unusual production.   

Be Sociable, Share!

Leave a Reply

Your e-mail address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Get The Chance has a firm but friendly comments policy.