Review, Garry Starr: Classic Penguins, Francesca Moody Productions in association with MILKE and Underbelly, Ed Fringe, By Hannah Goslin

 out of 5 stars (5 / 5)

As a book lover, and, despite this, very much being influenced by the “book’s cover” Garry Starr was plastered around all things ed fringe and I knew, I would just need to see what this about. What I actually saw, was way beyond anything I ever expected.

Garry Starr: Classic Penguins is a show that attempts to go through every single penguin book within the time allowed, creating hilarious comedy through quick and basic acting out of the titles, audience engagement and … oh… a whole heap of nakedness. That’s right. As we enter, there’s a aesthetic of a villain’s ice lair, with Starr in a high backed chair and clearly a top hat and tails. But when he swivels around, we see Starr at his full nudeness. The show proceeds in this fashion, with much lewd comedy sought from this, some…ahem… intimate puppetry and zero boundaries in physicality. At some point, you get used to this and suddenly Starr will pull out something out of his hat (metaphorically) that takes us back to the rude comedy basics. I will say, that the nakedness doesn’t really add anything to the performance – there’s no real rhyme or reason, but you can’t be mad because it’s totally absurd and ridiculous and entire chaos. It’s such a mad production, that you actually do not stop laughing, whether specifically prompted or just because you cannot believe what is happening.

The actual “recreation” of the books are very clever. Very to the point and as described, there are bits that are heightened to either gross us out or make us shocked, and others that actually are physically impressive. To ourselves, we start to guess what’s next. Most of the time, the acting begins before we are told the true title and, any book lover, begins to try to get ahead of Starr and what he is recreating.

Starr himself is having a whale of a time – with no qualms of his state of dress or interactions with us, he is laughing and enjoying every moment as much as us. As with any audience interaction, there are curve balls and he relishes this and uses it very much to his advantage to pull more and more laughs from us. In pockets of the production, we actually feel as if we are just Starr’s friends, being as silly and ridiculous as he is, despite being within a large, sold out venue.

Garry Starr: Classic Penguins is an absolutely nuts and nonsensical production, with ranging high to low levels of comedy and concept. It is mania of the best kind and one of the most bizarre but brilliant productions at fringe.

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