Tag Archives: Rebecca Evans

Review Der Rosenkavalier, WNO, Wales Millennium Centre Cardiff by Barbara Michaels

Photographic credits Nilz Böhme 

4 Stars4 / 5

 

“Age doth not wither her.” The old adage definitely can be applied to Rebecca Evan’s portrayal of the demanding central role of the Marschallin in a new production of Richard Strauss’s Der Rosenkavalier, a co-production between Welsh National Opera and Theater Magdeburg. Evans is at the top of her scale, with a soaring soprano and equally at ease in Act I as the skittish Bichette (her lover’s name for the Marschallin) and in the final scenes as a mature and gracious lady, bowing to the inevitable.

Right from the start there is poignancy behind the comedy, as a lone figure portraying the Marschallin in age is seen either seated in a chair or wandering around at the back of the stage. A nice touch of individuality in that the (non speaking) part is played by actress Margaret Bainton who was in the chorus of the WNO for thirty-seven years and played a child in Der Rosenkavalier fifteen years ago

The Marschallin is married to a high-ranking Field Marshall who is conveniently away on duty as she enjoys a bit of rumpy pumpy with her young lover, Count Octavian (nicknamed Quinquin) , only to be most inconveniently interrupted by the boorish Baron Ochs, up from the country and hell-bent on acquiring a young wife with money. The machinations become more and more involved, as Octavian is nominated to carry the obligatory silver rose – the Der Rosenkavalier of the title and traditionally symbolising and engagement– to the Baron’s prospective bride. What no one has bargained for is that the two young people are instantly smitten with one another and fall in love.

As often with operatic comedies, there is a hint of pantomime. The young Count Octavian is a female role, performed here by the delightful Canadian mezzo-soprano Lucia Cervoni, making her debut with WNO and singing the role with evident relish. Brindley Sherratt’s Baron not only shows perfect timing but his mastery of a difficult bass role, requiring as it does a range that is rare, Sherratt being one of the few who have this accomplishment. The Baron’s intended is Sophie, daughter of the daughter of nouveau riche businessman Faninal. Singing Sophie is the delightful newcomer Louise Alder, in Cardiff for Singer of the World and only the night before shortlisted as a contender for the title, while as Faninal her social climbing father with dreams of grandeur, Adrian Clarke is a Hitler-like figure of hand-rubbing nastiness.

Strauss’s wonderful music, bound together with its string of memorable waltz melodies, is a given, but in the hands of WNO’s new young conductor Tomáš Hanus takes on new dimensions, underlying the comedy and recognising the poignancy beneath. A small caveat – there is a sight hesitation, no more than a breath, in Act II when the tempo drops, otherwise this would have been five star. All in all – a masterpiece culminating in the superb singing of the trio as the opera draws to a close. Director Olivia Fuchs and designer Niki Turner are to be congratulated. Turner has resisted the temptation to go overboard, and instead opts for a single glittering chandelier that reflects the opulence of 1911 Vienna against elegant pale grey walls. An added pointer to the theme of the opera are the sands of time running out from above onto the stage, much appreciated by the audience but a nightmare for the stage hands.

Music: Richard Strauss

Libretto: Hugo von Hofmannsthal

Director: Olivia Fuchs

http://www.wno.org.uk/event/der-rosenkavalier

Review An Evening with Bryn Terfel and Friends Festival of Voice by Helen Joy

Bryn-Terfel-Photo-credit-Mei-Lewis

Photographic credit Mei Lewis 

4 Stars4 / 5

I sat on a wooden seat I remembered well from school days, from weddings, from funerals; from happy, sad and scary times. The doors open to the green light and the bird song, to the passers-by and the church bells.

We are a congregation of grey hairs, crumpled linen and sensible shoes, mostly. Only a few lift their phones to film as the orchestra and conductor walk in but this is not the place for pop concert technology and they are gently reminded as such.

This is the place for the wet velvet voices of the truly gifted to fill these old bones of a building with the beauty of centuries. And I am lost – I have no notion how to describe the feelings inside me.

Bryn Terfel – always magnificent with the strength of the lion; Rebecca Evans – the exquisitely powerful song of the angel; Hannah Stone – enchanting us all with the magic harp; Gareth Jones – blooming with the pride of leading Sinfonia Cymru. Bach, Handel and Mozart would have been thrilled – although they may have shown it in different ways!

So how do I describe an hour in their company? I thought about Epstein and his Christ In Glory looking out and over us – the bold decision of a Bishop and his Dean and Chapter in 1950 to recover their cathedral and make her grand again after the destruction of war – and found these words by their architect, George Pace: Mystery should be veiled and vista should open upon vista..seemed to sum it up rather well.

 Type of show:         Opera selection, harp

(Bach, Handel and Mozart, including Brandenburg Concerto No.60)

Title:                           An Evening with Bryn Terfel and Friends
Venue:                       Llandaff Cathedral

Conductor:               Gareth Jones
Bass Baritone:        Bryn Terfel
Soprano:                    Rebecca Evans
Harp:                            Hannah Stone

Orchestra:                  Sinfonia Cymru

Date:                              7pm, Tuesday 7th June only
http://www.wmc.org.uk/WhatsOn/voice/

 

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