Tag Archives: Thriller

Review Wait Until Dark, New Theatre, Cardiff by Jane Bissett

(4 / 5)

As I made my way to the Theatre on a dark and wet November evening I was unaware of the theatrical experience that is Wait Untill Dark would have on my walk home – in darkness…..

WAIT UNTIL DARK is a cautionary tale set in the mid 1960s. About a young photographer (Sam) who in agreeing to assist a fellow passenger on an aircarft flight from Amsterdam sets in motion a chain of events that will affect his household in a way he could not fore tell nor indeed understand.

Human beings are either able to embrace darkness or have an inate fear of it. There is something about the isolation of being in the dark which enduces our inner fears of the things we cannot see or understand.

This story centres on Susy the newly married wife of Sam. Susy is blind and learning to live her life in darkness following an accident.

As the story unfolds we watch as a small gang of vilains are trying to discover the whereabouts of a missing doll which has been used as a carrier for drugs.

The gang mistakenly believable Susy knows the whereabouts of the doll although is unaware of its value. They set in motion an elaborate plan to retrieve the doll by deception and fear.

Using a tried and tested method of operation the gang gain access to the basement flat and conduct their search with the assistance of Susy who now believes her husband is in danger and if the doll is discovered in his possession he maybe under suspicion of a murder of the woman who originally asked him to take care of the doll.

Despite her blindness Susy soon becomes aware of what is happening as she hears and senses the strange behaviour of the men and is suspicious of their real motives.

With the assistance of her neighbours daughter she sets out to change the power balance to her advantage and to keep herself alive until her husband can get home.

Although set in the 1960s this story could have taken place at any time and in any context and is the stuff that good thrillers are made of.

All the action takes place in a basement flat and the set design was true to the time period in which it was set. A mention must be made of the use of the stair case and we can only commend the cast on their fitness levels as they negotiated the stairs all evening.

Katrina Jones portrayal of Susy was outstanding, a smart woman, in love with her husband and astutely aware of her surroundings. Indeed it was only at the curtain call that it entered my mind that Jones was actually blind.

Shannon Rewcroft gave an amazing performance as Gloria (age 12), so much so that it became believable that she was 12.

The gentlemen of the cast brought the play to life and Tim Treloar’s performance as the gang mastermind ‘Roat’ sent a shiver up the spine.

The whole atmosphere of the play hinged on the set design, lighting and sound and to this end I must commend David Woodhead, Chris Withers and Giles Thomas for bringing to the stage the visual and audio experience that left us all wanting more.

During the final act, as the story reached it climax, the effects on stage not only heightened the scenses of the audience but pulled them further into the action that was taking place in front of their eyes and the tension was almost tangible.

Playwright Frederick Knott’s (1916-2002) legacy to the theatre was believable drama where he set the scene and delivered a thriller that has stood the test of time.

Director Alistair Whatley gave us an evening of sheer pleasure and this amazing cast brought the play to life to create an unforgettable evening of thrilling theatre at its best.

WAIT UNTIL DARK plays at Cardiff’s New Theatre from;

Tuesday 14 – Saturday 18 November at 7.30pm

On Wednesday, Thursday and Saturday there are performances at 2.30pm.

For further details about the show or to book tickets call the Box Office on 02920878889.

Review Deathtrap, New Theatre, Cardiff by Jane Bissett.

DEATHTRAP

By Ira Levin

(2 / 5)

Deathtrap is the age old story of a man who wants more than he has and is prepared to go to any lengths to gain it.

The action takes place at the home of playwright Sidney Bruhl’s home that he shares with his wife of 11 years, Myra.

We see Sidney, a man who has not written a successful play for a number of years receives a manuscript from a aspiring young playwright. This is the opening of a plot that will change the course of the lives of Sidney and Myra in ways that we, the audience, will not have imagined.

The story covers four weeks in the life of Sidney Bruhl where he, Sidney, plans and plots to create a better life for himself at any cost.

The three main characters played by Paul Bradley (Sidney Bruhl), Jessie Wallace (Myra Bruhl) and Sam Phillips (Clifford Anderson), despite all being well known to us in former stage and television roles, were believable and I particularly liked Wallace’s portrayal of Myra Bruhl.

Despite not being familiar with the story and not having seen any other adaptation I didn’t find it as thrilling as I had anticipated. There were a lot of question marks about the relationships between the characters which were never addresses in either dialogue or behaviour except for the ending of act one. This isolated engagment between characters didn’t actually appear to have any relevance to the storyline and left the audience somewhat confused. Perhaps it was meant to shock? Either way it really didn’t work.

That said, the outstanding performance for me was Beverley Klein. She gave a wonderful performance as Helga ten Dorp, the Bruhl’s psychic neighbour. Her portrayal of ten Dorp single-handedly brought the thrills, drama and humour to the stage and was a delight to watch.

The set design worked well and the lighting created an atmosphere for day and night that worked particually well. The sound was spot on and certainly on cue for the moments we all jumped out of our seats! It would be unfair to elabarate further as it would certainly create a spoiler for anyone going to see the play.

Scene changes were prompted by the showing of vintage thrillers on screen in black and white which worked to great effect and enhanced the experience. The video design which was by Duncan McLean gave a sort of scrap book feel to the presentation and perhaps gave an insight to the mind of a thriller writer, their inspiration and method of work?

DEATHTRAP plays at Cardiff’s New Theatre from;

Tuesday 10 October – Saturday 14 October at 7.30pm

Wednesday, Thursday and Saturday Matinees at 2.30pm.

For further details or to book tickets call the Box Office on 02920878889.

Review Not Dead Enough, New Theatre Cardiff by Jane Bissett

 

(5 / 5)

NOT DEAD ENOUGH

Review by Third Act Critic, Jane Bissett

NOT DEAD ENOUGH – if ever there was a understatement for a title of a play this is it. This adaptation, although from a book of the same title, was a very much alive, fast moving drama which moved at a pace that ensured the audience was running alongside, wanting more but never left behind.

Peter James is an acclaimed author of crime fiction and Not Dead Enough is the third book in a series of 13 featuring DS Roy Grace. As a writer of crime fiction James has researched extensively interviewing convicted murderers and has a great insight into the criminal mind and indeed that of the seasoned detective. As an avid reader I am always in awe of the person who has the ability and imagination to adapt a book for the stage but Shaun McKenna has this cracked. He has done an outstanding job of bringing the story to life in the most believable way and I am sure with the approval of the novelist, Peter James.

All credit to an amazing Creative Team of; Director, Designer, Lighting, Sound, Production, Costume and Props who have created an environment before us of a Pathology Laboratory, a Police Station and an outside scene where it is as easily believable as the more sophisticated setting of the lab. In fact the staging of this production is the key to its ability to draw the audience into the world that James’ has created for us.

It is difficult to talk about the story line without giving away too much. If you have read James’ novels then you will be familiar with DS Grace and know him already and you will be entranced as the James’ characters are brought to life before you.

I guarantee this crime thriller will have you on the edge of your seat. Indeed at one point the gentleman sat next to me exclaimed out loud, in reaction to DS Grace searching for something, “It’s not in the box!” clearly this audience member was totally immerced in the investigation, as were we all.

All productions have their leading roles however, in Not Dead Enough all the characters were of equal importance to the storyline and you would be easily convinced that they were police officers who had worked together for years not actors playing a role.

However, that said I have to mention Gemma Stroyan who played Bella Moy and Gemma Atkins who played Sophie Harington.

Stroyan gave us a confident portrayal of a female police officer which was seamlessly believable at every level, comfortable in her skin and confident in what she was about. I would like to think that maybe James would take her character in the future and promote her to the central character in her own novel(s).

Atkins also gave a polished performance as Harington keeping us guessing about who she really was and what (if anything) she was really up to.

During the interval the auditorium was alive with chatter and theatre goers were talking not only amongst themselves and also with neighbouring audience members as to what they thought was going on, who had done what and making predictions about how it was all going to conclude.

Like DS Grace, I wanted to believe the main suspect, but how could we?! What was the evidence showing us? Who was safe? Who was next? WHAT WAS GOING ON?!

It would be wrong for me to tell you more but be aware it is not over till it’s over and even then not all the questions will have answers.

At curtain call the volume of the applause was only just that above the whistles of approval. This is an unmissable crime thriller that will keep you on the edge of your seat and wanting more all the way until the end.

I for one will be looking more closely at James’ novels and perhaps it will be my summer reading for 2017.

And for the record, on the way out people were still chatting and animated about what they had just seen.

NOT DEAD ENOUGH plays at Cardiff’s New Theatre from;
Tuesday 13 June – Saturday 17 June at 7.30pm
On Wednesday, Thursday and Saturday there are performances at 2.30pm.
For further details about the show or to book tickets call the Box Office on 02920878889.