Tag Archives: London

Review Wait Until Dark, New Theatre, Cardiff by Jane Bissett

(4 / 5)

As I made my way to the Theatre on a dark and wet November evening I was unaware of the theatrical experience that is Wait Untill Dark would have on my walk home – in darkness…..

WAIT UNTIL DARK is a cautionary tale set in the mid 1960s. About a young photographer (Sam) who in agreeing to assist a fellow passenger on an aircarft flight from Amsterdam sets in motion a chain of events that will affect his household in a way he could not fore tell nor indeed understand.

Human beings are either able to embrace darkness or have an inate fear of it. There is something about the isolation of being in the dark which enduces our inner fears of the things we cannot see or understand.

This story centres on Susy the newly married wife of Sam. Susy is blind and learning to live her life in darkness following an accident.

As the story unfolds we watch as a small gang of vilains are trying to discover the whereabouts of a missing doll which has been used as a carrier for drugs.

The gang mistakenly believable Susy knows the whereabouts of the doll although is unaware of its value. They set in motion an elaborate plan to retrieve the doll by deception and fear.

Using a tried and tested method of operation the gang gain access to the basement flat and conduct their search with the assistance of Susy who now believes her husband is in danger and if the doll is discovered in his possession he maybe under suspicion of a murder of the woman who originally asked him to take care of the doll.

Despite her blindness Susy soon becomes aware of what is happening as she hears and senses the strange behaviour of the men and is suspicious of their real motives.

With the assistance of her neighbours daughter she sets out to change the power balance to her advantage and to keep herself alive until her husband can get home.

Although set in the 1960s this story could have taken place at any time and in any context and is the stuff that good thrillers are made of.

All the action takes place in a basement flat and the set design was true to the time period in which it was set. A mention must be made of the use of the stair case and we can only commend the cast on their fitness levels as they negotiated the stairs all evening.

Katrina Jones portrayal of Susy was outstanding, a smart woman, in love with her husband and astutely aware of her surroundings. Indeed it was only at the curtain call that it entered my mind that Jones was actually blind.

Shannon Rewcroft gave an amazing performance as Gloria (age 12), so much so that it became believable that she was 12.

The gentlemen of the cast brought the play to life and Tim Treloar’s performance as the gang mastermind ‘Roat’ sent a shiver up the spine.

The whole atmosphere of the play hinged on the set design, lighting and sound and to this end I must commend David Woodhead, Chris Withers and Giles Thomas for bringing to the stage the visual and audio experience that left us all wanting more.

During the final act, as the story reached it climax, the effects on stage not only heightened the scenses of the audience but pulled them further into the action that was taking place in front of their eyes and the tension was almost tangible.

Playwright Frederick Knott’s (1916-2002) legacy to the theatre was believable drama where he set the scene and delivered a thriller that has stood the test of time.

Director Alistair Whatley gave us an evening of sheer pleasure and this amazing cast brought the play to life to create an unforgettable evening of thrilling theatre at its best.

WAIT UNTIL DARK plays at Cardiff’s New Theatre from;

Tuesday 14 – Saturday 18 November at 7.30pm

On Wednesday, Thursday and Saturday there are performances at 2.30pm.

For further details about the show or to book tickets call the Box Office on 02920878889.

Would you like to join us for a creative conversation?

 

Image credit: Barbara Lavelle

Would you like to join us for a creative conversation?
Saturday, 23rd September, Central Cardiff.
We welcome your thoughts & insights, and value your opinions.
You are invited to join us LIVE in Cardiff at 2.30 – 4.30pm GMT
or on FB Live at 14.30 – 16.30 GMT; 09.30 – 11.30 EST; 06.30-08.30 PST. 

Dress Code: Up to you. 
RSVP (Places are limited)   

Purposefully, I deconstructed our activities and found creative listening rose to the top of our raw materials. The critiquing and response to Arts and Culture requires sharp and sensitive listening first and foremost.  

                             

We are thrilled to bring you Wales’ first Hot Tub salon. The topic: Creative Listening. Brought to you by Get The Chance, delivered by Third Act Critics, and presented as part of the Gwanwyn Festival of Creativity for Older People in Wales, funded by Wales Government and the Arts Council of Wales.

Creative Listening follows Advantage of Age’s successful season of hot tub salons in London. A of A received funding from Arts Council of England and were recently featured in The Sunday Times  and is, for all intents and purposes, the launch of Advantages of Age Wales. Thanks to Suzanne Noble from Advantages of Age for her support.

The event is also partnered with NYC-based producer Jonathan Pillot, who will launch the NYC Advantages of Age on Sunday, 17 September. If you’re in NYC, all the details are here Thanks to Jonathan for his support, too.

I took inspiration from his project Listening to America in the run-up to the US Presidential Election. Pillot took a Studs Terkel-esque road trip and produced a series of unscripted interviews with real people in the uneasy weeks running up to the November 2017 election. The election campaign really split opinions in the USA; at the same time BREXIT was splitting opinions in the UK. It left me pondering on the necessity of listening as a critical tool to progressing big ideas and forging change. I endorse promoting big ideas and forging change, and I believe in doing so by starting in a small, slow and steady fashion. I sensed a Listening to Wales project would be a powerful way to reach people here. Creative Listening is a small step in that direction.

Advantages Of Age’s hot tub salons were set up ‘as a platform to curate and host a series of performance salons incorporating an array of creatives united in their refusal to ‘grow old gracefully’ and to challenge the mainstream narrative of age. The events featured an array of creatives celebrating alternative narratives of age through creativity, querying, and rebelliousness.’  Creative Listening echoes those sentiments and explains why we are getting into a hot tub here in Cardiff, Wales.

I do not have a degree in Listening; I am not an expert in the field. But I am a human being — who has lived on this planet for 50+ years. For that reason alone, I believe that I and those others who fall into that broad category, have something to offer a conversation on listening.

To put a finer point on it, I have trained and studied performing arts and worked in the creative industries and the media throughout my life and career. Purposefully, I deconstructed Get The Chance’s activities and found creative listening rose to the top of our raw materials. The critiquing of and responding to Arts and Culture requires sharp and sensitive listening first and foremost.

We will be a gathering of human beings investing a few hours on a Saturday afternoon in September sitting in and around a hot tub exploring what creative listening means. I hope it doesn’t sound too banal. If it does sound banal to you, and you can’t be bothered to actually be there, perhaps you will check it out on the FB Live stream, and join us that way. That would be less of an investment in time and effort, so perhaps you will get something out of it via this alternative option.

I am excited by it. If you are excited by it, too, but cannot make it on the day, you can join us on the FB Live Stream, from anywhere. Hosted by Advantages of Age, the FB Live Stream will enable you to stay dry and still participate. Your contributions will be welcomed and valued, and our social media monitor will be sharing as many of your views as possible.

JOIN THE CREATIVE LISTENING FB PAGE AND WATCH FOR DETAILS ON HOW TO JOIN THE EVENT VIA LIVE STREAMING.

When I conceived of the idea for an event called Creative Listening, I thought I’d made the term up. I had no idea that there were so many different types of ‘listening’ out there, including ‘creative’, which had already been coined. ‘Creative’ I found was only one of a number of nouvelle and trendy labels for this very primitive activity. Other labels such as Deep Listening and Active Listening indicate that what might previously have been considered passive was being re-evaluated and now required energy, (the definition of active is ‘ready to engage in physically energetic pursuits’) and was making a profound impact (the definition of deep is ‘very intense or extreme’).

I was motivated by the amount of relevant material I was finding on this topic, and I knew that there was much to explore. Whilst working on the event, I was further motivated by the realisation that creative listening has a strong relevance to other themes I am inspired by and a synergy with other projects I am working on. If they are fusing together it has to be more than a coincidence. It is more likely because it is meant to be.

A final word about Get The Chance. I’ve really enjoyed and benefitted from being a Third Act Critic and being associated with Get The Chance for a number of years now. When I left my full-time career in the creative industries (for personal reasons) at the turn of the century, I did not realise it would be so difficult to return and especially to return with the status I had worked so hard to achieve. There is something very wonderful about being given a chance. There is something very powerful in a community-based social enterprise that supports you to get a platform to do what you really want to do. That there is a mutual benefit, and that the rewards are reciprocal, is even more rewarding.

Leslie R Herman
Producer
9 September 2017

Spice Time Credits- The day I went from Londoner to Tourist

As some of you may or may not know, Get The Chance Wales has a lovely relationship with Spice Time Credits.

As reviewers we earn our credits from our reviews and they can be used for pretty much anything.

Today is my last day in London for a while as I traipse off to America for a bit. As a self confessed Londoner of 2 1/2 years I thought I’d be a tourist for the day and use my Time Credits.

I previously took my parents to the Tower of London – astounded at the money saved and value of experience we got from this.

Spending Time Credits at the Tower of London by Hannah Goslin

Today I saw parts of London I had never seen- views from the MBNA clipper that floated us down the Thames, going crazy fast when water seemed more open – which was tonnes of fun.

The famous Tower Bridge- looking down at the small ant like people below through the glass floor. Queasy feeling this experience but ever so cool none the less.

As most Londoners know – most things are within walking distance. So I trotted up to The Monument. An almost non recognisable statue in a city of architecture, The Monument is to commemorate the Great Fire of London.  Inside are 311 steps – and boy does it feel it! While I’m hardly fit, even the fittest struggled but it’s well worth it for the beautiful view at the top and the certificate you get at the end for climbing it.

Finally a short distance away is St Paul’s Cathedral. Well recognised and providing cameos in plenty of TV and films, it is a highlight of London. Inside is ornate and rich, the ceilings phenomenal and gold, with beautiful imagery. To reach the very high up whispering gallery in the main dome, it’s another never ending staircase but very much worth it for what you see.

Time Credits have allowed me to experience parts of London I do not think I ever would have chosen to see on my own and felt like a wonderful reward.

Get Started With Time Credits