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REVIEW: School of Rock – London 25th May 2019 by Patrick Downes

What you get it you cross a film from 2003, one of musical theatreland’s legends plus add in a little piece of youthful magic – School of Rock!

Based on the 2003 film that starred Jack Black, overly enthusiastic guitarist Dewey Finn gets thrown out of his band and finds himself in desperate need of work. Posing as a substitute music teacher at an elite private elementary school, he exposes his students to the hard rock gods he idolizes and emulates — much to the consternation of the uptight principal. As he gets his privileged and precocious charges in touch with their inner rock ‘n’ roll animals, he imagines redemption at a local Battle of the Bands.

Set at the Gillian Lynne Theatre, the theatre has more a studio feel than an auditorium, but this brings everyone closer to the sound. I was fortunate enough to get the ticket lottery for the evening performance, meaning I paid £30 for a pair of tickets valued at £160 – and good seats too!

Craig Gallivan stars as Dewey (he was Stella’s son Luke in the Sky 1 show), and for those who weren’t aware, the boy can sing, plus has the Jack Black act to a tee. As for the kids, what can be said? Very talented musicians in their own right – plus having proud parents – one of which was sat in front of me!



Andrew Lloyd Webber and Julian Fellowes would not be the first two people I’d associate with a production like this, but underneath, every part of the production is polished. From the stage direction, the sound, and the performances.

Generally speaking, musicals based on films can be a little fractious with songs crowbarred in, but School Of Rock bucks this idea with having a plot and musical cues to suit.

It’s the perfect way to introduce children into the theatre, it’s entertaining with an all rounded quality cast and production. You’d be put into detention if you didn’t consider School of Rock as your next London musical adventure!


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Review: Patrick Downes

REVIEW Aladdin the Musical #London 27th May 2019 by Patrick Downes

A little bit of Disney magic, one of musical theatres most loved lyricists & composers, and some of the most iconic musical sequences in animation history all add up to Aladdin the musical in London.

Nearing the end of it’s time at the Prince Edward Theatre, you still have a matter of weeks to catch this before 24th August 2019.

In the town of Agrabah, Princess Jasmine is feeling hemmed in by her father’s desire to find her a royal groom. Meanwhile, the Sultan’s right-hand man, Jafar, is plotting to take over the throne. When Jasmine sneaks out one evening, she forms an instant connection with Aladdin, a charming street urchin and reformed thief. After being discovered together, Aladdin is sentenced to death, but Jafar saves him by ordering him to fetch a lamp from the Cave of Wonders. There’s a lamp, and where there’s a Genie, and once Aladdin unwittingly lets this one out, anything can happen!

It’s everything you could expect from a Disney musical, although it took a few songs for the sound to flow through the theatre. There was a tendency for it to be a little bit panto at times, but generally speaking I was entertained all the way through.



Aladdin played by Matthew Croke might be a reformed thief, but Trevor Dion Nicholas as Genie, stole the show. The set pieces of Whole new world, Friend Like Me, and Prince Ali all make this one incredible production. The staging and the ensemble sounded brilliant, but only thing that stops me giving these five stars is some parts of the singing felt a little “screechy”. Maybe that’s just my opinion but it didn’t spoil what was a magical flight on a magic carpet ride.



It closes at the end of August to make way for the other Disney masterpiece that is Mary Poppins, so you’ve got limited time to enjoy some Arabian Nights.

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Review: Patrick Downes

REVIEW: Waitress #London 25th May 2019 by Patrick Downes


Back in 2018 visiting New York for a few days I happened to chance upon Waitress. The main reason for this being the theatre was 50 metres away from our hotel (honesty being the best policy I believe). That aside, it also had an extra bonus in that Sara Bareilles – the composer & lyricist was appearing as Jenna.

If you don’t know much about Waitress, it was a quirky little film from 2007, written by the late Adrienne Shelly and starred Keri Russell in the lead role. It was bought by Fox Searchlight pictures for about $6 million, and went on to make $16 million, winning plaudits along the way.



It tells the story of a young woman trapped in a little town, a loveless marriage and a dead-end job as a waitress, who falls into the next trap of an unwanted pregnancy. Escape beckons when she falls in love with her gynaecologist, but he hesitates to leave his practice and his wife.

It began in London earlier this year with Katharine McPhee (American Idol runner up) in the starring role.

Staging wise it’s like nothing you’ll have seen before. There’re not the effects like Wicked, or Frozen, but in its own way, the Adelphi Theatre is a small venue and that adds to the cosiness of the musical. It’s a little piece of small town USA in the heart of London town (plus the smells of pie resonate throughout the foyer and bar areas).

Musically, it feels right – with lyrics written and performed by Sara Bareilles. It has a country contemporary feel that oozes emotion with each note. Before seeing it in NY, I’d not heard any of the score, but once was enough and it left me wanting more – so much so, upon arriving back in the UK I bought the original cast album and Sara’s album of songs from the musical. And since it’s been a regular playlist in my car.

It did start a little rusty, but within a few numbers, you could feel the production spring to life.

As the lead, Katherine McPhee brings to the role something special. I’d go as far and say that her “She used to be mine” is the best I’ve heard in any musical production.

Marisha Wallace as Becky (a role once taken by Keala Settle – her that now is part of The Greatest Showman), together with Laura Baldwin as Dawn provide the perfect harmony and backing to the main story, and both excel with their own story arcs.

David Hunter as Dr Pomatter plays Jenna’s love interest with brilliant comic timing and voice, as does Jack McBrayer as Ogie for Dawn. His “Never ever getting rid of me” performance ranks as one of my favourite musical theatre moments, plus he’s the voice of Fx It Felix from WreckIt Ralph!

After seeing the NY production I did question whether would this work with UK audiences? The musical style is intrinsically American country – so would audiences in the UK buy into it? Simple answer, yes!

If you’re a fan of Sara Bareilles, the film Waitress, or a beautifully written musical that will send you away with a song in your heart, and the taste of pie in your belly, this is for you.


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Review: Patrick Downes


NB. Katherine McPhee and Laura Baldwin will be ending their runs shortly, with Laura returning after the Summer.