Having missed it first time around, the chance to catch the restaging of Llechi seemed too good to miss. Originally performed as part of Pontio’s opening season, this eclectic mix of visual, musical and aerobatic art forms was a fascinating watch. It was engaging from start to finish, featuring a host of performers, all of whom played their part in making this a thoroughly enjoyable and captivating show. Despite its fluency in the Welsh language (with the exception of poet Martin Daws), I, a humble learner of the lingo, still managed to be entertained and entranced by the spectacle on offer. It was a delightful performance that offered plenty of emotion and a real sense of place.
Originally curated by alt-folk group 9Bach, the Welsh sextet returned to lead a talented cast in this fresh and innovative approach to storytelling. Taking us on a journey through the history, culture and traditions of the slate industry, this performance brought to life, in a new way, the story of local Welsh slate – the people, and the landscape. Full of experimental sounds and a mix of genres, it spans the centuries. This huge timescale is reflected in the song choices: from a spine-tingling rendition of Welsh hymn Dyma’r Gariad to the bass-fuelled beats of ‘90s rave music. There is no clash of musical styles here however. Instead, 9Bach have managed to create a very diverse yet complimentary soundtrack. The changes of tone, mood and tempo that take place throughout are at no point jarring. Instead, with help from the lighting, each transition is smooth and natural. It is something that could so easily have been a disaster. Here, though, it not only works well. It works incredibly well.
Alongside the musical prowess of 9Bach, choreographer Kate Lawrence and her team offered up some stunning physical performances in the air. It helped being seated on the lower balcony to watch these four talented dancers move across the auditorium. It was clear that many of their actions were reflecting the movements of quarrymen. But their pieces also featured an elegance that conveyed something of the local landscape too. Their graceful movements made for a mesmerising sight. But it also brought to mind, as a result, the ethereal and mythic quality of the mountains and the quarries. This was complimented perfectly, at one point in particular, by the hauntingly beautiful vocals of Lisa Jen Brown. Truly evocative, the backdrop of images that featured in the show were sometimes superfluous as a result. It was a strangely immersive experience.
I came away from Llechi desperate to buy the soundtrack. The music was wonderfully inspirational, eclectic and truly evocative of its Welsh setting. 9Bach have delivered a beautiful collaboration that is full of heart. It is a love story that awakens the senses and births a spirit of hope. It says that this land is not forgotten to another age. Instead, it evolves, becoming the place of the next generation who follow in the footsteps of their forbears whilst carving out new paths of their own. Sadly, the soundtrack isn’t available to buy (hint to anyone who may be able to change that.). Nevertheless, it will stick in my mind for a long time to come. Llechi is a truly memorable piece of contemporary Welsh art.