Review Pity, The Royal Court by Hannah Goslin

 

 

(5 / 5)

 

One thing I did not feel for or during this show was, Pity.

Anyone who knows me, knows that I am really into ‘theatrical experiences’ or ‘immersive theatre’. Something that I studied in my MSc and eventually would like to continue into a PhD, is the concept of creating an experience in Theatre, so that the audience feels included and forgets the outside world. But, just like with The Royal Court, architecture of standard theatre’s sometimes stops this from happening.

Beginning with starting from entering the back of the building, we encounter a temporary bar, an ice cream stand, and a brass band which we are encouraged to walk through. The neon green ground creates a hypnotic and almost another-world essence of a market square, and while we feel at home, we also feel as if we are in a different world.

Pity  written by Rory Mullarkey and Directed by Sam Pritchard is a crazy and mad, roller-coaster of a ride – it encounters the most ridiculous but yet still questions important social and political aspects. Politicians are made satire, war is a satire – this little town encounters everything ridiculous and bad that could ever happen, and will never happen all at once in 24hours.

The characters begin one dimensional – they are comedic, and unlike anyone we know. But as life deteriorates, they become more relatable.

Without giving away too much, there are so many surprises, so many hilarious moments, that it’s really hard to contain any of your emotions. Yet through the chaos, it is so well constructed, so perfect and seamless, that you can’t help but have a smile and laugh constantly throughout.

It’s really hard to review this show for the pure fact it is unlike anything I have ever seen – the creation of the narrative is beyond anyone’s brain, and yet someone has created such perfection in such disaster.

Pity is, probably one of the best shows I have ever seen. It ticks every box for me, although I can fully admit, it is probably not for everyone – the way the story line and the creation, with it being so far out, may not appeal to the traditional. But, by gosh, is it bloody good!

 

 

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