An Interview with Artist Emily Jones

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Illustration for The Emperor’s New Clothes

 Sherman Theatre and Theatr Iolo

All artwork copyright Emily Jones

Our project coordinator recently spoke to Cardiff based artist Emily Jones about her career to date and plans for the future.

Hi Emily great to meet you, can you give our readers some background information on yourself please?

12742821_1750981951798560_632608210184773208_nHello, I grew up in Tyneside but I’ve lived in Cardiff for ten years now. I studied illustration for children’s books at art college and that’s the branch of illustration I’m really passionate about. Although, I do enjoy drawing cartoons of Donald Trump and other political figures that I find ludicrous! Being an illustrator isn’t my full time job as I prefer the balance of being able to draw and paint when I want, without the worry or pressure of relying on it for an income.

So what got you interested in Illustration?

I had two lovely teachers in primary school and they encouraged me to draw. They made me realise that you could draw pictures for a living. I loved picture books in particular and I had my favourite illustrators who I aspired to be like. I think I’ve always been fascinated with images and how someone has created them.

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How has your career as an illustrator developed?

A few years ago, I began renting out an art studio so I had the space to work in a more professional manner rather than just working at home in front of the TV. This really changed things and along with posting my work on social media, I have slowly but surely become busier and better.

Your personalised pet portraits are particularly popular with your work appearing in 1000 Dog Portraits by Rockport Publishers? Can you tell our readers how you got involved in pet portraits? Do you have a favourite animal to illustrate?

I painted my partner’s dog Scooby and it all started from there. I showed the painting to a few people and before long I was being asked to paint their cat or dog. I think painting pets is a great way for any artist to get commissioned as it’s artwork that is really accessible for people to buy. I love painting all sorts of animal but the more animated the creature is, the more fun I find it to be.

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 Over the last two years you have been commissioned by The Sherman Theatre to produce images for the seasonal productions The Princess and The Pea and this year The Emperor’s New Clothes. Can you tell us how you approach illustrating such popular classics for the stage?

Well I begin by doing a lot of research on how other artists have illustrated the stories. I then do my best to create an image which is completely original as well as instantly recognisable. The images have to grab attention of both children and adults and hopefully it will make people want to see the show. I’ve loved illustrating these particular stories as they’ve both been so playful and silly.

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Do you have any illustrators or artists that inspire you?

There are tons! Quentin Blake has always been there as a favourite, as has Edward Gorey. They are experts at depicting characters with seemingly simple pen lines. Shaun Tan’s work is incredible and I wish I had a fraction of his talent! I love Júlia Sardà, David Roberts, Isabelle Arsenault, David Litchfield, Michael Sowa, Mateo Dineen, Rebecca Dautremer. They are a just a few! I study their work and try to figure out how they do what they do. They make me feel totally inferior but at the same time, inspire me and enthuse me to create my next best piece; which is definitely a good thing.

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If any of our readers are aspiring illustrators what advice could you offer them?

Draw as often as possible. It seems obvious but you have to practice. Drawing from life is a brilliant way to improve your skills and develop your style. Having a recognisable style is important and it’s something I haven’t mastered yet. But the more work I do, the more I learn and develop. I just wish there was more time in the day to draw!

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We believe you are currently working on your first children’s picture book, sounds exciting, can you tell us more?

I’ve almost finished the artwork for a lovely writer, Victoria Richards. She commissioned me an embarrassingly long time ago but the end is now in sight. We don’t have a publisher yet but we’re hopeful of finding one. It’s a great, magical story and the artwork is some of my best. We’ll definitely get it out in the public domain somehow.

What do you have planned for the future?

I’ll continue taking on commissions as and when I get them and I’m going to start illustrating my own stories to see where that takes me. Other than that, just continue to draw and paint.

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Thanks for your time Emily

You can see more of Emily’s work here; https://www.facebook.com/emilybobmandraws

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