Josh Gardner’s unique story-telling production entails mix documentation and an anarchic approach to performance. Josh elaborates on privilege and migration through the use of absurd. A space where he isn’t afraid of breaking the fourth wall or going against theatre rules or maintaining his dry humour which not everyone gets but it seemed he purposely wanted to convey that aspect to his character. The Laud of the rings tells the tale of Josh wanting to save Europe by re-enacting Frodo’s journey to Mordor, travelling from Oxford to Istanbul dressed as a hobbit.
The Laud of the Rings is a captivating and provocative performance that follows desperate attempts to live out a fantasy world in a black wig, plastic feet and have an encounter with a Serbian border police officer, as reality and fiction collide in an epic re-make of The Lord of the Rings.
The production is very immersive, it became intriguing when he would climb into the audiences space to sit among them, get the audiences participation by choosing individually who to read out his scripts and jumping on to the stage to blow up a giant, plastic sphere with a noisy air compressor.
There’s episodes where Josh risks the use of being ‘disorganised throughout his performance’ and scatty with minor control on stage, especially as he leaves the theatre nowhere to been seen again, leaving the audience members no opportunity to properly applaud, some audience members went off to find him in the giant, plastic sphere rolling around outside.
Laud Of The Rings is slightly weird, funny and slightly unsettling. It can take a lot for you to laugh, grasp the concept of his character and relate to the emotions of his character sincerely. Josh for me is a man with a gift for deadpan humor, not knowing if he was being generally serious or not made his act original, as he wasn’t scared to be daring or challenging.