Image Mark Douet

This was an absolute celebration of so many aspects of life that can be easily missed; self-love (in all manners of the word), companionship and reconnection. This one woman show gracefully took us through a myriad of scenes, drawing us into Jane’s life and leaving me on the edge of my seat. Carrying a multitude of character can be very tricky, and indeed could have at times been slightly clearer, but Vivien Parry’s performance was a triumph that garnered a standing ovation at the end.

April Dalton’s set at first looked incredibly simple but tuned out to be perfect- a little dull at first but hiding a lot of light and fun. The carpet was the perfect background for Jane’s transformational experiences and was elevated by Katy Morison’s lighting and Sam Jones’ sound designs, transporting us from Roath Park to London to dancing naked in Caerleon.

Hannah Noone’s direction was understated but allowed Parry’s sensuality to shine and roam around the whole stage space.
To me, the show felt like it would hit every audience member differently. There was a lot I could relate to, but a lot that would hit differently depending on the time of life you saw it.

One of the main messages that I took away from Matt Hartley’s script was that it’s never too late. Never too late to find yourself, have those conversations that are needed or to become a better person. It was a subtle story of redemption for all the characters, and I left wishing every character we met the best as they carry on their life well after we’ve left the auditorium.

Sherman Theatre is known for its young plays and dynamic work, so seeing a story of an older woman was a breath of fresh air, I just hope that younger audiences aren’t put off from attending as they would be missing out. It runs at The Studio until March 23rd with a range of prices for all ages.