REVIEW: SECOND STAR TO THE RIGHT BY GEMMA TREHARNE-FOOSE

(4 / 5)

A Hijinx production really is a fabulous way of kicking off your Christmas celebrations. Following the success of The Snow Queen in 2016, Second Star to the Right by Llinos Mai is a re-telling of a familiar old tale. There’s a new dynamic this time. This story features three very modern, overstressed, selfie and health and safety-obsessed adults in place of children.

This time the Neverland newcomers are descendants of Michael, Jane and Wendy. As they navigate their way around the island, they learn to stop being so uptight and to dance, fly and synchronised-swim their cares away. Arthur – played by Simon Balmforth brings plenty of chuckles as he obsesses about the injury risks and dangers in Neverland and Blue Richards playing the part of Joe shines as a preening peacock – and he’s desperate to get back to his phone signal, hair wax and moisturiser. Alice meanwhile (played by Nia Ramage) is irritable and completely focused on getting to her meetings back in the city.

Created by Odyssey, a community group of disabled and non-disabled actors established by Hijinx Theatre Company, Second Star is more than ‘just’ a pre-Christmas show.

This year’s production is a celebration of a much-loved cast member Martin Vick, a long-standing performer with Hijinx for 15 years who sadly passed away in 2016. Martin had previously performed in Peter Pan and Wendy, travelled the world a special Olympian and more recently had performed with the award-winning Meet Fred, Directed by this production’s Artistic Director Ben Pettitt-Wade.

Odyssey theatre company is a community group brought together by Hijinx theatre company and don’t just create and devise imaginative theatre, they also run training academies to enable disabled actors to perform at a professional level. They’re the only company in Wales to do this. I was delighted to see Sara Pickard as the Captain in this show, having come across Sara in a professional capacity many months before.

The designer Kitty Callister and her assistants have created visually effective props and costumes – mixtures of slick modern black lines, whimsical multi-coloured bohemian and stripy sea dog gather under a star-kissed sky on window panels. Lost boy paint fights are depicted with handfuls of confetti and fairies are created via twinkling fairy lights. Its simple but creative, fitting the stripped back and intimate surroundings of the Weston Studio.

Attending a Hijinx show feels like you are part of the family, in on the joke and its informal nature is a great draw for families. This is theatre as it should be. Unselfconscious, approachable and completely inclusive.

The cast of actors have a wonderful synergy. Director Jon Dafydd-Kidd clearly has created an environment where actors of all abilities feed off one another’s energy, helping each other with the odd line and encouraging one another, just as Martin Vick had during his time with the company.

 

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