Tag Archives: Of Mice and Men

Review Of Mice and Men, August 012 by Troy Lenny

All photographs credit Studio Canno

4 Stars4 / 5

Of Mice and Men is a story of loneliness and misunderstandings. I remember studying this literary art in high school, but I didn’t  notice the finer details, only the outline.

On Wednesday I watched Of Mice and Men presented by August 012, at Chapter ArtCentre. The outline of the story is two friends, George Milton and Lennie Small who are two workers in the Great Depression. To escape their cruel reality they share a distant dream that persuades them they will own their and land, “an’ live of the fat of the land.” This dream swirls colours of great happiness into their lives.

I do not want to cut curiosity out of the plot, so I will express little of this element. There are two stern problems blocking their dream. Lenny has an intellectual disability, and naively often strokes problems at work. And George and Lennie need ‘stake’ (money) from work so they can whirl their dream into reality.

I rate this production four stars. Why? Because the production was extraordinary. It had a partial modern theme which drew out the connection that many of the problems in Of Mice and Men still exist today, if you thin your eyes. Additionally, the production style conflates imagination with reality through dreamy description and because the audience’s seats are placed on an empty stage an immersive reality surrounds you (plus you may be able to play cards with the characters!)

I would  recommend anyone reading this to book a ticket, and visit the world Of Mice and Men because its performance style will enlighten tenebrous learnings. One element of the production  I noticed during this production was all of the characters were Greatly Depressed, but they wiped their tears and some tried to smile and others frowned. For example: Callous Curley, always had a curled fist most likely because he felt lonely, but due to his expected masculine role he couldn’t express his feminine emotions so he was always steaming frustration. Consequently, Curley’s wife felt lonely, and wandered looking for company and due to expected feminine roles she likely thought the only way to attract a man’s attention was by swirling hips.

I would like to thank all involved in the production Of Mice and Men for their creative minds, and extraordinary performance style – it was striking.

 

An interview with Mathilde Lopéz, Artistic Director, August 012.

Mathilde with the Of Mice and Men Company. Photographic credit Studio Cano.

The Director of Get the Chance, Guy O’Donnell recently got the chance to chat to with Mathilde Lopéz, Artistic Director, August 012. We discussed her career to date, her new production Of Mice and Men at Chapter Arts Centre this October and her thoughts on theatre in Wales today.

Hi Mathilde great to meet you, can you give our readers some background information on yourself please?

Hi, I am a theatre director and the artistic director of August 012.  I was a founding member of National Theatre Wales, used to be Literary manager at Theatre Royal Stratford East and before directing, I worked as a scenographer. I trained at Central St Martins and Birkbeck College. I am French, I am of  Spanish origin and grew up in Morrocco and the West Indies.

 So what got you interested in theatre and the arts?

Drawing, painting and sculpting were first, then theatre happened. I don’t remember a particular moment so I either forgot or it was always there.

August 012 Yuri, Credit Studio Cano.

 Your company August 012 describes itself as “developed, shaped and questioned by the way we live here and now, and therefore profoundly and structurally relevant to the nation today.” Is it possible to explain how you approach this methodology when creating work for the stage?

I am interested in how we live today and where we make the work. Everything I do is profoundly anchored in our times, our current technical equipment, our politics and the space and people we make it with. I often work with new participants along with trained actors and set tangible challenges- either through space or casting- in the rehearsal room so that we all wrestle not only with the ideas of the play today, but its embodiment.

August 012 Caligula, Credit Studio Cano

 In October, August 012 is performing Of Mice and Men by John Steinbeck at Chapter Arts Centre. I wonder if you can discuss why you choose to direct this play?

I love Steinbeck. Particularly Tortilla Flat and Cannery Row. I read them in a loop for a couple of years when I was a teenager. In French and in Casablanca and it felt very close, I sometimes think that the combination of poverty with the sea and the sun-like Steinbeck Californian characters- must have had something to do with it. I also read Of Mice and Men which felt then and still feels now, like the essence of the United States of America in all its grandeur and catastrophe. Ultimately, I always wanted to do Steinbeck, and I might carry on, his novels are so generous and compassionate that they do help to breath.

Wil Young who will play the role of Lennie

The role of Lennie will be performed by Wil Young. Wil is a company member from Hijinx North Academy, one of 5 Academies in Wales that trains learning disabled and/or autistic adults to become professional actors. Hijinx have pioneered supporting the work of disabled and/or autistic actors on our stages, how did this new collaboration develop?

I’ve reread the novel trying to establish a contemporary view on Lennie’s character with Cardiff School of Psychology researchers. We concluded that Lennie would potentially be on the autism spectrum and it felt right to work with an actor who would understand and confront himself with these difficulties on a daily basis. We contacted Hijinx  for advice and they quickly became collaborators. They were thrilled by the idea of casting one of their actor in a main role and were very helpful and supportive.

Get the Chance works to support a diverse range of members of the public to access cultural provision Are you aware of any barriers to equality and diversity for either Welsh or Wales based artists/creatives? 

I am aware that you only realise that there are barriers when you are different yourself or know and share time with people who are. August 012 tries to minimise barriers in the way we make and produce theatre like many companies do –I see more and more theatre companies that invest in making work accessible-but I am sure we could all do more and are largely unaware. What has become apparent and is now crucial is that we keep organising regular opportunities for consultation with people with different disabilities, from varied age groups and from different social backgrounds. This is the only way to get things right.

Mathilde with the Of Mice and Men company,  credit Studio Cano.

There are a range of organisation supporting Welsh and Wales based theatre companies, I wonder if you feel the current support network and career opportunities feel ‘healthy’ to you?

There are not enough opportunities in theatre in Wales but I think it is steadily growing.

I wish more was done towards creating bridges with international festivals and networks in the European Union and elsewhere, most of the efforts in Wales are UK centric (or London and Edinburgh centric) and I believe artists and cultural organisations ought to reach out particularly in the current political climate.

If you were able to fund an area of the arts in Wales what would this be and why?

Fine Arts and Music. Because I think they inspire all the rest. Fine Arts definitely inspires me to create theatre. Always. I am not sure about the contrary.

Bedwyr Williams, Artes Mundi 2017

What excites you about the arts in Wales? What was the last really great thing that you experienced that you would like to share with our readers? 

Some companies and artists in Wales embrace their cultural difference and celebrate their particularity which goes well beyond language and I like that freedom. There’s a lot of freedom in theatre making here and cross arts form widely happened in Wales before it was even a term! So I enjoy the work that manages to connect this specific originality with the world, like Bedwyr Williams piece for Artes Mundi 2017 or in a different vein, the choir in WNO’s Khovanshchina.

 Many thanks for your time Mathilde.

An interview with actor Wil Young

Wil in rehearsals for Of Mice and Men

The Director of Get the Chance, Guy O’Donnell recently got the chance to chat to actor Wil Young. We discussed his career to date, his work with Hijinx Theatre, his role in a new production Of Mice and Men produced by August 012 and his thoughts on theatre in Wales today.

Hi Wil great to meet you, can you give our readers some background information on yourself please?

“Hi my name is Wil Young. I am 26 years old. I am based in Holyhead, North Wales. I’m a professional actor with autism. Through Hijinx Academy I have received professional training in acting, singing, dancing and mask work. My professional experience includes ‘Soup’ for the Hijinx Unity Festival. I can travel independently. I can learn and memorise scripts. I particularly enjoy my comedy acting.”

A performance of ‘Soup’ for Hijinx Unity Theatre Festival.

So what got you interested in theatre and the arts?

I’ve worked with Tim Baker on two productions. I’ve been with Hijinx for 3 years. I’ve been acting, if you can call it that, pretty much since I can remember.

Wil in rehearsals for Of Mice and Men

You are a member of Hijinx North Academy, one of 5 Academies in Wales. What activities do you get involved with in the Academy?

I do drama on Monday & Tuesday. I’ve done Unity in Cardiff & Caernarfon. The performances included ‘Soup’ which is a silent piece and ‘The Market’

You are playing the role of Lennie in Of Mice and Men by John Steinbeck, produced by August 012 at Chapter Arts Centre during October. Can you tell us how you came to be involved in this production?

I actually heard through Hijinx that they were auditioning for the part of Lenny and I tried out.

Wil in rehearsals for Of Mice and Men

Lennie is a very famous fictional character, Of Mice and Men is a set reading text at many schools across the world. How are you going to approach your portrayal of this character?

He’s basically like a big kid, so I thought of playing him younger than I would normally.

If you were able to fund an area of the arts in Wales what would this be and why?

I would invest in the Ucheldre Centre in North Wales, because it would also bring money to the island and the arts.

What excites you about the arts in Wales? What was the last really great thing that you experienced that you would like to share with our readers? 

There’s plenty of choice in Wales in terms of theatre. I recently saw the first Columbian Circus to be shown in Pontio, Bangor, North Wales. This was called Acelere by Circolombia.

Thanks for your time Wil.