One thing I felt I missed this year at Fringe was circus. Not that there wasn’t plenty to see but it was one of those years that it just didn’t come my way. So to be able to see this beautiful piece, N.Ormes was enough to satiate that thirst.
N.Ormes is by a circus duo who aim to break down pre-conceived ideas about bodies and gender. By subtle changes in costume, lighting and the swapping of “roles”, they conduct an acrobatic dance to show the extent to which the body can go, no matter the gender.
The piece is fully mute and so much of the story line and emotion is brought through facial expressions and gestures; we begin with the concept of their love, then the exhaustion of the relationship but as it continues, the physical strength between the two genders projected on stage shows an ever swapping support of one another, physically but also emotionally. There are moments of comedy, nothing laugh out loud, but a smirk or a chuckle on the ordinary interactions of two humans… while it happens mid-air is another matter, however.
The two conduct feats that you can only dream of; being pushed up high by feet, in a sitting position, to only come back to the unusual seat, a seemingly small woman able to lift a tall man by just her head and so much more – we know circus artists are super human but they cleverly do this in a way to juxtapose the norm of what we usually see in a circus show.
The production ends with subtle lighting on their bare torsos while they continue acrobatics and it is just beautiful. The bodies merge into one and we are just left with skin and muscle – no idea the gender or the person. It is quite poignant.
My only negative is that the production felt consistently at one note. I wanted there to be a bit where it sped up or got intense but it didn’t quite reach that change. But none the less, it was certainly art.
N.Ormes is a powerful display of physical exertion with all pre-conceived ideals and gender norms thrown out the window. I just wanted something to break up the steady pace they had set.