I always feel a sense of joy when I head to the Peacock Theatre; their programming is always fun and whimsical. This is exactly what I experienced again, on my trip this time.
A beautiful part of this production, was the initial entrance into the foyer and by the bar. A collection of Spanish speaking patrons mingling and speaking this delicious language which really set the tone for the show itself.
Whilst in Argentina myself, I took a tango class with a short show afterwards and found this beautiful, sexy and interesting language to Tango. It’s fierce, it’s unapologetic and it has a feat of awe.
And this show definitely hit those checkboxes. The staging is simple, with our first half in the typical 1940’s-1950’s costume, lustrous summer scene with only a bench and lamppost. The dancers have a conversation with their movement and there’s humour and plenty of elements that we all recognise – the loved up couple, the unrequited lovers, the males vs females. We enjoy the movement between them, the conversation through dance and it over all is a joyous beginning to the show.
Our second half is more hot and steamy. The women are wearing less, the interaction is raw and fierce and it’s hard to take your eyes off them. The feat to which the woman are lifted and thrown across the male dancer’s bodies and across the stage left a few with gasps and awes. Feet moving and legs kicking at extreme pace; it is hard to ignore such ability and grace.
While a lovely show, and picking on all the elements of Tango, I didn’t feel too awe-struck or inspired. It was lovely to watch and interesting to see the skill involved but it didn’t feel too original. It felt very quintessential.
Over all German Cornejo’s Tango Fire is something to be enjoyed. If you are ready for a show with little to complain about and sit for a nice evening, it’s a safe bet to take. You won’t come away disappointed. But do not expect to come out speechless.