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Review Booksmart by Jonathan Evans

5 out of 5 stars (5 / 5)

From its setup and concept, Booksmart could easily be just another teen movie where shenanigans ensue and jokes are sprinkled throughout and it’s either pretty funny or a dud. But through a tightly written script, actors that have great timing and nuance and a director that knows what they’re doing and brings a few bold choices to the table it is not only very funny but one of the best movies of this year!

Opening the movie is a girl sitting in her room, in a meditating pose and listening to a motivating track, the voice tells her to believe in herself, tackle all problems in the way of her goals and to all the people that look down on her “Fuck those fucking fuckers!” we also see that her room is decorated with an assortment of ribbons, medals, and inspirational women, this is Molly (Beanie Feldstein) and this tells us almost everything we need to know about her character. Pulling up outside her best friend Amy (Kaitlyn Dever), the two greet and break into dance over a track on the radio and they tell each other that they’ve missed one another even though they saw each other yesterday. This tells us everything we need to know about their friendship.

When they get to school it is established that it’s the last day of the school year, they are about to graduate to college, and both girls are very invested in extra curricular activities. The other students are more interested in the big party that will be happening tonight as they have for most of the year. during an encounter in the bathroom where Molly flaunts her getting into Yale to the popular girl (Molly Gordon) where she learns that she will also be going to Yale and the other students that she’s looked down on are all going on to good schools.

So it is the night before graduation, Molly is shook with the realization that they didn’t have to make a choice between school and having a social life that she dedicates herself to the idea that her and Amy will be attending the big party and have fun, experience and memories before entering college.

So this is a pretty standard setup for a teen comedy. We have youths, we have a party that lends itself to the very likely possibility of something crazy happening as well as characters that want something crazy to happen. Indeed crazy things do happen and their journey to the big party is anything but smooth, but it is the fact that all the jokes themselves are funny and not predictable that make this familure road seem refreshing.

When it comes to crime movies, or mysteries, or action movies it’s a simpler thing to make the story tight. Every character and element must serve a function, like the old phrase “Never introduce a gun in Act 1 if you’re not going to fire it by Act 3.” However comedy is actually a completely different beast, it is allowed to throw in all kinds of meaningless bells and whistles for the sake of it, there can be a moment or a character that comes in briefly and never makes a return and as long as we laugh I doubt anyone would really cry fowl about it. This, however, is both tightly woven and very funny, the characters hobbies, their wild actions, things that are said in passing come back and pay-off later down the road and they are all funny. This has set a dangerously high bar for comedy with not excess fat.

Filling the directing chair is Olivia Wilde. An accomplished actor in her own right now she helms her own project. Usually, when actors take up duties on the other side of the camera their focus goes to the actors and their performances. She definitely spends time with her actors, honing their performances but she has brought a keen visual flair to this project. She has experience shooting music videoes which was most likely the biggest help. Many of the jokes play out for their visuals, there are strong, bold lighting choices and there are a few times when she lets the story play out in a purely visual way. It also comes with one of the most unique and memorable drug trip-out scene you’ll see in a movie for a while.

There’s a great use of music in the movie. Much of the songs are “Gangsta Rap” which is about seeming bigtime and bragging about all your accomplishments and worldly possetions. Whenver the girls are in their true element it kick in but they are not doping the actthat would most likely be associated with the music e.g. going into a library to study. It is the knowing disconnect but filmming it like its legitimate that makes it funny. The score adds the the over-the-top overblown ego of these characters and situations. Later on in the movie there is a more tender score to even out the bombosity.

All these laughs and shock and colors are fun and everything but unless it all means something then the movie would just be like sugar, enoyable while your having it but the sensation quickly fades away. Underneath all the swearing, crazy acts and punchlines is a story about two best friends whos lives are about to change forever and just because your outside of the normal in your school life that doesnt make you better. There’s a tender, vry honest heart beating at the center of this movie and that’s what will stick with you after you see it and keep you coming back.

From it’s vivid characters that represent some form of insecurity/stereotype, to it’s basic setup that becomes on epic quest, to generous visual flourishes and a rock solid script for all this to be built upon, Booksmart is one of this years and a few other years best comedies.

Tips and Tricks as a First Time Ed Fringe-r By Hannah Goslin


Working in the industry for around 10 years, it is a wonder I have only just made the essential pilgrimage for every Performing Arts professional.

This is not for want of not wanting to. Time, money… all those factors. And each year I have major FOMO through all the pictures and social media, friends and colleagues attending; my insides screaming WHY AM I NOT THERE!

So this year, I planned in January. And trust me, when I say, this is the best time to plan.

But when researching, I firstly reached out to seasoned friends and colleagues on their tips and tricks of the Fringe and Edinburgh itself (as, a double whammy, I had never been to Scotland either!). I have immense gratitude to these beautiful people, and it was a lovely euphoric moment of realising the collection of talented beings I know and love in one City, from someone who has made these connections all across the country. To have all these people in one place was surreal but also completely beautiful.

However, there was nothing more I could find from others with perhaps a list of things to consider when making this trip, and while I certainly do not know it all, I thought I would write a little something of the things I learnt at my first Fringe.

What to Bring

Scotland is Scotland after all. It can be cold. It (weirdly) can be pretty hot too. It buckets down. It shines. But it is still the UK. So here are a few things I found out you NEED to have with you:

  • Coat – bring a light one. You can bulk with warm stuff underneath. But when it rains, it bloody rains.
  • Wellies/Walking boots – I only brought trainers and flip flops (oh the hopeful part of me) but when it pours, parts of streets get quite flooded and soak through your socks. While I was suffering from quite a lot of chronic pain at the time which affected my decision also, bring hiking/walking boots with you if you plan on Arthur’s Seat. The day I wanted to do this, it rained and trainers would just not have done the job. Sadly I did not walk it this time due to all these contributing factors, but from what I know, you can walk it any time, so be prepared!
  • Socks – man oh man bring enough socks. While I came away with lovely highland cow socks, they cost me £4 and I probably should have just been prepared. (There are shops like Primark and H&M is the newer part, but if you’re busy you may not have the time).
  • Water – Yes you will drink a lot of booze. But get a reusable (all about the eco) bottle – pubs, venues e.t.c. will fill these up for you. And trust me, you will need a lot to drink with walking the city.
  • Pre-pack some food – Do not feel like you always need to eat out. It can get a bit pricey and if you are with limited time between shows, a protein bar or some fruit in your bag will save your life. It was delicious, but a £7 mini pizza was not healthy, rinsed my wallet and I rushed it, feeling pretty unwell after.

The City

  • The City is BEAUTIFUL. Take some time to explore, be a tourist, enjoy!
  • Stay in Old Town / Near the Royal Mile – easily the best part of the city, so beautiful but also a stone’s throw from most of the Fringe activity. Some happens in the newer part, and the half price tent is over there too but you will find most venues are in Old Town.
  • We’re still in the UK – Tescos, Lidl, corner shops are still around to grab anything you need. It can be stressful when you go on holiday and do not know the language or the area, but Edinburgh is littered with places to grab any essentials.
  • Walking is good – I loved walking the City. It’s pretty easy to do and the majority of things are pretty close together. But beware, it is all hills! (I found this out the hard way). However, if you’re struggling for time or feeling a bit lazy, public transport is amazing, and there is Uber!
  • Google Maps – Add at least another 10 mins to what google maps tells you. It is so busy and you will need to fight crowds at times. If you do not know the City, it’s easy to read a road not a bridge on the maps and end up going the long way. If you use public transport, there’s a lot of traffic so add time. And ensure you can grab a drink before your show!

Fringe

  • Get. Some. Sleep. – Part of this is planning where you want to stay. I chose a hostel but the experience made me realise I was A. Too Old for hostels now and B. It is NOT the place if you want to grab sleep, naps, relax e.t.c. So really think where you want to stay. This leads me onto…
  • Plan ahead – Get planning asap. Places sell out fast. Prices go sky high. The sooner you can book your travel tickets (train, plane, bus if you’re adventurous) and where to stay, the more you will save, the more selection and therefore can grab that private hotel room if you want/can afford and won’t end up sharing with a man who watches you leave/enter rooms and get ready for bed.. (yes this really happened).
  • Eat Healthy – I am still fighting the worse acne I have EVER had, and recuperating from lack of energy even a week and half after I finished Fringe. It’s so easy to eat bad food and let your health go down. Get some veggies. Drink some water. Practice serious self-care.
  • Have a freakin’ day off and organise your time– I packed around 50 shows in 9 days. I sadly cancelled a whole day because I got so unwell. 11am-11pm non-stop is insane, and why I thought I could do that for 9 days straight is beyond me. And organise your time – try not to do a million shows a day. Spread them out; schedule time to have a drink with the acts after; see some friends for lunch or coffee in between; go for a walk or take a nap between shows. Because you cannot truly enjoy a show if you’re at the back sweaty, exhausted and feeling like you may puke.
  • Plan your shows by distance – My second day I walked back and forth from the centre of Old Town down to Summerhall (a 20 min walk each way) at least 3 times. And I was a mess. If you’re seeing a lot at Bistro Square/St George’s Square or all on the Royal Mile, you can take a seat between, grab some food, chill in the park or a coffee shop and you’re not panic walking half way across the city.
  • Flyers/Be adventurous – Artists put a lot of money and time into flyers and flyer-ers. I spent my first few days politely saying no thank you until I met up with a producer friend who put it in perspective. Take the flyer, have a look, take a chance if you have the time. And if you can’t go and see it, you’ve at least made that persons day a little brighter by taking their flyer and considering it.
    Equally, take a punt! I was lucky to be going for reviews and ended up seeing some of the most incredible, the weirdest, the wonderful-est shows ever. And I may not have chosen these on my own. Even if it looks crazy or odd, have a go – you may be pleasantly surprised.
  • I also missed a lot of great work because I did not look into them enough before. If you are reviewing, balance it! Do some review work, see some shows just for yourself. I only did this once and it was a lovely relief not to be writing about it and to just enjoy it alone; a little break in between.
  • Be polite and chat with people – we’re theatrical people. The locals are lovely. Make conversation, it will brighten not only their day, but yours too. Everyone is really friendly.
  • Try not to hog pavements, doorways e.t.c It can be so dangerous with the busy roads. Be mindful and helpful, and it will make the Fringe so much better.

It may seem like a lot, but I learnt a lot from my first experience. I believe you need to experience it yourself and find your own ways to enjoy the Fringe but this is just a little to get you started.

Ultimately – ENJOY IT. It is probably one of the best things I have done with my life.

And maybe see you there next year – message me at any of the below and we can grab a drink!

If you have any other tips and tricks:

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Review: Leslie Ewing-Burgesse EXISTS! Edinburgh Fringe Festival By Hannah Goslin

2 out of 5 stars (2 / 5)

Canadian born Leslie has come to London as she has always dreamed. In her flat, she finds an unusual book with the conspiracy that Paul McCartney died and all these years has been an imposter. And this begins a journey into her insecurities, acceptance but also getting to know this colourful lady through comedy.

Dressed magnificently (her boots are to die for, pink sparkly platforms!) and her bright hair, it’s hard not to fall in love with Leslie despite her fighting her own personal demons.

This work-in-progress performance is full of different levels – from insight into her past, The Beetles and conspiracy theories, the structure is well thought out and engaging as to what happens next.

There are times when Leslie needs to remind herself of what is next, but takes this in her stride and her comical ability smooths over these very brief breaks. Her ideas are all there, there just needs a little more confidence and trust in herself and her writing, as when it goes well, it is smooth and funny. This is not to say it never does not go well, but a work in progress type show always has a little delay with the comedian working out their material.

At times it felt a little more like a TED talk, and thoroughly interesting in this way none the less. But there’s a little work to do to deliver this as more of a comedy performance.

Leslise Ewing-Burgesse does indeed EXIST! She is flamboyant, loveable and we all want to be her best mate. Funny and insightful, she is one to keep an eye on as she inevitably rises through the comedy scene.

Review: Moonbird, Handprint Theatre, Edinburgh Fringe Festival By Hannah Goslin

5 out of 5 stars (5 / 5)

After previously seeing Jonny Cotsen and Mr and Mrs Clark with Louder Is Not Always Clearer, it is safe to say my interest in BSL performances and learning BSL has peaked more than ever before.

If we’re being honest, between us friends, I am not sure before Cotsen’s show, that I have ever seen a show with BSL. Not even a captioned performance. And for that I feel shame, but also think it makes a great point of what Cotsen and Handprint Theatre and trying to achieve and put across in the industry with these shows.

Moonbird is a gorgeous tale of a Prince whose parents begin to realise he is deaf. Their struggle is explored on how to connect with their child and their feelings of failure towards him, but we also explore Orla’s (the Prince) struggle with being deaf, the world around him and ultimately loneliness. Enter the Moonbird who introduces him to nature, where he learns how he can communicate, and rebuild hIS relationship with his parents.

Throughout the production, BSL is communicated, along with subtitles projected behind. They are patient and take their time, not rushing through this to fully fulfil the message coming across. As one who does not know BSL, the movements of communication are like a beautiful dance, and the performers throw their all into it, incredibly bringing emotion and feeling across. If there were not spoken word accompanying the signing, I believe that you would still understand the story and feel every emotion within it.

The performers do well to change characters – a small group of 4, the majority double, even triple up from humans in the palace, to deer roaming the fields and monkeys playfully prancing the stage. During this time, there is almost no speech at all, purely the communication through action, movement and facial expressions. And nothing is over the top – it is enough for the stage yet subtle enough to be realistic and understandable.

Use of puppetry (my favourite!) comes in the form of baby Orla and Moonbird, and every movement is carefully thought out and taken time with. There is total fluidity and realism with this and you forget that these are not real actors on stage.

Lastly, the staging, lighting and general composition of the aesthetics are magical and beautiful. Simple yet effective, it feels as if we have jumped into a story book, with purples and blues, peacock colours spanning the stage, and basic costuming and props to help the story along – but ultimately this story is about the physical and nothing draws away from this.

Moonbird, while a production for young families, is really for everyone. The story is what every child’s story should be – magical, engaging and with a moral to the story. Moonbird is such an important performance for theatre going forward, I dare anyone to come away without being mesmerised and championing BSL performances.

Review: Switcheroo, The Oxford Revue, Edinburgh Fringe Festival By Hannah Goslin

2 out of 5 stars (2 / 5)

Think Whose Line Is It Anyway? Think classic British Sketch shows. A combination of these is what the Oxford Revue are trying for.

A small group of performers from Oxford university, aside from being some of the brainiest in the country, they are dabbling their hand at acting and performance creation which is always commendable.

Quintessentially British, they tackle relatable subjects from Dating to the Doctors, University life to sports which we all associate with in one way or another as well as recognise from society. This gives easy laughter, and interesting how they can easily roll through an hour long of 2 minute sketches without flagging energy.

As one can imagine, these guys are just starting out and so have a long way to go. They are comical, full of passion and excitement, but still with room to improve and hone their acting skills a little more.

Interaction with the audience comes in ebb’s and flows, something a little different than what we expect from a sketch show. However, the audience are as up for it as the performers which is a great sight to see, boosting confidence and helping the show run smoothly. The performers interact well with chosen contestants and do well to ad lib when necessary.

Oxford Revue, Switcheroo, is a good fun activity – a late night affair, if you are not ready to head home and up for sitting back for easy laughter, they are worth checking out. I would be interested to see how they progress professionally and perfect those already developing theatrical skills.

Review : Crazy Cat Lad-y, Dave Bibby, Edinburgh Fringe Festival By Hannah Goslin

4 out of 5 stars (4 / 5)

We are crammed into a hot corner of a pub, close and snuggly, but the next hour proves why.

Dave Bibby is a Crazy Cat Lad-y – dressed in a onesie with a giant cat face, his comedy is evidently popular but also completely wacky.

The name is however a misdemeanour – admitting he needed a name for the show before writing it, his love for cats was what he thought of; however, in between his show, we get to see cute cat pictures, videos and GIFs to help us calm from the intensity – intensity of laughter.

Bibby talks to us about how he wishes he was Peter Pan – he unveils a costume under his onesie to reveal he is really Peter Pan. He then cleverly changes the characters in the original story to be accompanied by modern day themed songs e.g. The Lost Boys, are actually Lads from love island and so a song featuring full body waxing and ghosting girls begins.

The intelligence and thought into turning these characters into more relatable people and modern scenarios is abundant and so is completely hilarious in execution but also with how clever they are and how much it makes sense.

Bibby is completely engaging, and while we are all sitting almost on each other’s laps to see him, he makes us feel like close friends, engaging with us, confidently making eye contact and effortlessly interacting and ad libbing.

There’s at no point that we wonder what time it is or how long is left, because we are completely engaged and consistently laughing. The show is chocked full and Biddy even struggles to have a sip of cola as he is on an energetic roll.

Dave Bibby may be a crazy Cat Lad-y but he is also a talented, very funny comedian. Get there early to grab a seat, and don’t be surprised by how busy it is, because he truly brings a hilarious comedy show to the fringe. I look forward to seeing what his next show may contain.

Review: Do Our Best, Remy Beasley, Francesca Moody Productions, Edinburgh Fringe Festival By Hannah Goslin

4 out of 5 stars (4 / 5)

For you Welsh readers, you would recognise Remy Beasley. But it may take a while. I spent a huge amount of Do Our Best wondering where I had seen her before, and it is a testament to her acting talent that I still did not know till googling after. Known for her role in the Welsh show, Stella, her character of Sephie could not be more far removed from her character opposite Ruth Jones.

Written by Beasely, we are introduced to Sephie who has decided to go back to girl guides to get her final badge. Dealing with the death of her mother, her feeling of insecurity and failure, and her relationship with her guide leader, we go through her motions of sadness, of loss to reliving her past and realising how much of a star she is.

Beasley is full of beans and never seems to stop on stage. I love this approach to the character, giving her a sense of still being childlike and finding her way in the World. She finds her way on the floor, on top of chairs, hugging the audience – she is as impatient as a child and we get the sense she has not grown up since the guides.

Sephie is a confident character – her want to be a star and her memory of being the centre of the world is evident, and she brings this to us in the present, ordering us around, stating memories as facts, and all in all being absolutely hilarious. Beasley shows through this her own confidence and own get go – at times slipping her own giggle at an audience interaction in, a little ad lib, and obviously enjoying her own performance, as much as we are!

And these comical and loveable moments make the hard moments, the sadness and the euphoric moments all the more poignant – when silence comes after chaos, it is beautiful, and she relishes these moments, leaving us feeling nicely energised and contemplative.

Do Our Best is a brilliant example of women running theatre – Beasley is a performer to be reckoned with, and it is guaranteed you will come out sore from laughter, from heart ache but with a new friend in Sephie.

Review: The Bible 2 (Plus a Cure for Shame, Violence, Betrayal and Athlete’s Foot), Crystal Rasmussen / Tom Glitter, Edinburgh Fringe Festival By Hannah Goslin

5 out of 5 stars (5 / 5)

This is a drag show unlike any other.

A combination of comedy, quintessential camp fierceness, honesty, raw truth and pure love, Crystal Rasmussen (out of drag, lovely Tom Glitter) brings us the story of violence, shame and betrayal he felt growing up as a homosexual man in a less accepting world, and how his drag alternative personality helped him to accept himself and ignore the haters.

Crystal is beautiful, glamorous and hilarious. She bares all to us not only emotionally but physically, spinning on the stage in all her glitter for us to cheer, whoop and love.

When she opens up to us about Tom’s past, the physical, emotional and mental abuse he suffered for just being him, it is brought to us in a really sensitive way and anyone with a brain on their shoulders and a heart in their chest feels for him, feels the anger, betrayal and sadness that there are people who could treat someone else like this.

The narrative is nicely and equally split – while there is some hard hitting stuff, there’s as much joy and comedy and utter glamour to help us along.

Crystal also makes us feel included – saying hello to all of us, somehow making us feel as if she knows us one by one (and she is so brilliant, you just WISH you were her friend!) and makes us feel welcome. It feels like a safe sanctuary, where we are all joined together to celebrate Crystal and Tom’s love.

Not to mention, some well-known tunes, that we boogie to, but that she sings – and what a voice! I would happily listen to her sing any song and love it more than the original. Crystal Rasmussen/Tom Glitter, Bible 2, is great fun, a wonderful night out, but a hard hitting realisation of the world for LGBTQ+ people. It is not a shy performance, the jokes are NSFW and we come away even more in love with her than before.

Utter perfection!

Review: YUCK Circus, Edinburgh Fringe Festival By Hannah Goslin

5 out of 5 stars (5 / 5)

The only way to start this review is to announce that this was one of the best and most inventive things I have seen for a long time.

The word ‘circus’ could however be a loose term for the performance; there are some small stunts, a little aerial and flexibility, but this is not the main focus, and that does not make me mad.

This all female group openly spit in the face of the patriarchy, but with a sense of humour and no fear. The YUCK ladies take elements of female life, from menstruation, to talking about messy nights out, pubic hair to ‘dick pics’ and ultimately doing this with a hint of satire on how women are perceived in Circus shows.

The YUCK performers are dressed in basic black shorts and tops, modest and purely to help with the stunts. But at one point, they point out that there has been little circus; to fuel our need, they do a balancing act, but not before pulling their shorts up, exposing their bottoms and facing the audience. This is not only hilarious but is addressing the importance that we are used to seeing scantily clad circus performers, and at times we question if this is really for function or for the ‘male gaze’.

They are unapologetic in parts of life that are not feminine – beer drinking, burping – who cares! They certainly don’t and through this humour and inventive acts, they poke fun and make a stand at the same time.

They interact fully with us, making eye contact, coming into the audience and so this is not a show for the shy by any means.

There is also music; and again, these range from satirical live music, poking fun at what the aerialist is doing, as well as some quintessential feminist songs, some disco – all the tunes you cannot stop yourself dancing to.

YUCK Circus is what every feminist woman should go to to feel another push in what we are striving for in society; for every woman who is still in the dark; and for every man who is stuck in the patriarchy. It is for everyone who wants to laugh, has a slight dark and unbarred humour and to feel really empowered by these unapologetic and fierce women.

 

Review Godzilla: king of monsters by Jonathan Evans

3 out of 5 stars (3 / 5)

Well, this is an interesting franchise that’s been started. Godzilla from 2014 was a very bad movie, however Kong: Skull Island was a cinematic highlight for me, so now we have the sequel to Godzilla that will lead to the two iconic monsters clashing. It does away with Gareth Edwards and brings in Michael Dougherty, how does all this fair?

Our entrance into this movie is a young girl named Maddison (Millie Bobby Brown), whose mother Emma (Vera Farmiga) is a scientist that is studying an enormous larva, suddenly renegade soldiers burst into their facility to awaken or steal the larva, it hatches and Maddison and Emma are taken. Cutting then to Maddison’s father Mark Russell (Kyle Chandler) who’s also a scientist (that’s convenient!) is brought in by Monarch, the high-tech organization that specializes in dealing with these giant monsters or kaiju.

Of course, it isn’t long before the main player shows up, Godzilla himself. When you are dealing with one of the most iconic pop culture figures, a cultural landmark and who is essentially a force of nature within your movie you’d better do them justice. He isn’t redesigned from the 2014 version though he has apparently grown a few extra feet making him a nice even four hundred feet high. He has a simple silhouette that makes him instantly distinguishable and when we get close we can see loads of little details that I’m sure the C.G.I. team worked very hard on. He is mostly filmed from low angles and moves very slow adding gravity to him. This is an honorable and appropriate presentation of him.

Along with Godzilla, we are also treated with a few other classic monsters from the lore. We have Mothra who is (as the name would imply) a large moth-like creature who’s always been humanity’s defender, Rodan a giant pterodactyl essentially, and finally, there is Ghidorah Godzillas most popular and staple arch-nemesis, a dragon with three heads and able to breathe lightning.

The focus of this movie is in the right place. We are here for the monsters, they are what are on the poster and who the movie is named after. Really we need the humans to inject some, well humanity and to string along the fights and their actions, maybe even give the good ones a helping hand or a point in the right direction. focus on the monsters, with humans along for the ride.

There are some choices that are made, which I always fail to understand that for you to take a movies subject matter seriously, you need to have predominantly dark colors with a bleaker image throughout. I do understand that an element of Kaiju movies are about dealing with a natural disaster but even then you have a giant lizard that shoots out fire, it is only so serious you can take that before the filmmakers look like the silly one for trying to convince us this is serious. This movie much more earnestly embraces it’s fantastical and overblown concept and gives us vivid colors for each of the main kaiju, Godzilla is blue, Ghidora is yellow and Rhodan is red. This works to make the image onscreen vibrant but also when the monsters clash so do the colors and so you can much more easily register who is who.

Again in the last movie they adopted a documentary feel to the camera work, this isn’t a found footage movie so why they decided to frame these two giant monsters biting and clawing each other in such a low-grade way still strikes me as a poor choice. This movie goes in the opposite direction again, deciding to be very Hollywood with their depictions, they frame the monsters with epic majesty. Low angles and well-composed.

If you are to see this movie see it on the big screen. Every movie should be seen on the big screen, there isn’t a movie that benefits from a smaller screen less sharp and reduced sound, but this is a special case. This movie is about big images and sounds, in order for you to absorb the scale of these mighty creatures and hear all the music and sound effects the movie theater is the place to see it. I would hope that’s where you are seeing most of your movies but if not then do and if you plan to see this one, make sure it’s on the biggest screen you can find.

Another nice touch is that they use the classic monster theme’s from the original series of movies. Now if you watched the movie and were unfamiliar with the classic series then it wouldn’t mean anything to you,  that’s ok. But fans always like to be rewarded and recognized in some way and this is a way of doing it. Plus they are just good, distinctive tracks so why not utilize them?

This is not a deep movie. I can’t really tell you what this is about below its surface. Plus there are plot elements that either don’t make any sense or are just left dangling in the wind by the time the movies over. But it is entertaining and it took every bad creative decision from the previous movie, turned left and now we have a much more enjoyable, easier to see movie.

So what we have is a movie that’s the third part of this cinematic franchise and doesn’t require you to see the previous two, these movies are generous with not being heavily continuity focused. It is a great improvement over Godzilla though it lacks the panache and memorabilia of Kong. Though in terms of paying respect and doing justice to these monsters it does indeed do its job. you won’t need to see the previous two movies in this franchise, nor any other Kaiju movie and it could indeed turn you into a fan.