(5 / 5)
Hamilton is a phenomenon. Lin Manauel Miranda’s show about the rise and fall of the founding farther Alexander Hamilton who would be immortalised by having his face on the ten dollar bill is one of the biggest shows to musical theatre in a long time. It’s fan-base has grown and grown and it has conquered America and is now taking on the rest of the world.
The London show at the Victoria Palace Theatre has grabbed and magnificently run with the baton of standard that this show has gathered. From the words on the page, the set, to the performances themselves they bring this show to life with grace and fury.
The opening number sets up almost everything we need to know. From our heroes backstory to where he is when the story stars and even his end.
The stage has the floor and rafters so that actors can ascend and descend to signify gain and loss of power. The unique aspect of it is the revolving mechanic of the floor of the stage. It is both technically impressing but also essential to the language of the play.
The rotation gives a greater geography to the limited space of the stage, now the actors can continually walk. Also it happens during more key moments so it becomes an expression of Hamilton’s life moments, when he meets someone new or a choice is to be made his world has shifted. It again serves as having Hamilton as the centre while the character and events revolve around him also the ticking of a clock that waits for no one. Along with the unique element they also use the lighting to paint the mood of the scene and represent when a character is isolated. The actors navigate the space expertly with almost nothing out of sync.
As we all know the founding fathers were all white men and married white women. For historical accuracy this cannot be disputed. However this is a contemporary piece of art so it is not so much interested in being historically accurate but more in spiritually representative of America. The casting for the Hamilton cast is very diverse, having almost everyone of every ethnicity represented on stage. If someone who is curious what Alexander Hamilton really looked like then they have only look it up.
An elements of the performance that there is an argument for being cut (but people would be hounding for blood if it was.) This is the segments with King George, they are the point of view from his perspective as he learns about Americas quest and gaining of independence. Really they don’t need to be there, yet they are so loved and funny they must. His lack of choreography is also immensely amusing, because he is dressed to the ninth all he can really do is stand there but it works by making him seem more uptight.He manages to work in some shoulder movements and he works the crowd greatly. His musical style is more like that of British rock which adds another level of diversity to the show.
The songs carry the narrative and theme. No speaking breaks, all songs, non-stop. The backing musicians play extremely well. The songs themselves area all immensely catchy and will have you repeating a few of them when you leave the theatre. Some of the top favourite are My Shot, Helpless, You’ll Be Back, Burn and others but count on you leaving with a favourite (mine’s Non-Stop).
The play as a whole is divided into two acts. The first is establishing Hamilton himself as well as a few of the others that will play big roles in this story, also about Americas fight for independence. The second act is about dealing with independence and the conflicts they have to deal with become more personal and internal.
The acting from the players is very good. There are many characters in this story and in the second act the actors switch roles to the new characters that are introduced. There is just so much to say about them that it would take up too much of the review, so I’ll just summarise by saying their performance, from the expressions, to the singing is indeed top notch.
The main feats of dancing and choreography come from the background extras. The main players in the scene don’t really bust out many impressive moves, but then again they have many lyrics to remember and sing and if they were doing something more physically taxing then they’d most likely be out of breathe and that wouldn’t be any good. They do indeed do some dancing and hand movements to stop them from becoming dull planks which keeps us looking at them.
Hamilton is the story of the American dream as well as other things and told with modern sensibilities. It is incorrect in a few historical details as others have pointed out, but this is a work of art not an accurate historical account of events. It tells it’s story succinctly through it’s chosen medium of rap with very efficient and fast lyrics being sung and the visuals on-stage from the dancing to the lighting do so many things to draw your eye that you’ll be engaged for the full three hours and then complain that it was over too soon.