hang is a play that I don’t think I’m going to be able to escape for a very long time.5 / 5
It’s audience are hooked, latching on blindly to the arbitrary snippets of circumstance that debbie tucker green permits; pounded and cemented by the horror enchaining the character ‘3’ – played and endured by Anita Reynolds; writhing in the uncomfortability and awkwardness of lapsing social formalities; and laughing throughout.
The Other Room unwaveringly, and continuously are staging ground-breaking and bold theatre in Wales. In this partnership with Run Amok it is no different. Izzy Rabey’s direction is playful, fearless and truthful.
With an all Royal Welsh trained cast, performances are dependably spellbinding, spirited and exploratory and harmoniously attuned in this weighty three-hander. Seren Vickers’ breezy and oblivious brashness is wondrously complimented by Alexandria Riley’s assured discipline; eventually unravelling, grasping for an established formality.
But, Anita Reynolds is exceptional – and a f******g heavy weight. After running into her a few days after the performance I could not believe that she was not, a) suicidal, b) homicidal, or c) a moody bitch – she was delightful as normal. Her transformation, the truthfulness of her performance with modesty, respect and introspection – I was in awe to see her practicing what she preaches from ‘the church of Anita!’ – exclusive to YAS students at Royal Welsh.
Although minimal, technical aspects were similarly attuned and sensitive in the baring of characters. Set by Amy Jane Cook was successfully dull and abrasively unsympathetic
hang is a play about boundaries, and morals, and empathy – and its limits – loneliness and entrapment and pain and consequence. I think it’s quite important; so book your ticket, head down to Porter’s a buy yourself an alcoholic drink, and enjoy.
by Lauren Ellis-Stretch