“Why I am a 3rd Act Critic” by Barbara Michaels

3rd Act Critic Barbara Michaels gives a personal response to being a critic with Get the Chance.

With over half a century of reviewing under my belt, I can hardly remember a time when I wasn’t passionate about both music and theatre. This was intensified when I got my first job on a local paper. I was eighteen,  as the most junior member of the staff – and the only female in the days when women on newspapers were few and far between. I was expected to cover tasks such as weddings, flower shows and (to my delight) amateur dramatics.

This was a wonderful training ground which led to me covering professional theatre on my second paper. My big break came later, when I was working  freelance and also running a syndication agency. The reviewer covering a first night ballet performance at the Royal Opera House at Covent Garden was ill and asked if I could do it. I have always loved dance but had never previously reviewed a dance production so cut my teeth on the Creme de la Creme. To this day dance is my favourite of all the art forms  and – like all the arts – underfunded,  if I had the money (which, as an OAP, I don’t) I would support.

Opera in Wales is still regarded by some as only for the elite. This is far from being the case. Please give it a try! We are so fortunate in Wales to have the WNO – a world-class opera company performing in a wonderful venue. Their production of Richard Strauss’s Der Rosenkavalier, which I reviewed recently, was as near perfection as you are ever likely to see.

Review Der Rosenkavalier, WNO, Wales Millennium Centre Cardiff by Barbara Michaels

Life is busy for me. As well as reviewing I edit a community magazine and last year published my first book for young children, entitled WHAT’S THE MATTER WITH SLITHERS? The publication of the book, shortly;to be featured in a Cardiff book festival, coincided with the birth of my first great granddaughter Chloe Jo, and I am now expecting another great grandchild.

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