Tag Archives: horror

Review A Quiet Place by Jonathan Evans

(5 / 5)

 

You can go outside, you can eat, bathe, all the other things, just don’t make a sound, for then the monsters will get you!

This dark tale picks up after what would usually be the in-sighting incident. The monsters have already come and wiped out a lot of other people. A family is surviving fine, they all go out into an abandoned town and enter a mostly empty abandoned store, they gather what they need and leave. While walking home the youngest boy puts batteries in a toy plane he found, it lights up and makes noises. Dread instantly fills the faces of the others, the Father races to him, all the others can do is cover their mouths so not to make any noises themselves, the father races and races, something moves in the trees and before he can get to his son something has leaped out and taken him.

We gather through careful and skillfully placed visual information that monsters have come and they are blind but are very sensitive to and instantly attack sound. So all they need to do is not make a noise.

What cinema offers as a medium, is to show you things through movement. Not tell you things, if you want to be talked to you can get that in comics, books, or radio plays. Cinema is about expressing its story or message through the image and the movements on the screen, that is what Hitchcock referred to as “Pure Cinema” which is what is present here.

The best visuals require no dialogue. If the dialogue is good then great, but the truest essence of something visual should not require an explanation. All the actors are rendered mute for approximately ninety percent of the movie, yet through body language, they are able to convey their fear, determination, even a little bit of humor into their existence. Emily Blunt as the mother, Millicent Simmonds as the deaf daughter (who is deaf in real life)

Noah Jupe as the young son all brings to life people that must feel many things through this story and with virtually no words. Special credit goes to John Krasinski who plays the father as well as serving other duties as director, writer, and producer, this is clearly his vision that he has worked very hard to create.

Immense care has been given to constructing the families lifestyle to living without making a sound. They use sign language to converse (which is accompanied with subtitles), they pour powder down on a path where they walk to soften the sound of their footsteps, the house where the floorboards creek have paint marking where it is safe to step. They play board games and have to roll the dice onto a cloth and the game pieces are made of foam, plush or sponge. Such details like these show how well the concept has been thought through and help us connect with the characters living situation.

The creatures themselves are of course a major focus point. We don’t really know if they are aliens, a science experiment went wrong or demons. But such knowledge is out of the characters to reach and is superfluous anyway. What matters is the situation they have put the character in. They are very threateningly designed, though I will forgo a description and let you watch the movie for yourself. What truly matters is the skillful way in which they are not seen, when a loud noise is made there is so much dread that fills the scene, before anything of them can be seen or heard we register that these things mean death, pure and simple. For most of it, we only get flashes of them as they strike lightning fast and they disappear. Don’t worry, we get a good, full look at them, but these early scenes serve to wet our appetites.

Whilst it is built on a very intriguing premise, one that could fuel a classic literary work or a very memorable episode of The Twilight Zone or Outer Limits, it is in the thinking through and execution that makes A Quiet Place one of the most well made and striking horror movies to come out in a while. It is minimal in exposition details but deep in thinking through how to deal with the situation and masterful in crafting it’s scares.

 

Review Wait Until Dark, New Theatre, Cardiff by Jane Bissett

(4 / 5)

As I made my way to the Theatre on a dark and wet November evening I was unaware of the theatrical experience that is Wait Untill Dark would have on my walk home – in darkness…..

WAIT UNTIL DARK is a cautionary tale set in the mid 1960s. About a young photographer (Sam) who in agreeing to assist a fellow passenger on an aircarft flight from Amsterdam sets in motion a chain of events that will affect his household in a way he could not fore tell nor indeed understand.

Human beings are either able to embrace darkness or have an inate fear of it. There is something about the isolation of being in the dark which enduces our inner fears of the things we cannot see or understand.

This story centres on Susy the newly married wife of Sam. Susy is blind and learning to live her life in darkness following an accident.

As the story unfolds we watch as a small gang of vilains are trying to discover the whereabouts of a missing doll which has been used as a carrier for drugs.

The gang mistakenly believable Susy knows the whereabouts of the doll although is unaware of its value. They set in motion an elaborate plan to retrieve the doll by deception and fear.

Using a tried and tested method of operation the gang gain access to the basement flat and conduct their search with the assistance of Susy who now believes her husband is in danger and if the doll is discovered in his possession he maybe under suspicion of a murder of the woman who originally asked him to take care of the doll.

Despite her blindness Susy soon becomes aware of what is happening as she hears and senses the strange behaviour of the men and is suspicious of their real motives.

With the assistance of her neighbours daughter she sets out to change the power balance to her advantage and to keep herself alive until her husband can get home.

Although set in the 1960s this story could have taken place at any time and in any context and is the stuff that good thrillers are made of.

All the action takes place in a basement flat and the set design was true to the time period in which it was set. A mention must be made of the use of the stair case and we can only commend the cast on their fitness levels as they negotiated the stairs all evening.

Katrina Jones portrayal of Susy was outstanding, a smart woman, in love with her husband and astutely aware of her surroundings. Indeed it was only at the curtain call that it entered my mind that Jones was actually blind.

Shannon Rewcroft gave an amazing performance as Gloria (age 12), so much so that it became believable that she was 12.

The gentlemen of the cast brought the play to life and Tim Treloar’s performance as the gang mastermind ‘Roat’ sent a shiver up the spine.

The whole atmosphere of the play hinged on the set design, lighting and sound and to this end I must commend David Woodhead, Chris Withers and Giles Thomas for bringing to the stage the visual and audio experience that left us all wanting more.

During the final act, as the story reached it climax, the effects on stage not only heightened the scenses of the audience but pulled them further into the action that was taking place in front of their eyes and the tension was almost tangible.

Playwright Frederick Knott’s (1916-2002) legacy to the theatre was believable drama where he set the scene and delivered a thriller that has stood the test of time.

Director Alistair Whatley gave us an evening of sheer pleasure and this amazing cast brought the play to life to create an unforgettable evening of thrilling theatre at its best.

WAIT UNTIL DARK plays at Cardiff’s New Theatre from;

Tuesday 14 – Saturday 18 November at 7.30pm

On Wednesday, Thursday and Saturday there are performances at 2.30pm.

For further details about the show or to book tickets call the Box Office on 02920878889.

Review Happy Death Day by Jonathan Evans

Happy Death Day is a black comedy with pieces of a genuine horror mixed in, essentially Groundhog Day meets Halloween. From that you can already guess the main problem with the movie, it lacks a distinct personality. It is quite good at times and blunt at others but the overall product has a tonal problem that leaves you coming out of it not sure with what you just saw.

It opens with a girl named Theresa waking up in a college dorm room, she is hungover and can barely remember the night before, she goes about her day and things happen that establish that shes popular but not very nice. It is also her birthday, which she doesn’t want people to know or acknowledge herself. She heads out for the night, while on her way a figure appears and stabs her to death. She then wakes at the start of the day and must relive the day of her murder over and over again.

Jessica Rothe plays Theresa. She fulfills everything that the script requires her to do well. She screams very high and loudly, she comes off like a spoiled rich kid, there are other moments that call for her to be funny etc. She does a solid job in the movie.

The killer is dressed entirely in black with a cartoon baby face mask. A good design that is both distinctive and easily recognisable. It may become iconic and then again it might not, but credit goes to creating an easily registrable visual.

With any kind of teen movie as well and having a plot where repetition is a main theme naturally there is a montage sequence. It is stuff like this that clashes with the overall movie. Are we meant to always be laughing or genuinely feel frightened for out main character? At the start we do, then it becomes a case of “ow dang it!” then near the climax we’re meant to feel for her again.

This is a spoiler free review but I will say that the two main questions I had while watching the movie were (obviously) how is all of this happening? And how does the killer seem to always magically track her down? We get answers to none of these.

The concept is fine and the execution is good at times as well. However it’s stereotypical portrayal of teens and suffering from either not knowing what it wants to be or wanting to be too many things it becomes pieces of a solid work rather than a whole. If there are no better offers at the cinema then it isn’t a waste, but is also only worth one watch.

Jonathan Evans