Tag Archives: Troy Lenny

Review Of Mice and Men, August 012 by Troy Lenny

All photographs credit Studio Canno

 out of 5 stars (4 / 5)

Of Mice and Men is a story of loneliness and misunderstandings. I remember studying this literary art in high school, but I didn’t  notice the finer details, only the outline.
On Wednesday I watched Of Mice and Men presented by August 012, at Chapter ArtCentre. The outline of the story is two friends, George Milton and Lennie Small who are two workers in the Great Depression. To escape their cruel reality they share a distant dream that persuades them they will own their and land, “an’ live of the fat of the land.” This dream swirls colours of great happiness into their lives.

I do not want to cut curiosity out of the plot, so I will express little of this element. There are two stern problems blocking their dream. Lenny has an intellectual disability, and naively often strokes problems at work. And George and Lennie need ‘stake’ (money) from work so they can whirl their dream into reality.

I rate this production four stars. Why? Because the production was extraordinary. It had a partial modern theme which drew out the connection that many of the problems in Of Mice and Men still exist today, if you thin your eyes. Additionally, the production style conflates imagination with reality through dreamy description and because the audience’s seats are placed on an empty stage an immersive reality surrounds you (plus you may be able to play cards with the characters!)

I would  recommend anyone reading this to book a ticket, and visit the world Of Mice and Men because its performance style will enlighten tenebrous learnings. One element of the production  I noticed during this production was all of the characters were Greatly Depressed, but they wiped their tears and some tried to smile and others frowned. For example: Callous Curley, always had a curled fist most likely because he felt lonely, but due to his expected masculine role he couldn’t express his feminine emotions so he was always steaming frustration. Consequently, Curley’s wife felt lonely, and wandered looking for company and due to expected feminine roles she likely thought the only way to attract a man’s attention was by swirling hips.

I would like to thank all involved in the production Of Mice and Men for their creative minds, and extraordinary performance style – it was striking.

Troy Lenny

Moment(o)s, Elaine Paton, Chapter Arts Centre by Troy Lenny


 
 out of 5 stars (4 / 5)
 
Moment(o)s, a strange, sinister and sad autobiography about Elaine Paton , who suffered from manic depression.
For those who have do not know what manic depression is, you can liken it to the traditional dramatic masks of torturous tragedy and chuckling comedy, switching randomly and so a person may randomly be very cheerful or cheerless – this is what Elaine portrays in her drama.

Hurt by the loss of loved mother, manic depression pulls the strings of Elaine’s life and causes horrid and humorous consequences throughout her life. Such as: hallucinations, relationship cuts and ties and sorrowful suicide.
This play is fine art, I experienced tugs and pulls of confusion, laughs, and overwhelming floods of mixed emotions; it is very symbolic.
I highly recommend this play for anyone who wishes to understand manic depression, as much as they can. Especially because there is a question and answer session at the end, consisting of those who have mental health issues, and representatives from mental health organisations.
https://www.chapter.org/momentos

 

Review ‘Mary Poppins’ WMC by Troy Lenny

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 out of 5 stars (4 / 5)

Mary Poppins is a musical, which you most probably know or have heard about, originally produced by Walt Disney and songs sparked alive by the Sherman Brothers.

The musical  begins with two cheerful children in the 1960s named Jane and Michael who are as free as a drifting kite, but far from home, so a constable safely returns them home. Upon arrival, the children ask for their father to build a better kite, but Mr. Banks who is a banker, certainly doesn’t believe it’s a bankable time, not only for himself, but for his children too. So, rationality directs him to hiring a stringent nanny, one who can restrict the children’s wild imaginations and size their mannerisms appropriately. Jane and Michael however have different wishes, they want a nanny who is fun, free, and funny and magical Mary Poppins is a wish come true.

Mary Poppins guides the Bank family into a world of freedom, teaching them to remove all restrictions such as: patronising patriarchy, calculating classism, and recurring reality in a merry, magical and musical manner, so they may be bouncingly blissful rather than depressingly deflated.

On Friday I ventured to the Millennium Centre to watch Mary Poppins and I would definitely recommend it to be watched; since we were young our minds have been creatively curious, whether it was having imaginary friends or discovering a new and expansive world in our back-gardens and frankly it was fun. But, as we age, we lose a lot of things, and one is generally is the World of Wonders. Instead we walk into the world of restricted, reality rationality sadly never to see World of Wonders again but Mary Poppins guides you back into the world of magic so I would definitely recommended to watch it.

I would like to also applaud the fantastic acting by the performers, especially Mary Poppins played by Zizi Strallen; Jane by [I’m unsure which girl it was in the booklet] and Michael by [Unsure again] and the welcoming service from the Millennium Centre.

Review ‘Love Steals us from Loneliness’ Chippy Lane Productions by Troy Lenny

 
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 out of 5 stars (4 / 5)
 

On Thursday I ventured to Chapter Arts Centre, Cardiff to see Love Steals us from Loneliness from Chippy Lane Productions. A teaching-tale of Love depicted in a relatable dark and drunken-night spent in the night by two long-term friends. Whilst in the park they drift from discussing: past adventures shared with each-other, slurring and slight insults and eventually their long and lustrous love which has been squeezed in seemingly for eternity.

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So you could consider it an ordinary Love play from such a description, but it’s extraordinary. This play teaches you that Love permeates through all relationships (including strangers) and inevitably softens us to sands of sadness, never to be whole again or roughens us to rocks of regret, never to be loved again.

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Expect to see a medley of a missing and melancholic mother, concerned and caring daughter, and a gravely guilty girlfriend. This is a play which will grasp your hand and lead you through the delightful and disastrous Forest of Love. A play of perfection.

RIGHT WHERE WE LEFT US