Tag Archives: Science Fiction

Review Avengers: Infinity War by Jonathan Evans

 

(5 / 5)

 

Avengers was the accumulation of years of planning and character development that had originally started in 2008’s Iron Man. It wasn’t the first to bring multiple characters together from other movies but this was the one that clearly had a plan, each character got their own movie so they could all be here and gathered together. In the end, it made a promise of a villain that there was more. Infinity War is the payoff.

Now, ten years later and eighteen movies we have arrived at where the plan was apparently alway to be. Many heroes, many different locations, visuals, effects, moments etc. This movie takes everything in the toy box and throws it at us and introduces new ones while doing so.

Only recently has MARVEL done better in having better villains in their movies. But most of them weren’t really serious threats, they were scene chewing, fun bad guys. Thanos (Josh Brolin) is one of the biggest and baddest of villains in the comic book world and has now been realised on the big screen. He stands eight feet high, bulky with muscle and a plan that will devastate everyone. He believes that there is too much population in the universe so he has taken it upon himself to wipe out half the population to stabilise it. This is quite mad and the characters point it out. Dread is packed into the way the characters talk about him and he proves that he is indeed someone to fear. Not only does he pack a punch, but can take one and has a sophisticated way with words and philosophy. Brains and brawn, he most certainly has a few key elements of a great screen villain.

His plan revolves around acquiring six Infinity Stones that all control a certain aspect of existence (reality, mind, time, soul etc.). Once he has all of them he can accomplish his goal with a literal snap of his fingers. These Infinity Stones have been scattered throughout the other MARVEL movies so for us watching we can connect the dots. Now the race is on to either get to a stone before he can, get them away from him or destroy them. Failure means the death of half the universe.

To describe all the different scenarios going on and who is where will take up too much space in the review, so I will simply name the players. Iron Man (Robert Doweny Jr.), Cpatian America (Chris Evans), Thor (Chris Hemsworth), Black Widow (Scarlett Johansson), Hulk (Mark Ruffalo), Black Panther (Chadwick Bosseman), Spider-Man (Tom Holland), Winter Soilder (Sebastian Stan), Dr. Strange (Benedict Cummberbatch), Scarlet Witch (Elizabeth Olsen), Vision (Paul Bentny), War Machine (Don Cheattle), Falcom (Anthony Mackie), Star Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Groot (Vin Diesel) and Rocket (Bradley Cooper). There are a few more but that’s enough.

This is obviously a big cast. Approximately twenty characters that are not just present but are essentially their own main character. What helps is that they have had their own movies previously to help develop them so they can come into this movie smoothly, a lot has been established so the writers have plenty to work with and the actors know the characters inside and out. But what if this is the first movie you’ve seen and have not viewed any of the others yet? Well, you’ll probably suffer from overload, I don’t recommend this as your first MARVEL movie but it will definitely be someones. There is just enough in terms of efficiency establishing the characters in their moments of introduction to understanding who they are and roll with it for the rest of the movie.

Beyond having all the characters on-screen at the same time what the filmmakers have to consider is the different visual style all the other heroes have. The Guardians have a stronger, disco colour pallet, Black Panther has more jungle colors and Dr. Strange comes with psychedelic visuals. All of them have to be represented here. They are. Along with that, this is (along with tone) the darkest MARVEL movie color wise. There is a lot of blacks on-screen, deep, true blacks, contrasting with other deep, vivid colours that pop out. It makes for an engaging image and adds to the dire nature of the story.

As I have mentioned at least once in my recent review’s of the MARVEL movies the screenwriters are prone to adding quips in the dialog. Or sometimes having what feels like mandatory jokes happen every ten minutes. The tone of the movies has always been a light-hearted one to a degree so it wasn’t off-tone and they were funny so that also wasn’t a bother. They are present here as well, a character makes comments on the others attire, name, mentality etc. But these are moments of characters either being themselves within moments of respite or even dealing with this seemingly hopeless situation.

This movie naturally comes with its share of action set pieces. As previously stated we have had many other movies to get to know these characters and in the time they have in this movie is enough to connect with them. So we care a little about who is going into battle. But when it comes to the fights everyone has different abilities and they use them like great pieces in a strategy game, others get close, while one attacks from a distance and another distracts (these are just examples).

A popular criticism of other MARVEL movies is that their aren’t any real stakes because none of the main characters ever die. Only a handful of important characters have died and these movies are light as a feather and so forth. Well, it’s as if this really was all part of the plan because now characters do indeed die. I won’t spoil who (go see the movie!), but early on they do and later on others. So being that some can it means anybody can die, which adds great gravitas to the action scenes that now have the biggest stakes of all.

I have to mention directors Anthony and Joe Russo and scriptwriting team Christopher Markus and Stephen McFeely that took on this monumental task of juggling all these characters and taking all the story threads and weaving them into something not only consistent but effective.

This movie doesn’t work as a single character arc, nor does it work as a self-contained story, because of the immense story and characters, this is actually part one of two. This is a grand accumulation of seeing all of the characters and worlds we have come to know and love over the course of many movies and face something that is too big for any one of them to handle on their own. It shows all the amazing images and feet’s of imagination and drama that the world of Superheroes is able to present before us. All the fun times and pulp from before is brutally stripped away and since we had that mindset in the previous movies the darkness and brutality hit all the harder.

 

Review Blade Runner 2049 by Jonathan Evans

(4 / 5)

 

The images and themes of Blade Runner are some of the most iconic in movie and even pop-culture history. They have influences and been ripped off so many times and yet there’s still nothing quite like the original. Whether a sequel was necessary or wanted is now irrelevant, it’s here and the story now continues.

I have to confess that I’ve never been a fan of the original movie. I ‘ve seen it three times, I like hearing analysis of it and talking about it and it is undeniably influential and amazing to look at, but frankly actually sitting down and seeing the movie play-out has never given me a thrill.

We get a black screen where writing comes up informing us of the essential information we need to know going into the movie. Replicants are synthetically grown humans that developed their own humanity, they rebelled but a new company has emerged which makes Replicants that obey absolutely, the old models are still running around Earth so there are still agents that hunt them, which are still called Blade Runners. The  first shot, as the original, is with the opening of an eye. Who eye? It does not matter. We then see a flying car hover above a grey landscape, where eventually there’s some kind of farming land. The car lands and a man gets out, he enters the house and waits for it’s owner (Dave Bautista), through a series of questions it’s obvious that he is a Blade Runner here to “retire” this runaway Replicant.

The Replicant fights back, slamming him through a wall but he is stronger than him. Yes this Blade Runner is a Replicant. The Replicants name is K (Ryan Gosling). Before he heads back he finds a buried box under a dead tree and number carved into them that have meaning for K.

Being that he’s not human most of his emotions are subdued, for a large portion of the movie Gosling is rather stone-faced throughout it. That’s fine because there are other  more expressive characters that keep the energy alive, his real effort goes into his body movement, being sleek and efficient. However you can still see the glimmers of the thoughts that are going on under the surface that come out in little eye movements or furrowing of his brow. Plus there is a scene in which he comes to a realisation about himself and without going over the top delivers an amazing reaction. For this, I believe it is one of his best performances.

Something I applaud this movie for is it’s very little amount of action. There are hand-to-hand sequences and a shootout scene or two but this movie really relies on creating images, atmosphere and provoking deeper questions. Science Fiction isn’t supposed to simply entertain you with things going bang and flashing lights, its meant to give you ideas.

Blade Runner has never been a typical science fiction movie. It was more like an existential Film Noir set in the future. It had a lonely man wandering the streets of a dark city and asked questions about what makes us human. This is still that movie.

In the directors chair is not Ridley Scott but Denis Villeneuve. He made Arrival last year which really impressed me so I had no objections to him taking the realms on another science fiction movie. He has clearly done his research for what this world is like. He and cinematographer Roger Daekins have created the same dark, rainy world lit with headlights and advertisements, as well as a few other images that will most likely become classic. Whats striking is the way many scenes are composed with the minimal amount of detail and only a few shapes to help fill in what they are. Take a shot where its mostly black but a few coloured lights help us register that there is a car behind the character.

Someone else that’s taking over is Hans Zimmer and Benjamine Wallfisch on the music where it was previously handled by Vangelis. They have a frame to work within and I believe to sounds like the original. For the big city shots it’s your traditional piece you would expect to hear but there are other moments where the characters dwell on other things and it becomes a deep meditation. They use electronic instruments but create an organic sound with them.

I have no idea how well this movie will be received by the public or by other critics. I also cannot guess how successful it will do at the box-office or with the fans of the original. But I do admire the visuals and the technical achievements put into this movie. I remember some of the shots very clearly and the feeling of the atmosphere it created. It shows a world far off in the future where technology is capable of so many things but the greatest question man faces is within themselves.