Category Archives: Museums & heritage

An interview with Emily Wilden creator of ‘Sunday Night Stories’

Hi Emily great to meet you, can you give our readers some background information on yourself please?

Hi, I’m an actor and voice artist originally from Carmarthenshire. I studied acting at the Italia Conti Academy of Performing Arts and it was after graduating that my interest in voice over and audio editing started to develop. I began to record and edit my own work using home recording facilities. I enjoy performing and workshopping pieces from new writers and I’ve also worked with theatre in education and run workshops for children.

So what got you interested in theatre and the arts?

I had an interest in performance from a young age, but it wasn’t until I joined the Swansea Grand Youth Theatre that my passion for Theatre and the Arts started to grow and I decided I want to pursue acting as a career. Joining a youth theatre was a great opportunity for me to meet new people outside of school. It really built my confidence and brought me out of my shell; it’s something I would encourage all young people to do even if they don’t have an interest in being a performer, as it helps with confidence, and communication.

‘Sunday Night Stories’ is a project you have developed yourself which features stories/plays/poems by talented new writers. It provides a platform for new writers to get their work heard. Can you tell us more about this initiative please?

I started Sunday Night Stories after taking part in a few different new writing projects in Cardiff. I have always enjoyed taking part in new writing events and as I am also a voice artist I thought it would be an interesting idea to combine the two.

New writing events are incredibly rewarding and helpful for the writer, actor and director but I thought by recording the pieces and turning it in to a podcast/having an audio recording, you are opening yourself up to a much wider audience. Also, by having an audio recording you are able to listen back and make edits and also use it to showcase your work.

I really wanted to create a useful platform for all writers, no matter what qualifications or experience they may have so they can gain feedback and the exposure they deserve.

I’ve recently partnered up with writer Darius Nash for a Sunday Night Stories Special of Hamish and Bob, a radio play written by Darius about a young boy with autism and his dog. It’s going to be a challenging piece but we are really excited to develop and share it.

Hamish and Bob in development

Get the Chance works to support a diverse range of members of the public to access cultural provision Are you aware of any barriers to equality and diversity for either Welsh or Wales based artists/creatives?

I was lucky enough to be a workshop facilitator for Omidaze Theatre Company’s recent production of Romeo & Juliet, running workshops on Shakespeare and politics for primary and secondary school children.

Schools workshops for Omidaze Theatre Company’s production of Romeo & Juliet.

This really highlighted for me how little opportunity there is for children to experience theatre and the arts, whether it’s the cost, content, or just a lack of interest. During the workshops the children were excited to be getting up on their feet, performing, playing and actively working through and understanding (quite complex) text. It helped them use their imagination and recognise that theatre is for everyone. I felt this was incredibly important and is something that needs to be developed and offered more to children, helping them to explore all aspects of theatre and the arts.

There are a range of organisations supporting Welsh and Wales based theatre companies, I wonder if you feel the current support network and career opportunities feel ‘healthy’ to you?

After working in London and now Cardiff, I have found that there is a great support system available in Wales and a sense of community with Welsh artists in general, as there are lots of opportunities to create and it’s improving all the time. It would be great to see more workshops available for all aspects of performance, and for there to be more casting opportunities in Wales for Welsh actors.

Monologue Slam UK 2015 supported by NTW Team

If you were able to fund an area of the arts in Wales what would this be and why?

As I previously mentioned I think it’s incredibly important to develop more opportunities for children to experience theatre, not only by going to see it but also through creating it themselves.

I also think it would be great to encourage more new writing projects in Wales, encouraging people who have the urge to write but maybe not the confidence to do so. There are so many great companies around at the moment producing work from new Welsh writers and I think it’s something we need to continue to encourage and develop.

What excites you about the arts in Wales? What was the last really great thing that you experienced that you would like to share with our readers?

What really excites me about the arts in Wales is how welcoming and accepting everyone is to new ideas. There is such a sense of community, and you truly feel like everyone is willing to share, offer advice and help each other along, which is what being an artist and performer is all about and is the main reason I started this project. It’s really great to have such a range of writers share their work with me and let me give a voice to their stories; it just highlights how important community is in theatre and the arts.

Thanks for your time Emily

Website – www.sundaynightstories.co.uk
Facebook – @sundaynightstories
Twitter – @sunnightstories

Review: The Reenactement of Isandlwana (aka The Great British Stuff Up) Cardiff Castle

(*Referred to as The Great British Stuff Up… to quote an official speaking at the Re-enactment.)

The sun came out. But not enough people came with it.

Cardiff Castle – a spectacular venue and in the coursing heat of the last day of summer, we saw the Battle of Isandlwana replayed. We heard speeches addressing the contemporary relevance of this violent occasion. We heard of the move from land grab to tourism; of enmity to friendship. Good speeches but hard to hear in fact as many of the people around me talked all the way through them.

So many chose to experience this remarkable and apposite performance through their phones and not through their own eyes and senses. Such a pity so many of us no longer look and listen and absorb in the moment any more. So many wandered off before the performance had finished – pity, they missed the Zulus and their Royal family chanting, singing and mingling with the crowd.

Where is the respect for the people who have travelled so far to share with us their culture and their skills, history and time? Where is the respect for ourselves to return that compliment?

Our guests deserved better and the organisers too.

It was also a pity that Cardiff Castle insisted n charging entrance – although the Re-enactment itself was free. The performance started at 4pm so it was not as if the Castle would have lost a day’s revenue. Sometimes generosity has its own reward and our guests should have had a bigger turn out.

This was a once-in-a-lifetime experience. I cannot thank the organisers enough for giving us the most impressive and life-affirming hand-shake between two nations, Wales and Zululand, after all these years.

 

Review: King Cetshwayo, The Musical, Theatr Brycheiniog by Helen Joy

4 Stars4 / 5

 

The opening night of any performance is usually pretty interesting This was something else. A royal visit, the hands of conciliation shaking across the decades, the welcome of the Welsh to the Zulus, the acknowledgement of the times past and present with no apology.

I cannot say that it was a comfortable feeling in the room when the British role in the taking of Zululand was portrayed. The massacre of British forces at Rorke’s Drift promptly followed by the razing of the villages and the kidnapping of the King. An unrecorded conversation between Queen Victoria and King Cetshwayo and his return to South Africa.

Some of us in the audience dared to laugh at what that conversation may have comprised, given the dear Queen’s proclivities! This lightened an otherwise confused response to a musical storytelling which did not portray our Empirical desires in a good light. But a portrayal generous enough to acknowledge the bravery of soldiers on either side. Bold enough to openly regard a mutual respect for the field of battle and conquest.

Beautiful in its dance scenes, fearsome in its warring, acute in its narration – comic in its mimicry of the gun-carrying redcoats. The skin-prickling returning cries of warriors in the audience. The poet. The costumes. The toe-tapping music. The beat. The heat.

This was a slightly chaotic, slightly shambolic, utterly brilliant rendering of a terrible business all round.

A theatre packed with dignitaries and artists; and the men stand for the Queen. A queen surrounded by family and protected by warriors. Splendid and significant, she spoke of their visit as an advance party whose report back would determine any subsequent visit by the King. I get that. This is not easy political fayre.

Dorcas Cresswell and her team should be applauded for their efforts in bringing these extraordinary and important events together in ways accessible to all of us. It was refreshing not to hear apology for events long past but acknowledgement; commemoration not dismissal. Art and theatre expressing easily subjects otherwise difficult to discuss openly.

I hope I shall never forget seeing Zulu warriors hop on a bus in central Brecon. I have a feeling I might not be alone in this. Never underestimate the impact of a well-placed assegai.

As part of this series of events you can still catch the event below

Now – end of October: Sibanye – Brecon Welcomes the Zulu’s!

Free, non-ticketed exhibition in the Andrew Lamont Gallery, top floor of Theatr Brycheiniog.

An exhibition of photographs that were taken during a visit in January 2017 to KwaZulu-Natal by five members of The Friends of The Regimental Museum of The Royal Welsh, Brecon.

The visit was by invitation of KwaCulture – an organisation based in Durban and the visit coincided with the annual commemoration of the battles of Isandlwana and Rorke’s Drift which took place in January 1879.

The exhibition is part of the King Cetshwayo 135th Celebrations in Wales, August 2017 that has been organised by The Friends of The Royal Welsh Regimental Museum in partnership with KwaCulture and Maluju Charity.

The Andrew Lamont Gallery is open during Theatr opening hours and is fully accesable via the lift.

 

 

 

 

 

 

Review Burning Lantern Fayre by Barbara Hughes-Moore

On Saturday 12th August, St Fagan’s embarked on their first foray into launching an annual Glasto-esque fest of family friendly fun in the heart of the Welsh countryside. An impressive musical smorgasbord headlined the Orchard-organised inaugural event, from Tom Odell to Martha and the Vandellas, Jack Savoretti to the Shires. In addition, there was also a variety of non-musical entertainment to be had throughout the day, from arts and crafts to artisan-quality food and a funfair/ circus for good measure.

Welsh acoustic duo Into the Ark, local boys from Blackwood turned The Voice UK 2017 finalists, started the show with soulful, spirited charm. They performed as if they were headliners – and to us, they were.

Martha and the Vandellas followed with an energetic set, infusing the festivities with a party atmosphere and setting off the sing-a-long spirit with classic hits like ‘Jimmy Mack’ and the timelessly terrific ‘Dancing in the Street’.

Third to take to the stage were Brit country duo the Shires, who held the distinction of being the first act whose very presence raised the crowd to their feet. And what a joyful noise they made on that sunny Saturday afternoon, belting out fan-favourite hits like ‘State Lines’ and ‘All Over Again’ as well as making time for more melancholic melodies such as ‘Daddy’s Little Girl’. They promised to be back soon, and here’s hoping it won’t be their last time in Cardiff – judging by the cheers that permeated their performance, there are many (including myself!) who are looking forward to welcoming them back to Wales in the not too distant future.

Tom Odell provided a suitably bombastic closing set, tearing through tunes with a spellbinding falsetto Matthew Bellamy would have been proud of. My personal favourites of the night were the achingly haunting ‘Can’t Pretend’ and his career-launching debut ‘Another Love’, both of which – along with his remaining repertoire – were elevated by a dazzling light show that punctuated every syllable of Odell’s crooning choruses.

Hover, it was the penultimate performance of the festival, provided by the incomparable Jack Savoretti, that stole the show with a haunting, husky voice that would make the likes of Paolo Nutini and Tom Waits blush. There is simply no-one else in the world who sounds like Jack Savoretti, and he suffuses his songs with the raw, rugged sound that has become his trademark. Hearing him live was a special treat, though I have to compliment almost everyone on the day who performed live for sounding just as good as, and often better than, the record. There were too many favourite Savoretti songs to mention, from the rebel-rousing ‘We Are Bound’ to the sorrowfully sincere ‘When We Were Lovers’, and the True Blood-tinged ‘Knock Knock’. It was a real treat to have an artist of Jack Savoretti’s calibre in this event, as it was with so many of the marvellous musicians that graced St Fagan’s that day.

The sheer variety of food on offer – from gourmet burgers to posh pizzas – was a feast for the eyes and nose, but sadly not for the stomach. Reportedly 8,000 festival-goers walked the fields of St Fagan’s that day, but far fewer managed to purchase even a single crumb due to the bloated queues that stretched out for hours on end.

‘Queue-Gate’ was such a widespread issue that the ensuing tweet-storm urged the organisers to issue an apology, which, though appreciated, still failed to understand the backlog (many spent up to 2 hours queuing at a single stall), or the duration (it was an issue throughout the entire day, not just the evening). Worse still, the organisers banned any food being brought onto the premises, meaning that the supposedly family friendly event left many families with the choice of queuing for hours or going hungry.

I only braved a queue at around 9pm, by which time all that seemed to be left in the entire venue was a single Danish pastry (at that point, it was any port in a storm). Even if picnics had been allowed in, it would have been impossible to resist the delicious scent that wafted across the fields throughout the event. The ratio of people to food vendors was severely misjudged; in future, either lower the maximum number of tickets sold, or increase the amount of food stalls on offer.

In addition, the site itself was tricky to navigate. I didn’t even know there was a second stage for supporting acts, and spent the first three hours eagerly awaiting the arrival of Kizzy Crawford, an enchanting bilingual singer, on the main (at that time I thought the only) stage. It was only after my increasing hunger necessitated exploring the venue that I stumbled across a beautiful bandstand hung with twinkling fairy lights. The dulcet tones of Gareth Bonello (aka the Gentle Good) drifted across the evening air, after which he mentioned fellow Welsh-speaking singer Kizzy Crawford’s earlier set, and my heart dropped. If only there had been a programme, or schedule of some kind, listing the various locations and who was doing what when, it would have greatly enhanced the accessibility and exploration potential of the festival experience.

I had a wonderful time at my very first festival experience. However, there are things at a fundamental level that must be addressed for a follow-up fest to be a success, from better management and organisation to a programme of events and acts. However, it remains a very special event to have been a part of, and it was a real privilege to see so many incredible musicians pour their hearts, and their songs, in that picturesque place. I would love to see the Burning Lantern festival return next year, especially if its maiden voyage was able to attract such a breadth of talent from all spheres of the musical world – but it has to take these concerns on board for it to rebuild trust and maintain interest in its future.

http://www.burninglantern.com/en/

Get the Chance to be a music journalist at this years Sŵn Festival.

Are you aged 14+?

Interested in brilliant contemporary new music ?

Want to Get the Chance to see and review Songhoy Blues, Aquilo, Jen Cloher, The Amazons and loads more amazing artists at this years Sŵn Festival?

Want to access a free workshop which will give you an insight into the role of a music journalist?

Then, this is for you!

 

What’s involved?

You will take part in a 2 hour workshop with Guy O’Donnell Director of online magazine website Get the Chance at a venue to be confirmed.

You will need to be free to attend a range of performances during the festival.

To apply contact Get the Chance director Guy O’Donnell at getthechance1@gmail.com. All applicants need to be aged 14+

Here is a link to more information on this years Sŵn Festival

Presents

Collaborating with Motherlode, RCT Theatres and Taking Flight Theatre Company to develop a Welsh Critical Network.

Get the Chance has collaborated with Motherlode, RCT Theatres and Taking Flight Theatre Company  to run a series of free ‘Get the Chance to be a theatre critic’ workshops, participants also accessed the rehearsal process and public performances. Get the Chance was able to run this activity with the support of partners and through funding from Arts Council Wales Sharing Together. “A strategic initiative to encourage the development of networking opportunities.”

During this activity a free workshop took place at The Coliseum Theatre in Aberdare. During the workshop we discussed the role of the critic, differing methods of giving critical feedback and the role of the press and marketing department. Those attending were strong advocates for arts venues and cultural provision in general.

After the workshop we spent time in the rehearsal room with Motherlode who were developing their new production, ‘Exodus’. This gave us a unique insight into the development of the companies work.

The workshop participants are all excellent examples of Creative Citizens. Get the Chance is developing a socially engaged, democratic audience development model called Creative Citizens Cymru. Many of the fundamental principles of this model are very similar to the principal goals of the Well-being of Future Generations (Wales) Act.

You can read a write-up of the workshop by Vicky Lord at the link below.

Get the Chance Workshop Write Up

Get the Chance works in collaboration with a range of individual creatives, companies and organisations in order to achieve our aim of “Creating opportunities for a diverse range of people to experience and respond to sport, arts, culture and live events.” We would like to thank Rachel Boulton, Artistic Director, Motherlode and Nia Wyn Skyrme- Freelance Producer/ Promoter for their statements of support relating to this activity below.

“Motherlode is all about removing barriers to theatre, making entertaining work with a political edge that our friends, neighbours and families can enjoy in a collective experience. In a quick survey we asked 100 women in Wales “Does theatre represent your world view?” 13% said yes, the other half said no, and the other half said they don’t go to the theatre. While this research needs more fleshing out, there’s a problem here with who we’re currently making theatre for and who we’re making it with…Get The Chance is vital to shifting how we talk about theatre, who gets to talk about theatre, and who decides what should be on our stages. It encourages local people to take ownership of their venues and creates a safe environment where communities can take risks and express themselves through sports, culture and live events, regardless of background.”

Rachel Boulton, Artistic Director, Motherlode

“I have been working as a freelance producer for over a year, and I have worked with Get the Chance with almost all the productions I’ve been involved with, as we share a passion for co-working, sharing ideas and contacts and creating active creative citizens in different communities across Wales.

It’s been very valuable working with an organisation like Get the Chance. Arranging reviewers, interviews and specific workshops raising the company’s profile and excellent promotion, sharing ideas and giving advice. Get the Chance have also brokered relationships with their members to become Local Promoters in different areas across Wales.”

Nia Wyn Skyrme- Freelance Producer/ Promoter

We have also recently ran a workshop in collaboration with Taking Flight Theatre Company. We ran a free ‘Get the Chance to be a theatre critic workshop’ on July the 11th at Cyfarthfa Museum. The workshop was attended by a youth group from Merthyr Tydfil. We discussed a range of areas of cultural provision and the participants then went to see Taking Flights production of The Tempest. Their reviews will follow soon!

Thanks to Beth House, Creative Producer, Taking Flight Theatre Company for supporting this activity.

“Collaborating with Get The Chance has been really exciting for us and I feel like we are only just beginning to scratch the surface of what might be possible in terms of working together and developing new arts professionals- and moreover broadening audiences. Thus far, we have been able to tap into groups who have traditionally been excluded from training as well as arts opportunities, often because of access requirements or other barriers. The work I have seen Guy do has inspired groups to think critically about the arts they consume and to want more. We are extremely hopeful that we can seek new ways to go even further with this partnership. More joined up working like this is definitely needed in Wales!”

Beth House, Creative Producer, Taking Flight Theatre Company

 

 

Review Dinosaur Babies exhibition, National Museum, Cardiff by Kate Richards.

A ‘dino-mite’ exhibition for families

Truth be told, I was a bit apprehensive that my 3 year old would be too young to get much out of the new Dinosaur Babies exhibition at the National Museum, Cardiff. He’s not fanatical about them like many of his little chums, and would really prefer to play diggers than dino’s given the choice, but in an effort to support the learning he’s been doing on dinosaurs in nursery, I arranged a family visit anyway.

I need not have worried. Even after a bout of tears in the foyer on spotting a staff member wearing the world’s least scary dinosaur onesie, he was quickly distracted and won over by the variety of interactive exhibits on offer. The content of the exhibition is displayed using a range of tactile models, large images with captions, real and model skeletons, an animatronic dinosaur and traditional displays in cabinets with short easy-to-read descriptions. Many of the real ‘show-stopping’ skeleton exhibits are housed in low glass cases that can be viewed all the way around, making it accessible for little ones and easier for everyone to get a good view even at busy periods.

As a family we’re still pretty new to this type of educational, family experience and museums have moved on apace since our childhood, so I chuckled when my husband told our son not to touch one of the egg models which was screaming out for little fingers to pat and stroke it, but there were plenty of helpful staff around to reassure and encourage children to touch the exhibits – and even to ride on one of the dinosaurs!

Working as a team to dismantle and reassemble a large section of a leg bone, proved a popular activity with the little ones giving the grown-ups additional time to browse the nearby cabinets and learn about some of the most rare and exciting finds like ‘Baby Louie’ who had scientists confused until the first example of a new species of giant oviraptor was discovered as recently as 2007. The highlight for me though were the three real dinosaur eggs in which you can still clearly see the fragile bones of the unhatched animals inside.

The highlight for our little one (and most of the younger visitors there), was most definitely the opportunity to play ‘palaeontologist’ for the morning. Sporting his safety goggles, he whiled away at least half an hour digging in the large pit hunting for bones and eggs, then joining in with other children carefully brushing away the ‘earth’ to uncover their finds. The activity stations at the end of the exhibition area are perfect for very young children, and we spent a happy hour or so counting dinosaur eggs, practicing letter recognition with the magnetic letters and doing the large dinosaur jigsaw puzzles on the board.

The exhibition really lives up to the claim that it is ‘family friendly’ and it genuinely manages to achieve that tricky balance of appealing to all ages and levels of interest in the subject, so even if like me you have family members that can best be described as ‘can’t read, won’t read’ don’t be put off giving this exhibition a try. I would seriously consider going again with my nephews who are 10 and 7, and know that my son would be really excited to go again. Even better is the fact that it’s free for the under 4s (yet there is plenty that appeals to them), and with a family ticket (2 adults and 2 children up to 17) at only £17 it represents superb value for money.

Dinosaur Babies Exhibition, National Museum of Wales, Cardiff

27 May–5 November 2017, 10am-4.45pm (last entry 4pm)

Cost £7 adults, £5 concessions, £3 children, £17/£13 families

https://museum.wales/cardiff/whatson/9487/Dinosaur-Babies/

 

Review Dinosaur Babies, National Museum Cardiff by Eloise Stingemore

 

5 Stars5 / 5

 

The National Museum of Cardiff has launched a new exhibition, Dinosaur Babies (27 May – 5 November 2017) as part of Wales’ Year of Legends celebrations, which allows visitors of all ages the opportunity to experience the world of dinosaur family life through their eggs, nests and embryos.

There are three real dinosaur embryos on display within eggs as well as replica dinosaur eggs and nests collected from all over the World, from major plant and meat-eating dinosaur groups. Many of which were discovered in China, are on loan from America and have never been publicly displayed in the UK before. The exhibition also features a ‘Big Dig Pit’ to let kids become palaeontologists as well as a play area with toy dinosaurs, cuddly dinosaurs, dinosaur books, jigsaws on the wall etc. There’s also a dressing up section!

The museum curators clear achieved their goal of creating an exhibition that is not only child friendly but is suitable for all ages given the staggering range of activities and the wealth of information available to visitors. From fake eggs that the children can touch, to moving dinosaurs they can interact with, and picture and video displays. Whereas the breath-taking skeletons are brought to life through the wonderful illustrations of Luis V. Rey whose use of a rainbow pallet helps us to imagine the creatures we are walking amongst throughout the exhibition. You could easily spend up to 2 hour here exploring your inner palaeontologist.

Without a doubt Dinosaur Babies will enthral and educate visitors of all ages, there is something for everyone and will certainly come in handy for those studying dinosaurs in school! Also given that it’s not a huge place, children have the opportunity to run wild like their newfound dinosaur friends!

The Dinosaur Babies exhibition is open from 10am – 4.45pm with last entry at 4pm. Tickets can be purchased at the Museum or via ticketlineUK.com (£7 adults, £5 concessions, £3 children, £17/£13 families). Children 3 years and under can enter for free.

https://museum.wales/cardiff/whatson/9487/Dinosaur-Babies/

 

 

 

Review Dinosaur Babies, National Museum Cardiff by Third Act Critic, Jane Bissett

5 Stars5 / 5

If you want an adventure with history this summer then step back in time and visit the National Museum Cardiff to experience their wonderful new exhibition – Dinosaur Babies.

The exhibits, many discovered in China, are on loan from the United States of America and have never been on public display in the UK before.

As you immerse yourself in the lost world of the dinosaurs you will come face to face with many familiar dinosaurs and others not so. The breath taking skeletons are brought to life by the many wonderful colour illustrations by Luis V. Rey, who working alongside the palaeontologists involved with the research of these dinosaurs, has given us visual imagery for the creatures we are walking amongst and a clear depiction of what they and their environment may have looked like when they walked the earth.

This exhibition has been specifically designed to be child friendly and it has certainly achieved its aim. There are a range of activities that engage the visitor whatever their age and the wealth of information is staggering.

Dinosaur Babies will enthral, enlighten and educate, as you venture into the never before seen world of motherhood amount these fascinating creatures. There are nests, eggs and even embryos intact inside their shells, a sight that will awaken the curiosity in everyone, alongside a desire to learn more.

The discovery of these dinosaurs in their many family groups has enabled scientists to build up a more comprehensive picture than ever before. They are able to establish a better idea and understanding of how these magnificent creatures lived in social groups and how they nurtured their young and now for the first time we are able to join them on this journey.

For the younger visitors there is a range of activities that will suit any age, whether it is conducting your own mini archaeological dig to find fossils, dressing up as a dinosaur or creating an art work to take home as a reminder of what you have seen.

This really is a great exhibition that caters for the whole family. Whatever your age or level of interest in dinosaurs, you are guaranteed to take away a wonderful Natural History Experience that you’ll be talking about all summer.

This exhibition forms part of Wales’ Year of Legends and runs from 27 May – 5 November

https://museum.wales/cardiff/whatson/9487/Dinosaur-Babies/

Criw Celf A2:Connect working with artes mundi, Bedwyr Williams and Gareth Clark

Earlier this year our director Guy O’Donnell met with  Tom Goddard, Project Producer at Criw Celf, A2:Connect to discuss their work.  Criw Celf is is a visual arts project for ‘More Able & Talented’ young artists at secondary school. Tom discussed the current Criw Celf project which is linked to artes mundi. Tom had invited Welsh Artist Bedwyr Williams to work with the young people and they were also able to take a tour of Artes Mundi as well as taking part in workshops to produce art work of their own. This article gives us an update of their progress. The original article can be found at the link below.

An interview with Tom Goddard Project Producer at Criw Celf, A2:Connect

“Hi Tom, would it be possible to give our readers some information on what happened during the recent workshop at NMW?”

“Yes, it went really well thanks! Each of the group have now embarked on their own self initiated project. Through working and getting to know Bedwyr each of them began to consider a position or a problem that they wanted to tackle, investigate or even solve through the creative process. It all sounds a bit over the top when put like that when really it’s about refocussing on them as individuals instead of being given a theme that’s been thrown at groups of young people for over 20 years.”

“What came out of this process was questions, questions about why things are the way they are as well as what they are passionate about; whether those things are absurd, annoying or interesting.”

Criw Celf members feedback

The workshop opened my eyes to the many different ideas of art, the January workshop I thoroughly enjoyed although it was slightly less independent than the February one. This is why this time I preferred it because it was a more hands on experience, as we developed our ideas and played on what we thought they could be presented as we each decided and are going to show them in an exhibition.”

Amber

“It was good fun, met some new people, look forward to carrying on with future activities, interesting people in the class.”

Llyr

“I thoroughly enjoyed the workshops this week as we experimented with a range of different materials and techniques. I tried pinhole photography for the first time which was interesting and an experience.”

Rubi

“In February they’ll be working with two artists with questioning at the heart of their practices, Tiffany Oben and Lisa Saunders. The workshops at Llanover Hall will continue to focus on creating a studio environment where the self led work is supported through the sharing and discussion of context, specific artists, influences and relevant thoughts, people and theory.

During the three February half term workshops they will complete their tour of Artes Mundi seeing the work of Nastio Mosquito and Lamia Joreige at Chapter and they’ll all be learning how to make, take and develop pinhole photographs inspired by Lamia Joreige’s work. On the final day we’ll be going to a workshop led by Mr & Mrs Clark in Chapter’s Theatre then seeing a performance of their one man show F.E.A.R. I saw it last year at Experimentica and was struck by its honesty and power after meeting and getting to know the group I felt it would be exciting for them to see something this bold.”

Criw Celf participating in a workshop with Gareth Clark from Mr & Mrs Clark at Chapter Arts Centre.

“What plans are there for the development of the project.”

“In March once the project work is nearing completion and even while some of it is still very much in progress!, Criw Celf will be working with a curator and a technician to design, build and curate their own exhibition in the centre of town. The idea is that Criw Celf will learn how to do it themselves, the groups average age is 15 so I think it’s really important to demystify all this stuff early on, to get hands on and to have a go yourself. All of these adults might work really hard but none of them do something these young people couldn’t do, if they put their minds to it and I’d like to think that Criw Celf would probably do it better too. I’ve been lucky enough to have the support of Cardiff Council and that’s meant I have been able to secure a building to house the exhibition for the whole of the month of March so if you’re in town do pop in and check out the exhibition.”

Criw Celf Exhibition opening – 2.30pm on Sat 4 March
Venue: 11 High Street, Cardiff City Centre

Exhibition open
Thurs, Fri & Sat throughout March 12 – 4pm
9, 10, 11, 16, 17, 18, 23, 24, 25, 30, 31 March